Mostrando resultados por narrador "Vera Chok" en Todas las categorías

An unlikely duo—Professor Peter Singer, a preeminent philosopher and professor of bioethics, and Venerable Shih Chao-Hwei, a Taiwanese Buddhist monastic and social activist—join forces to talk ethics in lively conversations that cross oceans, overcome language barriers, and bridge philosophies. The eye-opening dialogues collected here share unique perspectives on contemporary issues like animal welfare, gender equality, the death penalty, and more. Together, these two deep thinkers explore the foundation of ethics and key Buddhist concepts.

One autumn morning, Jia Jia walks into the bathroom of her lavish Beijing apartment to find her husband dead. One minute she was breakfasting with him and packing for an upcoming trip, the next, she finds him motionless in their half-full bathtub. Like something out of a dream, next to the tub Jia Jia discovers a pencil sketch of a strange watery figure, an image that swims into Jia Jia's mind and won't leave.

Despite all of the odds, Joan achieved the impossible. She reset the timeline, saved her family – and destroyed the hero, Nick. But her success has come at a terrible cost. She alone remembers what happened. Now, Aaron, her hard-won friend – and maybe more – is an enemy, trying to kill her. And Nick, the boy she loved, is a stranger who doesn’t even know her name. Only Joan remembers that a greater and more dangerous enemy is still out there. When a deadly attack forces Joan back into the monster world, she finds herself on the run with Nick – as Aaron closes in.

When Ella Leonard arrives at work one Monday morning, she's stunned. The place isn't just shut – it's gone. Boarded up, closed down. Days later, she gets home to find she's been evicted from her flat, her belongings piled on the doorstep. It's as if, bit by bit, someone is taking her entire life away from her. Who, and why? And how much worse can it get? The answer? A lot worse.

The Chu siblings haven’t seen each other in years but when they’re told that their ailing mother is scheduled for an operation next month, they agree to visit her together. Then their mother makes an odd request: before seeing her, they must go on a road trip together to the Grand Canyon. Thirty years ago, a strange incident had aborted a previous family road trip there. No one’s ever really spoken about it, but during this journey, the middle-aged Chu siblings have no choice but to confront their childhood experience.

Joan has failed to stop Eleanor. Now Eleanor rules over a cruel new timeline where monsters live openly among humans, preying on them and subjugating them. Nick—once a hero to humans, and Joan’s first love—is tormented by the choice he made to save her over the timeline itself. And Aaron—the ruthless heir to a powerful monster family—now finds himself in a world where monsters have power beyond imagining while his feelings for Joan grow.

The sweeping romance of Passenger meets the dark fantasy edge of This Savage Song in this stunning contemporary fantasy debut from Vanessa Len, where the line between monster and hero is razor thin.

In a daring and deadly heist, thieves have made away with an artifact of terrible power - the death mask of Louis Charbon. Made by a master craftsman, it is imbued with the spirit of a monster from history, a serial murderer who terrorized the city. Now Charbon is loose once more, killing from beyond the grave. But these murders are different from before, not simply random but the work of a deliberate mind probing for answers to a sinister question.

1941. Following the Japanese invasion of Shanghai, the wealthy Tang family has settled in Hong Kong, believing it to be protected under British occupation. As the First Wife of the family, Mingzhu leads a glamorous, if at times lonely, existence—mothering the son of her husband’s concubine, overseeing her daughter Qiang’s education, and directing their household of servants, including her long-time confidante, Biyu. But when the Japanese invade Hong Kong, the paths of Mingzhu, Qiang, and Biyu wildly diverge.

“I am Miss Frankenstein, I am the bottom of the bell curve.” So declares Szu, a teenager living in a dark, dank house on a Singapore cul-de-sac, in this richly atmospheric and surprising tale of non-belonging and isolation. Friendless and fatherless, Szu lives in the shadow of her mother Amisa, once a beautiful actress - who gained fame for her portrayal of a ghost - and now a hack medium performing séances with her sister in a rusty house. When Szu meets the privileged, acid-tongued Circe, an unlikely encounter develops into a fraught friendship that will haunt them both for decades.

Charles Goh has always played by the rules. It’s how he survived his difficult childhood as the swotty foreigner at a posh English boarding school—and now, his high-pressure job at one of the biggest corporate law firms in London. His job is his life and he's happy that way … until she shows up.

1941. The wealthy Tang family has settled in Hong Kong after fleeing Shanghai. As the First Wife of the family, Mingzhu leads a glamorous but lonely existence - mothering the son of her husband's concubine, overseeing her daughter Qiang's education, and directing their household of servants, including her long-time confidante, Biyu. When the Japanese invade the island, the three women's paths wildly diverge. Mingzhu's affinity for languages spares her physical labour but she's coerced into serving an enemy captain.

Jenny Lau always found herself sitting between cultures, connected to both east and west. Hungry to understand herself, she threw herself into researching the Chinese food of her heritage. The result is An A-Z of Chinese Food - a surprising, compelling and deliciously enriching anthology that uses food to explore who we are and how we relate to the world.

For three years, Song Yan has filled the emptiness of her Beijing apartment with the tentative notes of her young piano students. She gave up on her own career as a concert pianist many years ago, but her husband Bowen, an executive at a car company, has long rebuffed her pleas to have a child. He resists even when his mother arrives from the southwestern Chinese region of Yunnan and begins her own campaign for a grandchild. As tension in the household rises, it becomes harder for Song Yan to keep her usual placid demeanor.

One morning in autumn, just after breakfast, Jia Jia finds her husband dead in the bathtub of their Beijing apartment. Next to him is a piece of folded paper, a sketch of a strange creature from his dream. He has left her no other sign. Young, alone and with many unanswered questions, Jia Jia sets out on a journey. Starting at her neighbourhood bar, fuelled by anger, bewilderment, curiosity and love, she travels from nocturnal Beijing to the high plains of Tibet, deep into her past in order to arrive at her future.

Winner of the Epigram Books Fiction Prize ‘Slick, sharp . . . a joy to read’ - Tash Aw, author of Five Star Billionaire Jasmine Leong is the heiress apparent to Phoenix, her family’s billion-ringgit company known especially for its pork snacks. When her grandmother, the great Madame Leong...

Child of Air, Water, Earth or Fire: now that she is 13, Storm must undertake The Choosing and be claimed by one of the Elementals, which will determine her whole life’s work. But for Storm, daughter of a father murdered by Water and a warrior mother claimed by Earth, there will be no easy destiny. The Elementals bestow her with a great and terrible gift. Storm-bringer. Storm-rider. Storm-queller. Storm has powers that no one, not even the island Elders, can understand.

After Joan's failed attempt to save the world, Eleanor now rules over a cruel new timeline where monsters live openly among humans, preying on them and subjugating them. Nick -once a hero to humans, and Joan's first love - is tormented by the choice he made to save her over the timeline itself. And Aaron - the ruthless heir to a powerful monster family - now finds himself in a world where monsters have power beyond imagining while his feelings for Joan grow.

For three years, Song Yan has filled the emptiness of her Beijing apartment with the tentative notes of her young piano students. With her marriage, she gave up on her own career as a concert pianist, but her husband Bowen has long rebuffed her desire to have a child. Instead, she must accommodate her mother-in-law, newly arrived from the province of Yunnan and bringing with her long-buried family secrets. Soon strange parcels start to show up on the doorstep and Song Yan's dreams become troubling and claustrophobic.

How does it feel to be constantly regarded as a potential threat, strip-searched at every airport? Or be told that as an actress, the part you're most fitted to play is 'wife of a terrorist'? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go 'home' to India when your home is really London?