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Idealist, atheist, outcast, political radical and, of course, poet - Percy Bysshe Shelley was, in many ways, the epitome of the Romantic artist. His poetry was an outlet for his passionately held and highly unpopular beliefs, beliefs which resulted in social exclusion, exile, and possibly even his premature death at the age of 29. His work is a monument to his convictions and to the power of the human spirit, and today it is recognized as a key contribution to Romantic literature.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. In this collection Shelley’s words are alive with intent, meaning and emotion. A true poet for all our ages.

Shelley took his place within the vatic history of mythopoetic bards and bore the Visionary legacy. He offered a simple “spark” of poetry to his audience while promising a raging fire would burn if the poetry was nurtured correctly. However, Shelley realized that most people cannot accept the poet’s offering (for various reasons; ignoring, rejecting or misunderstanding) and they let that spark smolder into nothing. Shelley shouts into his written words, leaving his hard-earned knowledge of the human condition and his visionary plight for willing human ears. Shelley paints himself as ...

"The Necessity of Atheism" is an essay on atheism by the English poet Percy Bysshe Shelley, printed in 1811 when he was a student at University College, Oxford. He argues that an educated man ought to turn away from superstition and that education is essential because religion is really about power.

On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

Ozymandias is a pithy sonnet by Percy Bysshe Shelley. It was first published in 1818, and explores the impermanence of humans, their empires, and legacies, as well as the futility of their snobbery and excessive gravitas. A sage and contemplative piece from a poetic maestro.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

Like his great contemporaries, John Keats and Lord Byron, Shelley suffered an untimely death, but still managed to stun the world with a wide-ranging body of work, including poetry, drama, and criticism. His poetry is that of a young man, a lover of nature and fiercely critical of institutionalized corruption, and virtuosic in his use of language and imagery.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

This is an essay from the Favorite Essays collection.

Step into the shoes of renowned English Romantic authors Mary Shelley and Percy Bysshe Shelley in History of a Six Weeks Tour. The narrative chronicles two captivating journeys - a grand tour of Europe in 1814 and a serene trip to Lake Geneva in 1816. Mary, Percy, and Marys stepsister, Claire Clairmont, weave a vivid tapestry of their experiences. The book is divided into three engaging sections, featuring a journal, four descriptive letters, and Percy Shelleys enthralling poem Mont Blanc. Primarily penned and compiled by Mary Shelley, this journal isnt just a travelogue; its a window into the...

Would Julia of Strobazzo‚s heart was reeking on my dagger!‚ From the breathless tension of its opening abduction scene to the darkly triumphant exit of the villain, who departs with a wild convulsive laugh of exulting revenge,‚ this first Gothic novelette by Shelley weaves together the threads of his youthful literary influences while hinting at deeper, more complex themes. It explores the ego-driven quest for passionate extremes, including revenge, which ultimately isolates characters like Zastrozzi and the murderous Matilda, leading to their self-destruction as well as social ruin. The...

This meditation on artistic creativity was written during the latter months of 1815, during a sojourn on the border of Windsor Forest. Critics have concurred in the opinion that the anonymous hero of the poem is Shelley himself, who feared that he too would become an "inheritor of unfulfilled renown". Today, the poem is considered to be the first major work of Shelley's maturity.

For many of us Autumn, or as the Americans would say; Fall is the season of mixed emotions. Summer's long days are replaced by a chill in the air. The colours on the trees and fields ripen to warmer hues and the harvest is brought safely home. Yet with this bounty there is the knowledge that Nature is turning her attention to the harder, colder Winter month's ahead.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

A collection of Shelley's greatest poetry read by John Gielgud, Peggy Ashcroft, Hilton Edwards and Margaretta Scott.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.