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Narrado por:
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Avi Roque
Acerca de esta escucha
A lasting impression is worth killing for.
In New York City everybody needs a side hustle, and perfumer Vic Fowler has developed a delicate art that has proved to be very lucrative: creating bespoke scents that evoke immersive memories - memories that, for Vic’s clients, are worth killing for. But the city is expensive, and these days even artisanal murder doesn’t pay the bills. When Joseph Eisner, a former client with deep pockets, offers Vic an opportunity to expand the enterprise, the money is too good to turn down. But the job is too intricate - and too dangerous - to attempt alone.
Manipulating fellow struggling artists into acting as accomplices is easy. Like Vic, they too are on the verge of burnout and bankruptcy. But as relationships become more complicated, Vic’s careful plans start to unravel. Hounded by guilt and a tenacious private investigator, Vic grows increasingly desperate to complete Eisner’s commission. Is there anyone - friends, lovers, coconspirators - that Vic won’t sacrifice for art?
©2022 Lara Elena Donnelly. (P)2021 Brilliance Publishing, Inc., all rights reserved.Los oyentes también disfrutaron...
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this is awful
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One of the narrators was too breathy
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When novelist Andy Drake returns to his hometown to care for his ailing father, a reconnection with his childhood friend Rachel escalates into a secret love affair. For Rachel, struggling to maintain the facade of a picture-perfect life, it’s an escape from an emotionally abusive marriage. Then Andy receives an anonymous note warning him to end the affair. Or else.
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this is awful
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good story, terrible voices
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In the elite world of luxury real estate, it is often kill or be killed, something agent Andi Hart knows all too well—and after recent events, she’s ready to set her own rules. So when her boss challenges the team to find a buyer for a glitzy Malibu beach house, with a prize commission of a cool $1 million, she knows it’s her ticket to a new life. But she’s not the only one who not only wants but needs the money. Each of her four colleagues has secrets they’re eager to hide—secrets $1 million would go a long way in concealing.
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The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.
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Charlie Hall has never found a lock she couldn’t pick, a book she couldn’t steal, or a bad decision she wouldn’t make. She's spent half her life working for gloamists, magicians who manipulate shadows to peer into locked rooms, strangle people in their beds, or worse. Gloamists guard their secrets greedily, creating an underground economy of grimoires. And to rob their fellow magicians, they need Charlie Hall.
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Just what I was expecting, but maybe not for all
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After artist Claire Beaudry Chase is attacked and left for dead in her home on the Connecticut coast, she doesn’t know who she can trust. But her well-connected husband, Griffin—who is running for governor—is her prime suspect. Just before the attack, Claire was preparing for an exhibit of her shadow boxes, one of which clearly accuses Griffin of a violent crime committed 25 years ago.
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A lot of build up to a meh ending.
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Legal investigator Finley O’Sullivan searches for evidence the police overlooked, wading through secrets, lies, and betrayal to find answers. With the unsolved murder of her husband still very much on her mind, Finley must confront her own personal trauma on a daily basis. Lies are part of her livelihood, but they’re also the reason she can’t get justice for the man she loved. When a man imprisoned for murder recants his confession, claiming he cleaned up the mess for his girlfriend—the victim’s own daughter—Finley takes on the case.
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Okay but...
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Like Me
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General
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Narración:
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Historia
Though beautiful, cunning, and privileged, nineteen-year-old Mickey finds herself with a stalled modeling career, an escalating drinking problem, few friends, and next to nothing in the bank. To numb her growing despair, she spends her days frantically refreshing her Instagram feed, obsessively tracking the movements of Insta-famous model Gemma Anton. Mickey sees Gemma as a perfected version of herself. Gemma is living a seemingly perfect life: a skyrocketing career, a famous boyfriend, and adoring followers. It’s the life Mickey wants more than anything.
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Was a good book really. But … no trigger warning in description but in recording there is in addition to other issues below
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Blackout
- A Thriller
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General
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Narración:
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Historia
Seven hard-won months into her sobriety, sociology professor Maris Heilman has her first blackout. She chalks it up to exhaustion, though she fears that her husband and daughter will suspect she’s drinking again. Whatever their cause, the glitches start becoming more frequent. Sometimes minutes, sometimes longer, but always leaving Maris with the same disorienting question: Where have I been?
