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The Girl Who Played with Fire  Por  arte de portada

The Girl Who Played with Fire

De: Stieg Larsson, Reg Keeland - translator
Narrado por: Simon Vance
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Reseñas editoriales

Stieg Larsson was a crusading Swedish journalist, committed to the fight against political extremism and racism in his home country. In his spare time he completed a trilogy of striking crime novels, which he delivered to his publishers just before his untimely death in 2004. The first novel, The Girl with the Dragon Tattoo, centred on Mikhail Blomkvist, a crusading journalist with a social conscience; its sequel, The Girl Who Played with Fire, shifts focus onto the socially awkward computer hacker Lisbeth Salander, who becomes entangled in an investigation into sex trafficking, murder, and establishment corruption. This unusual central character is the story's main strength, allowing it to stand apart from the raft of contemporary and classic crime novels which Larsson fondly draws on. An expert hacker and mathematics-obsessive, Salander is a clenched fist of a character; difficult, psychologically traumatised, and capable of extreme violence.

Simon Vance endows her with the accent of an East London street urchin, a fitting voice for this embattled woman. While his narration is crisp, Vance's other characters range from working-class Northern English accents for Blomkvist, assorted police, and journalists, while others are given accents somewhere between Scandinavian and Bela Lugosi. However, as the plot thickens, such incongruities are forgotten, and a compelling social reality is created by Vance's skilled performance, which includes a sensitive rendition of a stroke victim's voice. Vance's cool delivery also suits the reportage feel of much of the writing; characters are introduced through their occupation, address, and educational background, while a mass of tiny observations (such as coffee mugs decorated with the logo of the civil service union) at times convey the tone of a police report. It is a tribute to Vance's delivery that the narrative thrust carries the accumulation of detail effortlessly from one action-packed set-piece to the next.

Larsson's published books have been a European phenomenon, due less, perhaps, to any narrative or thematic innovations as to the author's visceral anger at social injustice and the mistreatment of the vulnerable, particularly women. Violence against women is the work's central motif: the Swedish title of the first book in the series translates as Men Who Hate Women, and Salander is "the woman who hates men who hate women". In fact, there is an element of salacious revenge fantasy to much of her actions as she fights fire with fire; the story treads a fine line between condemning sadism and revelling in sadistic imagery. The real enemy of the tale is institutionalised machismo: policemen are loutish, rape is endemic, and villains enjoy guns, motorbikes, and magazines about motorbikes. Everyone, meanwhile, summers in wood shacks in the Swedish countryside.

While very much part of a larger whole (there are numerous references to events that occurred in the first part of the trilogy), The Girl Who Played with Fire stands alone as a highly enjoyable, if not always smooth - and often disquieting - mixture of classic crime tropes, searing violence, and vivid characterization. Dafydd Phillips

Resumen del Editor

The electrifying follow-up to the phenomenal best seller The Girl with the Dragon Tattoo ("An intelligent, ingeniously plotted, utterly engrossing thriller" The Washington Post), and this time it is Lisbeth Salander, the troubled, wise-beyond-her-years genius hacker, who is the focus and fierce heart of the story.

Mikael Blomkvist, crusading journalist and publisher of the magazine Millennium, has decided to publish a story exposing an extensive sex trafficking operation between Eastern Europe and Sweden, implicating well-known and highly placed members of Swedish society, business, and government.

On the eve of publication, the two reporters responsible for the story are brutally murdered. But perhaps more shocking for Blomkvist: the fingerprints found on the murder weapon belong to Lisbeth Salander.

Now, as Blomkvist, alone in his belief in her innocence, plunges into his own investigation of the slayings, Salander is drawn into a murderous hunt in which she is the prey, and which compels her to revisit her dark past in an effort to settle with it once and for all.

Listen to the rest of The Millennium Trilogy.
©2009 Stieg Larsson (P)2009 Random House

Reseñas de la Crítica

“Boasts an intricate, puzzle-like story line . . . even as it accelerates toward its startling and violent conclusion.” (Michiko Kakutani, The New York Times)
“[A] gripping, stay-up-all-night read.” ( Entertainment Weekly)
“Gripping stuff. . . . A nail-biting tale of murder and cover-ups.” ( People)

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If you're looking for an audiobook in an accent, check out these listens from our favorite British narrators. Authenticity is something many listeners value in their audiobook experiences, and that often boils down to narration style and accents. Although so many audiobooks are narrated by many talented actors with wide ranges, sometimes it's just nice to listen to an audiobook performed by someone in their native accent. If you're searching for the best British narrators, look no further. We’ve done the tough job of picking just ten of our favorite British narrators that you'll love listening to.

