Showing results by narrator "Kristen Sieh" in All Categories

Fourteen-year-old Nephele used to have friends. Well, she had a friend. That friend made the adjustment to high school easily, leaving Nephele behind in the process. And as Nephele looks ahead, all she can see is three very lonely years. Nephele is also a whip-smart lover of math and science, so she makes a plan. Step one: invent time travel. Step two: go back in time, have a do-over of ninth grade, crack the code on making friends, and become beloved and popular. Does it work? Sort of. Nephele does travel through time, but not the way she planned - she’s created a time loop.

In his much-anticipated debut novel, Hank Green - cocreator of Crash Course, Vlogbrothers and SciShow - spins a sweeping, cinematic tale about a young woman who becomes an overnight celebrity before realising she's part of something bigger, and stranger, than anyone could have possibly imagined.

With toiletries, hairbands, and notebooks in her bag, and at her mother’s instruction, a nineteen-year-old girl leaves her parents’ home and the seaside town she grew up in. Out the train window, Rafa sees the lit-up mountains and perfect trees—and the Olympic Hotel waiting for her perched above the small village of Strega. There, she and eight other girls receive the stiff black uniforms of seasonal workers and move into their shared dorm. But while they toil constantly to perform their role and prepare the hotel for guests, none arrive.

The year 1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high school as the reigning state champions. They're on top of the world - until two of his friends drive a passed-out girl home from of the team's "legendary" parties, and a rumor about what happened in the backseat spreads through the town like wildfire. The boys deny the allegations, and, eventually, the town moves on.

A writer dryly catalogs the myriad reasons she cannot write; an artist bicycles through a protest encampment in lower Manhattan and ruminates on an elusive lover; an old woman on her deathbed calls out for a man other than her husband; a hapless fifteen-year-old boy finds himself in sexual peril; two young people in the 1990s fall helplessly in love, then bicker just as helplessly, tortured by jealousy and mistrust.

Mona Gray was 10 when her father contracted a mysterious illness and she became a quitter, abandoning each of her talents just as pleasure became intense. The only thing she can’t stop doing is math: She knocks on wood, adds her steps, and multiplies people in the park against one another. When Mona begins teaching math to second-graders, she finds a ready audience. But the difficult and wonderful facts of life keep intruding. She finds herself drawn to the new science teacher, who has an unnerving way of seeing through her intricately built façade.

Our daily experience, dominated by the corporate clock that so many of us contort ourselves to fit inside, is destroying us. It wasn't built for people, it was built for profit. This is a book that tears open the seams of reality as we know it-the way we experience time itself-and rearranges it, reimagining a world not centered around work, the office clock, or the profit motive. Explaining how we got to the point where time became money, Odell offers us new models to live by that make a more humane, more hopeful way of living seem possible.

Janet works at a rundown dog shelter in the woods. She wears black, loves The Smiths, and can’t wait to get rid of her passive-aggressive boyfriend. Her brain is full of anxiety, like “one of those closets you never want to open because everything will fall out and crush you.” She has a meddlesome family, eccentric coworkers, one old friend who’s left her for Ibiza, and one new friend who’s really just a neighbor she sees in the hallway.

It doesn't take long for the students on Fielding campus to become obsessed with Hannah, Leslie, and Jimmy. The three graduate students are mysterious, inaccessible, and brilliant. Leslie, glamorous and brash, has declared that she wants to write erotica and make millions. Hannah is quietly confident, loyal, elegantly beautiful, and the person they all want to be; and Jimmy is a haunted genius with no past. After Simone - young best-selling author and erstwhile model - shows up as a visiting professor, and after everything that happened with her, the trio only become more notorious.

This is a story about a life lived in two halves. It’s about what happens when real life collides with the increasing absurdity of a world accessed through a screen. It’s about where we go when existential threats loom and the high stakes of reality that claim us back. It’s about living in world that contains both an abundance of proof that there is goodness, empathy and justice in the universe and a deluge of evidence to the contrary.

