Coming Soon

With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you’re as much a part of the stories as they’re a part of you.

The Anatomy of Magic has descriptive copy which is not yet available from the Publisher.

It's 2017, and the crisis of forced disappearances has reached a tipping point after forty-three docent students disappeared and are feared dead. Aureliano Más the Second is a fledgling writer at a lucrative fellowship in Mexico City chaired by his aunt, Rose.

Alejandro (Han for short) has never been in love. He purposefully keeps his heart at arm’s length from anyone who might want it, which he lets his family and friends think is due to commitment-phobia paired with a heavy dose of emotional constipation. Now, though, he's coming to learn that it might have more to do with his fear of looking too deeply inward, whether that be his sexuality (he's straight, right?), or the looming anxiety about being undocumented in an increasingly hostile environment.

Three generations of fiercely strong and stubborn Mexican American women face grief head-on as they attempt to shed generational trauma and discover the true meaning of home in this lyrical novel that features magical realism in the tradition of The Inheritance of Orquídea Divina and The House of the Spirits.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail.

Isabel Luna Valdés has long since resigned herself to being the “forgotten” Luna sister. But thanks to familial connections to the Mexican ambassador in London, wallflower Isabel is poised to unearth any British intelligence hidden by the ton that might aid Mexico during the French Occupation. Though she slips easily from crowded ballrooms into libraries and private studies, Isabel’s search is hampered by trysting couples and prowling rogues—including the rakish Captain Sirius Dawson.

In the present day, Nena’s grandniece, Marta, balances a struggling legal aid practice with motherhood and the care of the now ninety-three-year-old Nena. When Marta agrees to help search for a daughter Nena left in the past, the two forge a fierce connection. Marta’s own supernatural powers emerge, awakening her to new possibilities that threaten the life she has constructed.

Carmen Sanchez is a tough Homeland Security agent who plays by the rules. But when her sister is attacked, revealing a connection to a series of murders across Southern California, she realizes a conventional investigation will not be enough to stop the ruthless perpetrator. With nowhere else to turn, Sanchez enlists the aid of Professor Jake Heron, a brilliant and quirky private security expert who, unlike Sanchez, believes rules are merely suggestions. The two have a troubled past, but he owes her a favor and she’s cashing in.

Iggy Guerra is out of prison, but his homecoming is anything but smooth. His beloved mother is gone, his grief-stricken father Armando is deep in debt, and they are about to lose the butcher shop that has been in their family for generations. Iggy must earn his father’s lost trust in order to save La Carnicería Guerra from the threats imposed by a new rival business, a vigilante activist, and big-game hunter Orin, who has dragged Armando into his dangerous money-making schemes deep in the Everglades, where more than secrets are buried.

In 1951, a mysterious old woman confronts Pilar Aguirre in the small border town of La Cienega, Texas. The old woman is sure Pilar stole her husband and, in a heated outburst, lays a curse on Pilar and her family. More than forty years later, Lulu Muñoz is dodging chaos at every turn: her troubled father’s moods, his rules, her secret life as singer in a punk band, but most of all her upcoming quinceañera. When her beloved grandmother passes away, Lulu finds herself drawn to the glamorous stranger who crashed the funeral and who lives alone and shunned on the edge of town.

Monica Campo is pregnant with her first child when, moments before being wheeled into emergency heart surgery, her mother confesses a long-held secret: Monica’s father is not the man who raised her. But when her mother wakes up and begins having delusional episodes, Monica doesn’t know what to believe—whether the confession was real or just a channeling of the telenovela her mother watches nightly. In her despair, Monica wants to speak with only one person: her ex-boyfriend of five years, Manny.

Ernesto and Elena Vega arrive in Mexico City where Ernesto works on a construction site until he is discovered by a local lucha libre trainer. At a time when luchadores—Mexican wrestlers donning flamboyant masks and capes—were treated as daredevils or rockstars, Ernesto finds fame as El Rey Coyote, rapidly gaining name recognition across Mexico. Years later, in East Los Angeles Freddy Vega is struggling to save his father’s gym while Freddy’s own son Julian is searching for professional and romantic fulfillment as a Mexican American gay man refusing to be defined by stereotypes.

Greetings from Buenos Aires and the fascinating, frightening, fantastical imagination of Mariana Enriquez. Illuminating the darkest shadows of contemporary existence, these twelve short stories explore in dazzling prose some of life’s grandest themes, including longing, treachery, and murder. With her spellbinding ability to weave the real and the supernatural, Enriquez writes about outsiders and the overlooked, especially Argentina’s women and girls as they navigate the unseen powers that seek to limit and define them.

When Catalina is admitted to Harvard, it feels like the fulfilment of destiny: a miracle child escapes death in Latin America, moves to Queens to be raised by her undocumented grandparents, and becomes one of the chosen. But nothing is simple for Catalina, least of all her own complicated, contradictory, ruthlessly probing mind. Now a senior, she faces graduation to a world that has no place for the undocumented; her sense of doom intensifies her curiosities and desires.

Teresa Sanchez has always known who she was: a professor, a wife, a mother, and a friend. But when her husband dies unexpectedly, she finds herself completely broken. Taking a leave from the university, Teresa hopes that she can mourn her husband and get back on her feet, but instead, she spends a year consumed by grief. Until the day she levitates.

Catalina de Cerrato is being raised by her widowed father, Don Alonso, in 1551 Guatemala, scarcely thirty years since the Spanish invasion. A ruling member of the oppressive Spanish hierarchy, Don Alonso holds sway over the newly relegated lower class of Indigenous communities. Fiercely independent, Catalina struggles to honor her father and her late mother, a Maya noblewoman to whom Catalina made a vow that only she can keep: preserve the lost sacred text of the Popol Vuh, the treasured and now forbidden history of the K’iche’ people.

Sol Reyes has had a rough year. After a series of workplace incidents at her university lab culminates in a plagiarism accusation, Sol is put on probation. Dutiful visits to her homophobic father aren’t helping her mental health, and she finds her nightly glass of wine becoming more of an all-day—and all-bottle—event. Her wife, Alice Song, is far more optimistic. After all, the two finally managed to buy a house in the beautiful gated community of Maneless Grove. However, the neighbors are a little too friendly in Sol’s opinion.

Dancing with Butterflies uses the alternating voices of four very different women whose lives interconnect through a common passion for their Mexican heritage and a dance company called Alegría.

Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories--literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.