Lo que los oyentes dicen sobre The Girl Who Played with Fire

Calificaciones medias de los clientes
Total
  • 4.5 out of 5 stars
  • 5 estrellas
    23,573
  • 4 estrellas
    6,515
  • 3 estrellas
    1,326
  • 2 estrellas
    303
  • 1 estrella
    226
Ejecución
  • 5 out of 5 stars
  • 5 estrellas
    16,882
  • 4 estrellas
    3,043
  • 3 estrellas
    537
  • 2 estrellas
    58
  • 1 estrella
    84
Historia
  • 4.5 out of 5 stars
  • 5 estrellas
    15,910
  • 4 estrellas
    3,639
  • 3 estrellas
    802
  • 2 estrellas
    147
  • 1 estrella
    103

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  • Total
    5 out of 5 stars

excellent thriller

I am rather new in this genre, but I find that Larsson is a master storyteller. Indeed, the story starts a bit slow, with background info and descriptions of the people involved without nothing really striking happening, but this works well to build the scaffold of the story, and once this is ready it shoots out like a rocket. I could not stop listening to the third part and heard it in one single sit (into an untimely hour). Kudos for Larsson.
Simon Vance delivers a decent job, he is not my favourite reader, but he never bothered me or distracted my attention from the story, so I take him as successful.
The very end of the book is one of the best closures I have read.
All in all, full marks for this audiobook.

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esto le resultó útil a 42 personas

  • Total
    4 out of 5 stars
  • Ejecución
    4 out of 5 stars
  • Historia
    4 out of 5 stars

For my followers

Over ten thousand people gave this five stars and another 3700 gave it four stars and it has been reviewed bunches. So only my followers will read this.

This being book two, it is almost as good as book one. Book One was a tiny bit better. If you have not read book one and this is on sale go ahead and get it. This is pretty much a stand alone novel, even though they refer to book one events, it is not necessary to the story.

Book one had lots on Swedish economy which this one does not have and that is good. In book one I wished for more on Salander and in book two I got more of Salander then I really wanted. Novel characters have a tendency to lose there novelty when you spend a lot of time with them as you do in this novel.

Toward the end of this almost 19 hour book I was ready for the ending. I felt the book went on way too long. Most of the reason it was so long is the details we don't really want. Most mornings you get to hear actually what the characters have for breakfast. When a character gets dressed we hear actually what he/she is wearing, color, type of shirt, coat, etc.

Did you know that mace is illegal in Sweden? I got a little tired about references too bad American Movies. If you don't like American Movies, don't pay to watch them.

The narrator was good, even though one character sounds exactly like Count Dracula, which made him hard to take seriously.

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esto le resultó útil a 12 personas

  • Total
    5 out of 5 stars

A Great Book!

This is completely worth the download. I would recommend the first book The Girl with the Dragon Tattoo so that when you download this book you will understand some of the background. If you don't you still will find this a great book!

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esto le resultó útil a 2 personas

  • Total
    5 out of 5 stars

Credit or purchase worthy!

I was skeptical about even starting this series. I read some of the reviews on this particular book and saw that someone had posted a review saying that this book was Erotica. I have no idea what book they read but there was no "erotica" feel for me. It has a sex trafficing scenario so what else would you expect?. Looking forward to listening to the final book with a heavy heart.

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esto le resultó útil a 1 persona

  • Total
    5 out of 5 stars

As good as the original

This sequel to "The Girl With the Dragon Tattoo" does not disappoint. I really enjoyed the first novel and was looking forward to this installment. I enjoy the narrator's presentation and the fact that the book is based in another country does not detract from the story at all. Get both books and do yourself a favor. These 2 books are the only books that I am listening too again

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esto le resultó útil a 1 persona

  • Total
    5 out of 5 stars

Love the hype over this trilogy

love the stories just as much! Couldn't stop listening - read all the blogs in English, such a globally popular trilogy - such a love fest. Lisbeth Salander is quite the character - Simon Vance a terrific narrator! Can't wait to see the movie versions. The bloggers love the movies as much as the books! There's a real surprise for you. Check out http://www.sallysfriends.net/

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esto le resultó útil a 1 persona

  • Total
    5 out of 5 stars

great read

This books has its slow points, but doesn't disappoint in the end. I went from being angry to shocked in a matter of minutes. Great read.

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  • Total
    5 out of 5 stars

Loved it

Loved the reading. I really like the quality of the reads voice and I loved the book. Really looking forward to the next one!

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  • Total
    5 out of 5 stars

Great but....

I loved the story, with one exception. Larsson frequently jumps around telling the story from a number of character's point of view. I have no problem with this. However after the first sentence in which says the name of the person we are now following, he resorts to "he" or "she" rather than the name. And there are an extensive number of characters. I frequently found myself confused at who's story we were reading now. It is irritating to have to rewind and find that one second where the name was mentioned. Granted, this was meant to be read, rather than listened to, but it is not very good writing technique. I got the impression that Larsson was so deeply engrossed in his own story that he wrote he or she to save time, intending to go back and replace them with names but never did.

Otherwise the story was great, a little slow at the beginning but still engrossing to the point I did not want to stop listening.

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  • Total
    5 out of 5 stars

a must read!

I liked the book and the character Lizbeth Sallander. I enjoyed the careful and clever ways she protected herself. I recommend The Girl with the Dragon Tattoo by Larsson be read first before this book for it will make this book more enjoyable. Both books are dark, violent and many times very disturbing, but had to be to make this novel so captivating. I couldn't stop listening I was so intrigued! The reader Simon Vance does an extraordinary job! Two thumbs up! I can't wait for the 3rd book.!

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