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In the well-heeled milieu of New York's Upper East Side, coolly elegant Philippa Lye is the woman no one can stop talking about. Despite a shadowy past, Philippa has somehow married the scion of the last family-held investment bank in the city. And although her wealth and connections put her in the center of this world, she refuses to conform to its gossip-fueled culture. Then, into her precariously balanced life, come two women.
In this atmospheric and profoundly moving debut, Cathy and Daniel live with their father, John, in the remote woods of Yorkshire, in a house the three of them built themselves. John is a gentle brute of a man, a former enforcer who fights for money when he has to, but who otherwise just wants to be left alone to raise his children. When a local landowner shows up on their doorstep, their precarious existence is threatened, and a series of actions is set in motion that can only end in violence.
Two sisters - Miranda, the older, responsible one, always her younger sister's protector; Lucia, the headstrong, unpredictable one, whose impulses are huge and, often, life changing. When their mother dies and Lucia starts hearing voices, it is Miranda who must find a way to reach her sister. But Lucia impetuously plows ahead, marrying a bighearted, older man only to leave him, suddenly, to have a baby with a young Latino immigrant.
From the outside, Essie’s life looks idyllic: a loving husband, a beautiful house in a good neighborhood, and a nearby mother who dotes on her grandchildren. But few of Essie’s friends know her secret shame: that in a moment of maternal despair, she once walked away from her newborn, asleep in her carriage in a park. Disaster was avoided, and Essie got better, but she still fears what lurks inside her, even as her daughter gets older and she has a second baby.
Penelope Grand has scrapped her failed career as an artist in Pittsburgh and moved back to Brooklyn to keep an eye on her ailing father. She's accepted that her future won't be what she'd dreamed, but now, as gentrification has completely reshaped her old neighborhood, even her past is unrecognizable. Old haunts have been razed, and wealthy white strangers have replaced every familiar face in Bed-Stuy. Even her mother, Mirella, has abandoned the family to reclaim her roots in the Dominican Republic. That took courage. It's also unforgivable.
I have something for you. When Quinn Cruz receives that cryptic text message from her older sister Nora, she doesn't think much of it. They haven't seen each other in nearly a year. But when a haunted Nora shows up at the lake near Quinn's house just hours later, a chain reaction is set into motion that will change both of their lives forever. Nora's "something" is more shocking than Quinn could have ever imagined: a little girl, cowering, wide-eyed, and tight-lipped. Nora hands her over to Quinn with instructions to keep her safe, and then Nora disappears.
In the well-heeled milieu of New York's Upper East Side, coolly elegant Philippa Lye is the woman no one can stop talking about. Despite a shadowy past, Philippa has somehow married the scion of the last family-held investment bank in the city. And although her wealth and connections put her in the center of this world, she refuses to conform to its gossip-fueled culture. Then, into her precariously balanced life, come two women.
In this atmospheric and profoundly moving debut, Cathy and Daniel live with their father, John, in the remote woods of Yorkshire, in a house the three of them built themselves. John is a gentle brute of a man, a former enforcer who fights for money when he has to, but who otherwise just wants to be left alone to raise his children. When a local landowner shows up on their doorstep, their precarious existence is threatened, and a series of actions is set in motion that can only end in violence.
Two sisters - Miranda, the older, responsible one, always her younger sister's protector; Lucia, the headstrong, unpredictable one, whose impulses are huge and, often, life changing. When their mother dies and Lucia starts hearing voices, it is Miranda who must find a way to reach her sister. But Lucia impetuously plows ahead, marrying a bighearted, older man only to leave him, suddenly, to have a baby with a young Latino immigrant.
From the outside, Essie’s life looks idyllic: a loving husband, a beautiful house in a good neighborhood, and a nearby mother who dotes on her grandchildren. But few of Essie’s friends know her secret shame: that in a moment of maternal despair, she once walked away from her newborn, asleep in her carriage in a park. Disaster was avoided, and Essie got better, but she still fears what lurks inside her, even as her daughter gets older and she has a second baby.
Penelope Grand has scrapped her failed career as an artist in Pittsburgh and moved back to Brooklyn to keep an eye on her ailing father. She's accepted that her future won't be what she'd dreamed, but now, as gentrification has completely reshaped her old neighborhood, even her past is unrecognizable. Old haunts have been razed, and wealthy white strangers have replaced every familiar face in Bed-Stuy. Even her mother, Mirella, has abandoned the family to reclaim her roots in the Dominican Republic. That took courage. It's also unforgivable.
I have something for you. When Quinn Cruz receives that cryptic text message from her older sister Nora, she doesn't think much of it. They haven't seen each other in nearly a year. But when a haunted Nora shows up at the lake near Quinn's house just hours later, a chain reaction is set into motion that will change both of their lives forever. Nora's "something" is more shocking than Quinn could have ever imagined: a little girl, cowering, wide-eyed, and tight-lipped. Nora hands her over to Quinn with instructions to keep her safe, and then Nora disappears.
Clara Kelley is not who they think she is. She's not the experienced Irish maid who was hired to work in one of Pittsburgh's grandest households. She's a poor farmer's daughter with nowhere to go and nothing in her pockets. But the other woman with the same name has vanished, and pretending to be her just might get Clara some money to send back home.
