
Baldwin’s Legacy Boxed Set
Baldwin's Legacy Series, Books 1-6
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Compra ahora por $34.39
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Narrado por:
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James Patrick Cronin
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De:
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Nathan Hystad
The complete Baldwin's Legacy series.
Confrontation: Thomas Baldwin has been appointed captain of the state-of-the-art cruise ship Constantine, named after his heroic grandfather. When their first diplomatic mission turns deadly, all signs point to the return of a former adversary, one the Concord claims to have defeated five decades earlier.
Unification: The Concord is in shambles after the return of the Statu, but under the guidance of the Zilph'i, trust is slowly being rebuilt.
Culmination: Captain Thomas Baldwin and the crew of Constantine have saved the Concord from the Assembly and are tasked with bringing them to prison.
Hierarchy: Captain Thomas Baldwin has made a name for himself in a short period of time. The Statu have finally been defeated, and the Concord has Tom and his crew to thank for the victory.
Lineage: Thomas Baldwin transfers to Ridele, the capital of Nolix, and the center of the Concord political arena. He must navigate the new role, while his former crew sets off on an important mission without him.
Legacy: Admiral Thomas Baldwin has more to live for after the recent news. All eyes are on him as the biggest war in Concord Space history begins in earnest.
©2019, 2020 Nathan Hystad (P)2021 TantorListeners also enjoyed...




















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Book but this one was awesome
Great Storytelling
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Really Entertaining
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Like a great TV Series! So good.
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such a great series.
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unique story elements
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Tuned in for more every day
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Fun ride, hampered eventually by grammar?
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There are three important things to note about anyone telling a story:
1. There are some authors whose ability with the English language is excellent but whose ability in creating a really satisfying story completely sucks.
2. There are a number of authors whose ability with the English language is excellent and whose storytelling ability is commensurate with that.
3. There are some authors whose storytelling ability is excellent, who can create entirely believable worlds and easily suspend the eff out of my disbelief, who can create characters with distinct personalities, and who can create characters the reader genuinely cares about, whether deeply loving or thoroughly detesting them, but whose abilities with certain basics of the English language leave room for improvement. There are two remedies for this; they are overlapping and both indispensable: A. Continued experience with the English language and B. A good editor.
The author of this series belongs to the third category and the publishing company has let him down by failing to provide a good editor.
The level of clunkiness was not extreme, diminished over the course of the series, and mostly consisted of things like this: “…he took a deep inhale…he released his exhale…” or “…he hovered a finger over…” or the use of “ground” to refer to the floor of a building or vehicle, and other things of this nature. The actual sentence structure was generally very good and seldom any problems with disparity between subject and verb with respect to number other than the typical use of “they” to refer to a single individual and probably done out of habit arising from absurd fear of using “he” or “she” and related pronouns, too often seen nowadays among either the pronoun paranoid or the pronoun pathological who have been working like busy little beavers to instill in the former the aversion to the realities of languages with pronouns that refer to both gender and number. There are other ways around most of them and a good editor could have suggested them. As for the rest, take a stand. If a character is female, use “she” and “her” and if male, have the balls or at least respect for the English language to use “he,” “his,” and “him” and strike a blow against the abuse of literature by these political linguistic terrorists.
That said, I will gladly spend more money on other books by this author because his storytelling ability is strong and will only continue to grow at the same time the number of verbal clunkers will decrease.
The narrator is always important and either enhances (such as Frank Muller, Oliver Wyman, or Barbara Rosenblat, to mention a few of the greats) or ruins a story (such Stephen King or Balki. I refer to an actor from Beverly Hills Cop by a character name from his TV series. His narration (sometimes extremely good—basic qualities of voice and characterization are always good, other times extremely bad—the narration equivalent of purple prose; for example, the phrase “he heard the claws scraping across the floor” adequately conveys what’s going on; no one needs to hear the slow, exaggerated pronunciation of the word “scraaaaaping”) is so inconsistent that I will never risk another credit on it—and I buy a LARGE number of extra credits every month). This narrator does a very good job, with no over-acting, and will only get better; and he has many years to go before he reaches the age of George Guidall.
I recommended the audio recording of this series and look forward to others by this author and narrator. I will purchase the next in the series as soon as I hit submit (but, please, anybody at Audible that can get the word to Balki to knock it the hell off so I can purchase books he narrates and enjoy rather than endure them, I’d appreciate it.
A VERY Enjoyable Series
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surprised to be hooked
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bello
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