-
戯作三昧
- Narrated by: 遠藤 みやこ
- Length: 1 hr and 20 mins
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Publisher's summary
才気にあふれ、世話好きな性格は周りの人々を惹きつけ、たくさん悩みながらもよく笑い、よくしゃべる人だったそうです。
そんな芥川は、東京帝国大学に入学した翌年、高校の同級だった久米正雄らと共に第三次「新思潮」を創刊し、小説や翻訳を発表しました。
次いで第四次「新思潮」を創刊の際に掲載した『鼻』が夏目漱石に認められ、文壇に登ることとなりました。
その後新聞社に入社し、記者としてではなく専業作家として意欲的に執筆活動を続けました。
芥川は、漱石や森鴎外から文体や表現の影響を受けたり、キリシタンもの、江戸を舞台にしたものなど題材に応じて文体を変えたりと、意識的な小説の書き方をしていました。
また、鈴木三重吉により創刊された児童雑誌「赤い鳥」には、初となる童話作品『蜘蛛の糸』を発表、その後も同雑誌を中心に童話作品を相次いで発表し、幅広く作品を世に残しています。
天保二年九月のある午前である。
神田同朋町の銭湯松の湯では、朝から相変らず客が多かった。式亭三馬が何年か前に出版した滑稽本の中で、「神祇、釈教、恋、無常、みないりごみの浮世風呂」といった光景は、今もそのころと変りはない。
風呂の中で歌祭文を唄っている嚊たばね、上がり場で手拭をしぼっているちょん髷本多、文身の背中を流させている丸額の大銀杏、さっきから顔ばかり洗っている由兵衛奴、水槽の前に腰を据えて、しきりに水をかぶっている坊主頭、竹の手桶と焼き物の金魚とで、余念なく遊んでいる虻蜂蜻蛉、――狭い流しにはそういう種々雑多な人間がいずれも濡れた体を滑らかに光らせながら、濛々と立ち上がる湯煙と窓からさす朝日の光との中に、糢糊として動いている。そのまた騒ぎが、一通りではない。
第一に湯を使う音や桶を動かす音がする。それから話し声や唄の声がする。最後に時々番台で鳴らす拍子木の音がする。だから柘榴口の内外は、すべてがまるで戦場のように騒々しい。そこへ暖簾をくぐって、商人が来る。物貰いが来る。客の出入りはもちろんあった。その混雑の中に――
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