Christopher J. Yates' cult hit Black Chalk introduced that rare writerly talent: a literary author who could create a plot with the intricacy of a brilliant mental puzzle and with absorbing characters. Yates' new audiobook does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting an Edenic hamlet some 90 miles north of New York City. There, three friends - Patrick, Matthew, and Hannah - are bound together by a terrible and seemingly senseless crime.
One warm, West Texas November night, a shy boy named Oliver Loving joins his classmates at Bliss County Day School's annual dance, hoping for a glimpse of the object of his unrequited affections, an enigmatic junior named Rebekkah Sterling. But as the music plays, a troubled young man sneaks in through the school's back door. The dire choices this man makes that evening - and the unspoken story he carries - will tear the town of Bliss, Texas, apart.
Rosa Guerrero beat the odds as she rose to the top of the corporate world. An attractive woman of a certain age, the longtime chief of human resources at Ellery Consumer Research is still a formidable presence, even if her most vital days are behind her. A leader who wields power with grace and discretion, she has earned the devotion and loyalty of her staff. No one admires Rosa more than her doting lieutenant Leo Smalls, a benefits vice president whose whole world is Ellery.
They meet at a local tavern in the small town of Belleville, Delaware. Polly is set on heading west. Adam says he's also passing through. Yet she stays, and he stays - drawn to this mysterious redhead whose quiet stillness both unnerves and excites him. Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other - dangerous, even lethal secrets. Then someone dies. Was it an accident or part of a plan? By now Adam and Polly are so ensnared in each other's lives and lies that neither one knows how to get away.
When a group of neighborhood women gathers, wine in hand, around a fire pit where their backyards meet one Saturday night, most of them are just ecstatic to have discovered that their baby monitors reach that far. It's a rare kid-free night, and they're giddy with it. They drink too much, and the conversation turns personal. By Monday morning, one of them is gone. Everyone knows something about everyone else in the quirky small Ohio town of Yellow Springs, but no one can make sense of the disappearance.
From the outside, the Davenports look like any other family living a completely ordinary life - until that devastating day when five-year-old Jonah is killed, and the family is torn apart. As the fury of guilt engulfs them, the Davenports slowly start to unravel, one by one. Losing her son forces Rachel to withdraw into a frayed, fuzzy reality. Her husband, Sam, tries to remain stoic, but he's consumed by regret with the choices he's made. Eden mourns her brother, while desperately fighting to regain a sense of normalcy.
Anna Fox lives alone - a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times...and spying on her neighbors. Then the Russells move into the house across the way: a father, mother, their teenaged son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn't, her world begins to crumble. And its shocking secrets are laid bare.
Zadie Anson and Emma Colley have been best friends since their early 20s, when they first began navigating serious romantic relationships amid the intensity of medical school. Now they're happily married wives and mothers with successful careers - Zadie as a pediatric cardiologist and Emma as a trauma surgeon. Their lives in Charlotte, North Carolina are chaotic but fulfilling, until the return of a former colleague unearths a secret one of them has been harboring for years.
When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother's home to Manhattan, where no one knew about her tragic past.
It is 1988. On a dead-end street in a run-down suburb there is a music shop that stands small and brightly lit, jam-packed with records of every kind. Like a beacon, the shop attracts the lonely, the sleepless, and the adrift; Frank, the shop's owner, has a way of connecting his customers with just the piece of music they need. Then, one day, into his shop comes a beautiful young woman, Ilse Brauchmann, who asks Frank to teach her about music.
At the end of a long and useful life, Penelope Keeling's prized possession is The Shell Seekers, painted by her father and symbolizing her unconventional life, from bohemian childhood to wartime romance. When her grown children learn their grandfather's work is now worth a fortune, each has an idea as to what Penelope should do. But as she recalls the passions, tragedies, and secrets of her life, she knows there is only one answer...and it lies in her heart.
From a writer who's been praised for her "intelligence, heart, wit" (Richard Russo, Pulitzer Prize-winning author of Empire Falls), The Ice House follows the beleaguered MacKinnons as they weather the possible loss of the family business, a serious medical diagnosis, and the slings and arrows of familial discord.
Johnny MacKinnon might be on the verge of losing it all. The ice factory he married into, which he's run for decades, is facing devastating OSHA fines following a mysterious accident and may have to close. The only hope for Johnny's livelihood is that someone in the community saw something, but no one seems to be coming forward. He hasn't spoken to his son Corran back in Scotland since Corran's heroin addiction finally drove Johnny to the breaking point.
And now, after a collapse on the factory floor, it appears Johnny may have a brain tumor. Johnny's been ordered to take it easy, but in some ways, he thinks, what's left to lose? This may be his last chance to bridge the gap with Corran - and to have any sort of relationship with the baby granddaughter he's never met.
Witty and heartbreaking by turns, The Ice House is a vibrant portrait of multifaceted, exquisitely human characters that listeners will not soon forget. It firmly establishes Laura Lee Smith as a gifted voice in American fiction.
I had enjoyed this author's first book, "West of Palm", so I purchased this pretty much without reading reviews. Maybe it's a case of sophomore slump, but this one is not as engaging as her first book. I thought the pacing was slow, most of the characters were abrasive, and the ending was anti-climatic. I also felt that the narrator was wrong for this story. He tried to use a Scottish accent, but something in his reading just didn't work for me. This was a disappointment.