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Tristan und Isolde
- Narrated by: Christopher Cook
- Length: 1 hr and 19 mins
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Tristan und Isolde
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This audiobook investigates the revolutionary character of Wagner's opera Tristan and Isolde. Author and narrator Christopher Cook combines historical, musical, and critical information. He presents nuanced guidance to this stunning opera. Pointing out the radical nature of its composition in the context of western classical music, Cook leads listeners deep into the psychological heart of this tragic love story. Listeners will be shocked to learn some of philosophy that went on in the composition of the opera - for example, that the stage represented consciousness for Wagner, while the pit orchestra was supposed to be the "deep unconscious" of man. Cook's clear, engaging narration, combined with generous clips from the opera itself, will keep listeners from being pressing pause on this audiobook.
Publisher's summary
Tristan und Isolde centers around two lovers who dream of romantic love and yearn for oblivion. No composer had written such a work before. Turning his back on traditional tonality, Wagner changed the course of Western music with Tristan und Isolde. But there’s also fact behind the fiction: while he wrote his opera, Wagner was in love with another’s man’s wife, Mathilde Wesendonk. So Tristan and Isolde are also Richard and Mathilde.
Christopher Cook explores the making of a masterpiece, the story of lovers gripped by a passion that can only be consummated beyond the grave, a forbidden love that is blind to duty, honor and social obligation.
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- Narrated by: Brooke Bloom, Lynn Collins, Charlotte Surak
- Length: 1 hr and 28 mins
- Original Recording
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Overall2.5 out of 5 stars 1,027
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Performance3.5 out of 5 stars 971
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Story2.5 out of 5 stars 969
Ashling is every busy parent’s dream: a professional nanny with experience and a warm, sunny attitude. But from the moment Mary hires her to look after her young children, things start to feel just a little...off. Are Mary’s stressful work schedule and lack of sleep playing games with her own sanity, or has she welcomed an unstable troublemaker into her home?
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2 out of 5 stars
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Not sure what the point was
- By Kari on 09-21-23
By: Erica Schmidt
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Little House in the Hollywood Hills
- A Bad Girl's Guide to Becoming Miss Beadle, Mary X, and Me
- By: Charlotte Stewart, Andy Demsky
- Narrated by: Charlotte Stewart, Andy Demsky
- Length: 10 hrs and 17 mins
- Unabridged
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Overall5 out of 5 stars 128
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Performance5 out of 5 stars 118
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Story4.5 out of 5 stars 118
Charlotte Stewart is known by millions of fans worldwide for her role as the beloved schoolteacher, Miss Beadle, on the iconic TV show, Little House on the Prairie, currently broadcast in syndication in more than 100 countries around the world. Here for the first time an adult cast member writes about the experience of making the show - the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships.
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5 out of 5 stars
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Excellent and Entertaining
- By Fla on 09-18-17
By: Charlotte Stewart, and others
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Petty: The Biography
- By: Warren Zanes
- Narrated by: Warren Zanes
- Length: 13 hrs and 57 mins
- Unabridged
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Overall4.5 out of 5 stars 2,042
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Performance4.5 out of 5 stars 1,816
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Story4.5 out of 5 stars 1,812
No one other than Warren Zanes, rocker and writer and friend, could author a book about Tom Petty that is as honest and evocative of Petty's music and the remarkable rock and roll history he and his band helped to write. Born in Gainesville, Florida, with more than a little hillbilly in his blood, Tom Petty was a Southern shit kicker, a kid without a whole lot of promise. Rock and roll made it otherwise.
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5 out of 5 stars
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Tom Petty gets some bio love
- By tru britty on 12-15-15
By: Warren Zanes
What listeners say about Tristan und Isolde
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Adeliese Baumann
- 03-30-13
To this loveliest of all dreams...
If "Der fliegende Holländer" is Wagner 101, "Tristan und Isolde" is a graduate course.
Travel, magic, mystery, turmoil, torment, deception, love, desire, denial, consummation, and death: all these elements and more are present in this opera. And as author Christopher Cook rightly says, the work which was "never intended to be a romantic love story" also "refuses to conform to any single meaning."
The author presents his intriguing insights with contributions from additional narrators and musical excerpts. He discusses the details of Wagner's initial inspiration, including his tempetuous affair with Mathilde Wesendonck.
Wagner said he embarked on the work because "never in my life having enjoyed the true happiness of love," he would create this opera as "a memorial to this loveliest of all dreams, from which, from first to last, love shall for once find utter repletion."
The music of "Tristan und Isolde" was nothing less than revolutionary with its (now-famous) "Tristan chord," and the prolonged unfinished cadences and harmonic suspensions which reflect the interior drama of the characters. From the first notes to the final "Mild und leise wie er lächelt," Wagner presented innovations that did nothing less than change the course of western music forever. With our modern ears, all too used to movie soundtracks and dramatic effects, we might not realize just how provocative these musical effects were in Wagner's day.
Friedrich Nietzsche was moved to write that the opera expressed "the insatiable and sweet craving for the secrets of night and death." Clara Schumann called it "the most repugnant thing I've ever seen or heard."
One thing is certain: it is not an opera which provokes indifference. And for all that it contributed to the development of music, it's worth at least one listen, if not one hundred. May you find magic in it.
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