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A recovering alcoholic experiencing blackouts
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The Secret Witness
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General
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Historia
This is Reaper speaking. So begins an anonymous letter published in a Utah newspaper after a young couple is viciously murdered. Tooele County sheriff Elizabeth Gray leads the investigation into the double homicide, which is eerily reminiscent of a string of brutal killings years ago. When the letter leads detectives to yet another body, Gray calls on an old friend for help.
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Too Much
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De: Victor Methos
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A Day Like This
- A Novel
- De: Kelley McNeil
- Narrado por: Amanda Leigh Cobb
- Duración: 9 h y 3 m
- Versión completa
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General
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Narración:
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Historia
Annie Beyers has everything - a beautiful house, a loving husband, and an adorable daughter. It’s a day like any other when she takes Hannah to the pediatrician…until she wakes hours later from a car accident. When she asks for her daughter, confused doctors tell Annie that Hannah never existed. In fact, nothing after waking from the crash is the same as Annie remembers. Five happy years of her life apparently never happened.
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Great writing and narration
- De Anonymous User en 11-29-21
De: Kelley McNeil
Reseñas de la Crítica
“Scent is everything in Donnelly’s unique, voluptuous thriller…Manhattan’s beau monde served up in juicy, evocative prose.”—Kirkus Reviews
“This intoxicating thriller keeps the reader guessing. With luck, Vic will be back for an encore.”—Publishers Weekly
“Art. Love. Scent. And murder. Lara Elena Donnelly’s new book has it all.”—Salon
Lo que los oyentes dicen sobre Base Notes
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Total
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Ejecución
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Historia
- Sue D.
- 02-04-22
Could Have Been Great
The story itself is interesting. Slow but necessary to the set up. IMO as if Patricia Highsmith wrote “American Psycho”. But what lowers the audiobook appreciation level is the narration. He reads in short sound bytes, often breaking sentences into phrases, disrupting the flow. He has a non- New Yorker accent with hard “D’s” and despite the urban familiarity, pronounced it Yew-ston Street, instead of House-ton (as everyone in the NY area knows). If that doesn’t bother you, it’s worth a listen.
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Ejecución
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Historia
- Hunter T
- 10-27-22
The narrator is horrible!
I often wondered if the narrator was doing something else whilst narrating this book - maybe having a V8, walking the dog or driving the kids to school? Horrible. It made it hard to get into the story. The storyline had promise but the narrator killed that and the ending could have been better.
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Ejecución
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Historia
- Amazon Customer
- 04-10-22
Most Unusual
When you don't like the main character, and never do - even as the story continues - it's difficult to actually like a book, and even harder to recommend it And yet, I liked this story. The more I listened, the more I couldn't stop. And I will recommend it, with some reservation. It's written in a beautifully crafted and unique voice - like none I've never heard before.
A NYC perfumist who kills people to acquire scents is the foundation for Vic Fowler's monologue - the story he directly tells to you. If you're willing to take in his story, losing characters along the way, then by all means dive into it, and enjoy the unravelling ride.
The reader is brilliant - relaying with accurate self-absorption & cold-hearted feeling - Vic's myopic perspectives on life, love, and the challenges he can only solve through murder.
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Historia
- The Other Emily Blunt
- 02-16-22
Narrator Disctracts, Story a Bit Too Meh
The idea is twistedly brilliant = turning people you've been hired to kill into perfume for the client ala scent trophies. But it swings way off into too many can-not-go-with-it branches; even for a clearly fantastical story The killer is just not 'special', and believing 'they' can manipulate others into murder, real murder, for paper thin reasons (really)? Hmm. Trying to hold on to the story gets painful due to its blatant errors in logic. But, the real throwing force is the narrators odd, annoying style. The verbal flow is wildly off...stop/starts that leave you thrown back a few sentences = "I went to the store..................(pause)................it was the smell of Snapple." Big long pauses. But, the sentence/thought is not done. And, what flavor of Snapple? Or the wrong word emphasis making a sentence nonsensical. Since nitpicking, there's also the odd, jarring, soft 'tt' over and over; for-otin, is forgeTTen, gah-in' is goTTen etc. etc. Sad as the performance could have been great; it was awful I pre-ordered the audio...mistake. Always listen to a narrator before committing. Skip this.
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Historia
- Summer Jones
- 07-18-24
Rough. Can't believe I actually finished it.
Bad doesn't cover it. it's so into itself it's painful to read. Nothing flows, the main character/narrator is annoying, pedantic, and ridiculous. Somehow we are supposed to believe he has a basically supernatural power to endow perfumes with memories or something? just go look at the quotes on good reads before reading this. Hours of my life I will never get back
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