A collection of glittering, surprising, darkly funny stories of people testing the boundaries of their lives - from the award-winning author of Dual Citizens. Populated with imperfect families, burned potential, and inescapable old flames, the 13 stories in We Want What We Want are, each one, diamond-sharp - sparkling with pain, humor, and beauty.

When Nolan Grey receives news that his father, a once-prominent biologist, has drowned off Leap's Island, he calls on Elsa, his estranged, older half-sister, to help pick up the pieces. This, despite the fact that it was he and Elsa who broke the family in the first place. The Greys have been avoiding each other for a dozen years. Elsa and Nolan travel to their father's field station, a wild and isolated spot off the Gulf Coast.

Just days before the start of junior year, a spontaneous kiss and then a lie shake the very foundation of the friendship between best friends Immie and Paige. Immie’s twin brother, Arch, knows something, only he’s not talking. Some loyalties run too deep to be broken by accidental betrayal.

Billy and Francis couldn’t be more different, at least when it comes to age and disposition, but that doesn’t prevent them from falling in love and settling into the easy rhythms of romance—phone calls every morning, rendezvous every weekday afternoon, the odd out-of-town escape—despite both still being very partial to their spouses. In interconnected stories, Laurie Colwin deftly reveals each character’s point of view and examines, in razor-sharp detail, the “marvelous” and messy glory of modern love and the curious desires of the heart.

In modern-day London, architectural historian and recovering alcoholic Annie Kendall hopes to turn her life around and restart her career by locating several long-missing pieces of ancient Judaica. Geoff Harris, an investigative reporter, is soon drawn into her quest, both by romantic interest and suspicions about the head of the Shalom Foundation, the organization sponsoring her work. He's also a dead ringer for the ghost of a monk Annie believes she has seen at the flat she is subletting in Bristol House.

Twenty-something writer Chani Horowitz is stuck. While her former classmates are nabbing high-profile book deals, all she does is churn out puff pieces. Then she's hired to write a profile of movie star Gabe Parker: her number one celebrity crush and the latest James Bond. All Chani wants to do is keep her cool and nail the piece. But what comes next proves to be life changing in ways she never saw coming, as the interview turns into a whirlwind weekend that has the tabloids buzzing - and Chani getting closer to Gabe than she had planned.

Sylvie and her mother and grandmother are beloved, trusted healers in their medieval French village, though some whisper that 15-year-old Sylvie and her grand-mere deal in more than herbs and medicines. Perhaps they’re a bit...witchy? After her grandmother dies, and an attempt to use magic to heal her mother’s grief brooks tragic consequences, Sylvie leaves her village in search of a teacher. The journey subjects her to strange alliances, powerful temptations, danger, and deceit. In the end, there may be only one wise woman Sylvie can trust in a world that would define her limits.

Just once, Delia Reese wants to be the one calling the shots — not the one waiting to be called. Despite her stellar resume, hiring managers at the big banks won’t give her a chance. Following yet another failed interview, Delia commiserates with her roommates and drunkenly finds herself wishing she had the advantages that come with being a man. If society wasn't locked into gender roles, she'd be climbing the corporate ladder in designer heels with no apologies. By morning, her mirror reflects a surprising makeover.

Matilda Goodman is an underemployed wedding photographer grappling with her failure to live as an artist and the very bad lie she has told her boyfriend (that she has a dead twin). Harry, her (totally alive) brother, is an untenured professor of literature, anxiously contemplating his publishing status (unpublished) and sleeping with a student.

The Whitsun Daughters is a story of three contemporary teenage girls - sisters and cousins - in a small Midwestern town, narrated by the ghost of a young woman who, over a century earlier, lived and loved on the same small patch of farmland the girls now call home. The book follows both the present-day story of the three Whitsun girls and the story of Jane Murphy a century earlier as they fight to assert their own desires in worlds determined to ignore and minimize them.