Shakespeare Women

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

Brimming with intrigue, SHAKESPEARE'S CONSPIRATOR shatters beliefs about the world's greatest playwright. Did he really write the thirty-seven plays credited to him? ---It's 1587. Shakespeare is struggling to launch his career. Finally he persuades James Burbage, a theater owner, to stage Henry VI. He's the same proprietor who refused to look at Amelia Bassano's comedic script. Infuriated after being blocked at every turn, she reluctantly seals a secret pact with Shakespeare. So begins a fiery relationship that triggers suspicions, plots to expose them, and grave dangers.Craving recognition...

Unless one knows the value of loyalty, he cannot appreciate the cost of betrayal. What if Darcy and Elizabeth met weeks before the Meryton assembly? What if there is no barely “tolerable” remark to have Elizabeth rejecting Mr. Darcy’s affections, but rather a dip in a cold creek that sets her against him? What if Mr. Bennet is a renown Shakespearean scholar who encourages Darcy to act the role of Petruchio from Shakespeare’s “The Taming of the Shrew” to bring Elizabeth’s Katherina persona to the line? ELIZABETH BENNET’s pride has her learning a difficult lesson: Loyalty is ...

From the Anthony Award-winning author of the immensely popular Sookie Stackhouse mysteries comes the first book starring Lily Bard, a reclusive cleaning lady with a penchant for karate. When Lily finds and reports a dead body, her shady past and connections to potential perpetrators make her a leading suspect.

Cleaning woman and karate expert Lily Bard is a woman with a complicated past. Trying her best to cope with her terrifying memories and horrible nightmares, she decides to join a weekly group therapy session in her hometown of Shakespeare, Arkansas. At first Lily can hardly believe the number of her fellow Shakespeareans who share her life experiences.

In an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men: Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney; Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry; Elizabeth Cary, who published the first original play by a woman and Anne Clifford, a lifelong diarist.

Lily Bard is going home for the holidays. More comfortable in baggy sweats than bridesmaid's frills, Lilly isn't thrilled about attending her estranged sister's wedding. She has moved to Shakespeare, Arkansas, to start a new life, cleaning houses for a living, trying to forget the violence that once nearly destroyed her. Now she's heading back to home and hearth - just in time for murder.

A Catskills resort's production of Shakespeare's Romeo and Juliet takes a wickedly ironic turn when the leading lady, Lauren Richmond, is first poisoned and then stabbed. Who would extinguish the life of such a beautiful young thespian? It seems like just about everyone had a motive to pull the ropes on her final curtain call. At the center of this Shakespearean tragedy is Charlotte Fairfax, formerly the costume mistress of the Royal Shakespeare Company.

When Lily stumbles upon the well-built corpse of a local body builder - his neck broken by a barbell - the town's underlying racial tension begins to boil over. The white victim was somehow connected to two unsolved murders of black residents of Shakespeare - and a dogged policeman is determined to stop the killing. But it is Lily herself who may have to decide whether to stay and fight for justice, or run away one more time.

Lily discovers lifelong Shakespeare resident Deedra Dean murdered inside a car parked in a woodsy area out town. Determined not to get involved, Lily wants to leave the police work to Sheriff Marta Schuster and her team of deputies, and concentrate on cleaning, high kicks, and her boyfriend Jack's impending visit. But when Deedra's notoriously promiscuous lifestyle provides an extensive list of suspects but very few clues, Lily has no choice but to resume the role of amateur detective and join the investigation.

Shakespeare professor and prison volunteer Laura Bates thought she had seen it all. That is, until she decided to teach Shakespeare in a place the bard had never been before - supermax solitary confinement. In this unwelcoming place, surrounded by inmates known as the worst of the worst, is Larry Newton.

Kate Battista feels stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister, Bunny? Plus, she's always in trouble at work - her preschool charges adore her, but their parents don't always appreciate her unusual opinions and forthright manner.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: Not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge.

The Winter’s Tale is one of Shakespeare’s “late plays.” It tells the story of a king whose jealousy results in the banishment of his baby daughter and the death of his beautiful wife. His daughter is found and brought up by a shepherd on the Bohemian coast, but through a series of extraordinary events, father and daughter, and eventually mother too, are reunited.

Dame Harriet Walter, renowned for her wonderful portrayals in Succession and Killing Eve, among others, is one of Britain's most esteemed Shakespearean actors. Now, having played most of Shakespeare's female characters, audaciously, she lets them speak their minds. With new parts for thirty Shakespearean women, written in 'Shakespearean' verse and prose, Harriet Walter goes between the lines of the plays to let us hear what she imagines - sometimes playfully and sometimes searchingly - these women were really thinking.

In this provocative and profound interpretation of The Merchant of Venice, Shylock is juxtaposed against his present-day counterpart in the character of art dealer and conflicted father Simon Strulovitch. With characteristic irony, Jacobson presents Shylock as a man of incisive wit and passion, concerned still with questions of identity, parenthood, anti-Semitism and revenge.

Us Women Ain’t No Joke: Book of Poems, by author Reneé Drummond-Brown, reveals the priceless-worth, value, and incredible achievements, of women across the globe that society ignores. It is no secret that the social order nationally deprives women of societal, economic, educational, and political statuses of equality across the globe. Some say “A woman’s place is in the home,” and while that may be true, she isn’t far removed from the “Second-class citizen,” label society still bestows on her today. Ironically, the very same societal system that labels its women “Second-...

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