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The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

The Poetry of Kissing. In many ways the title says it all. Kissing is Poetry. The kiss is perhaps the most loving and intimate moment there is. It is amongst our most soothing and treasured memories. This volume is not about the kiss of a mother’s to her child’s scraped knee, or the father to his baby’s head as he settles down to sleep. No, when the poets here talk of the kiss, they describe the longing and desire, the want and hunger to be part of something that so connects them to another.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

Here we journey with our classic poets from Christina Georgina Rossetti and Thomas Hardy to Frances W. Harper and Kipling, not only the ways, the wonders and the women who take on the responsibility to raise children no matter the problems or dangers to themselves, but also the difficulties and sometimes desperate tragedies that motherhood can involve. We hope these poems inspire every generation to reach out and better themselves and those around. This is our tribute to mothers everywhere.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? Ambrose Bierce is an author whose words take us one way and then send us another. These miniature masterpieces all have a central truth and plausibility that seems to vanish in an ending that can be anything from wry, to shocking to hallucinatory.

Aphra Behn was a prolific and well-established poet and playwright but facts about her life remain scant and difficult to confirm. What can safely be said is that Aphra Behn is regarded as a key English playwright and a major figure in Restoration theatre. Her poetry is now far more appreciated and seen as a breakthrough for women of the 17th Century and beyond. Her first play, ‘The Forc’d Marriage’, was staged in 1670, and thereafter many followed, including her later comic works, which were more commercially successful.

This volume pays tribute to 50 different women poets, some well-known whilst others undeservedly forgotten but all contributing a single poem which we hope might nudge listeners to discover more of their verse.

Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. Gogol had a profound and enduring impact on literature which can be evidenced from his masterpiece, "The Cloak", more popularly although wrongly translated as "The Overcoat" published in 1841. A hundred years later Vladamir Nabokov called it ‘The greatest Russian short story ever written'.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, that opens our ears and eyes to very personal feelings.

Ernest Bramah was born on 20th March 1868. He was an intensely private man and very little about his life was ever released. He obtained success in his own right with the creation of the storyteller Kai Lung with humourous tales set in China, usually laced with fantasy elements. There seems to have been a certain vogue for stories with an oriental element at this time, which Bramah was happy to take advantage of. In 1914 Bramah created the blind detective Max Carrados. Despite the obvious obstacle to his deductive powers, he was a literary and commercial success.

There is a day in March when people of Irish descent, in whole or part, and those who just wish to partake of the Shamrock Isle’s legendary hospitality, come together the world over to celebrate the world’s most popular national festival: St Patrick’s day. That day is March 17th, the traditional anniversary of his death in 561. Saint Patrick is the patron saint of Ireland and is acknowledged as the one who brought Christianity to its shores and drove out the snakes.

The Caroline era was dominated by the growing religious, political and social conflict between the King and his supporters; the Royalists and it's Puritan opposition; the Roundheads. In contrast to the wars raging across Europe at the time, the Caroline period in Britain was an uneasy peace, as a dark shadow of civil conflict between the King and Parliament worsened toward the latter part of Charles’ reign. Whilst theatre unquestionably fell from its glittering peak achievements of William Shakespeare and Ben Jonson, in poetry the standard was perhaps only just shy of this bar.

The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

October - the tenth month of the year in the Gregorian calendar, and the land prepares to give up more it its colourful coverings. On this and other themes, our poets, including Wordsworth, Rossetti, Arnold, Bryant, and Alford, have much to say.

When the wind blows and the rain lashes, our emotions can become dulled and our thoughts depressed but sometimes these swirling conditions can excite and invigorate. Whether we shut the door physically or delight in watching nature's displays, we cannot ignore the weather. It’s the natural topic of conversation for the British. Summer breezes and spring showers can elevate our senses, bringing a thump to the heart, a grin to the face and an abandon to immerse yourself in nature's ever changing wonders.

In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. This volume is dedicated to one such recognised master of the short story, namely Katherine Mansfield, whose innovative stream of consciousness and symbolic narrative style profoundly influenced Virginia Woolf. She was born on 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. A gifted cellist who at one point considered taking it up professionally, her first attempts at writing were published in school magazines.

For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture. Whilst this traditional view has some merit, it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

Dante Gabriel Rossetti was born on May 12th, 1828 in London, England. Together with William Holman Hunt and John Everett Millais, they developed and founded the Pre-Raphaelite Brotherhood. It’s mission: to reform English art and return to the detail, intense colours and complex compositions of Quattrocento Italian and Flemish art. The brotherhood's magazine, The Germ, was first published in 1850, with Rossetti contributing a poem, 'The Blessed Damozel', and a story about a fictional Italian artist inspired by a vision of a woman.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.