Showing results by narrator "Amanda Friday" in All Categories

Pride and Prejudice is Jane Austen's classic comic romance, in which the five Bennet sisters try to find that most elusive creature: a single man in possession of a large fortune. Sparks fly when sweet, pretty Jane meets their new neighbor, Mr. Bingley, but her sister Elizabeth is offended by his haughty friend, Mr. Darcy. This is Jane Austen at the height of her powers, complete with ironic narration, hilariously drawn supporting characters, and romantic suspense.

Just days after the wedding of Valeria Brinton and Eustace Woodville, a series of strange incidents causes Valeria to believe her husband is hiding a dark secret. She discovers he has been living under a false name, and when questioned, Eustace refuses to discuss it. Upon further digging, Valeria finds Eustace had been on trial three years ago for the murder of his wife. However, the verdict had come down as the scotch verdict of not proven. This implied his guilt, but there was not enough evidence for a conviction nor did it exonerate him.

Eating carbs and forgetting to fold the laundry aren’t my only talents. I'm also proficient at speaking without thinking. Which is how I ended up confessing my love to a stranger at the grocery store. The same stranger who also happens to be a firefighter—a very grumpy one—for the exact fire station I owe a debt to.

The Iliad, set 9 years into the Trojan War, tells the story of the wrath of Achilles. The Odyssey tells the story of Odysseus as he wearily travels home from the war. The two epics provide the basis of Greek education and culture in the classical age. They have long remained among the most significant poems of European tradition. Produced here in full cast arrangement and narrated by Rob Goll, one can experience these age-old stories in a brand new way.

It's a Tuesday morning in Brooklyn - a perfect September day. Wendy is heading to school, eager to make plans with her best friend, worried about how she looks, mad at her mother for not letting her visit her father in California. An hour later comes the news: A plane has crashed into the World Trade Center - her mother's office building. Through the eyes of Wendy, we gain entrance to the world rarely shown by those who documented the events of that one terrible day: a family's slow and terrible realization that Wendy's mother has died, and their struggle to go on with their lives.

A new unit, new challenges, and possibly new friends await Idina Moorfield as she joins other magicals in the military to train against magical monsters.

Ben and I are just friends. We've tried to be more, but it never works. There's no chemistry between us. At least that's the story I tell everyone.

Walter Hartright, a struggling art teacher, is stopped for directions while traveling on a dark road by a mysterious woman in white. Thus begins Walter's deep dive into the twists and turns of stolen identities, fraud, spies, conspiracy and death. Along the way, he meets the lovely Laura Fairlie and her emboldened half-sister, Marian Halcombe. Marian is brazen and assertive in her search for the truth, a strong female during a time when women were simply viewed as the weaker sex. She joins Walter on his journey to untangle the web of lies and deceit that has been spun so expertly.

Lieutenant Colonel Richard MacBlair has appeared out of thin air. Idina Moorfield has far more questions than the few answers her Uncle is willing to give her. He wants her to wait and she's tired of waiting. Does she have a choice? Not really when Uncle is also your boss. Why is he trying to ignore their family connection? Has he been helping her from the sidelines all along? Someone is gunning for Idina and has her in its sights. She just doesn't know who or what it is.

Idina Moorfield's elemental magic has changed. The problem may be spreading. Now, it's affecting Hellion Squadron and the monsters they face. But how does Idina's team do their job when magic keeps changing all the rules before they can learn them? Hellion's missions can't pause just because Bravo Team's abilities are causing a little more havoc than normal. They'll have to improvise, work together, and cover each other's backs until Uncle Richard's deadly research provides either an explanation or something they can use. If it ever does.

Idina Moorfield is a new kind of magical with a dark and twisty lineage. Any other combat engineer in the 82nd Airborne Division would be proud of how far Idina's come, but the visions and voices in her mind are only getting worse. When it affects her work, Idina gets transferred to a new unit—a unit of misfits with their own problems. But sometimes, what seems like the worst move ever, can turn out to be the beginning of something great. Who says outcasts can't be heroes?

Now that they've recognized the pattern, Idina and her unit need to close the Monstrous Pandora's Box to balance out the scales after defeating the Olc. But supernatural entities in Scotland are nothing like what Bravo Team has dealt with back home. Neither is magic. That's a problem when their primary objective is to get in, stop the source of monsters, and get back out. When everything leads Idina and her team back to her Muirden ancestral home in Scotland, the mission takes on a completely different meaning none of them saw coming.

Lucie Manette, long believing herself to be an orphan, meets with London banker Jarvis Lorry in the Royal George Hotel in Dover and finds out her father, Dr. Alexandre Manette, is alive and has been held for the last 18 years as a political prisoner in the Bastille. The three are reunited in an attic garret in Paris, close to the wine shop run by Ernest Defarge, the doctor's former servant, and his wife, Thérèse.

Join Peter Pan, Wendy, John, and Michael Darling along with the forever young Lost Boys of Neverland in their fight against Captain James Hook and his dastardly pirate crew! Will the children defeat Hook or will that pesky tick tocking of the crocodile catch up with him first? Making this full cast production unique is including children in appropriate roles which only adds to the authenticity of this beloved classic tale about the Boy Who Refused to Grow Up.

Oliver Twist is the well-loved tale of an orphan, who starts life in a workhouse and finds himself embroiled in London's criminal underworld, before being saved by a kind gentleman who knows something of his surprising family history. A satire and social commentary as well as a page-turning yarn, full of grit, wit, and some of the most memorable characters in English Literature. The second published serialised novel by Charles Dickens, The British Library remarks that "it has proven to be one of the best-loved novels in the history of literature".

After the loss of her father two years before, Hannah Moseby has endured resentment from her stepfather in order to help her mother get through her new marriage. When her stepfather tells her he’s arranged a marriage for her with a preacher going west, and she can either marry the preacher or she can find somewhere else to live, she agrees to meet the man. She’s not a natural fit as a preacher’s wife, and she’s not sure the Oregon Trail is something she can survive.

Following Anne of Green Gables (1908), this book was written by Lucy Maud Montgomery in 1909. From the age of 16 to 18, Anne is about to start her first term teaching at the Avonlea school. The book soon introduces Anne's new and problematic neighbor, Mr. Harrison, and his foul-mouthed parrot, as well as the twins, Davy and Dora. Other characters introduced are some of Anne's new pupils and Miss Lavendar Lewis, a sweet but lonely lady.

Persuasion has certain similarities with Emma, another late novel by Jane Austen. In both stories, the heroine is a young woman who lives with her widowed father, and who has an enduring attachment to her eventual spouse from the opening of the action. Persuasion also incorporates certain elements common to Austen's earlier novels, such as characters from the military, visits to Bath and calculating and cynical suitors. In the end, Anne Elliot successfully combats the destructive vanity of her father and the machinations of her villainous cousin William.

Spring Awakening (German: Frühlings Erwachen) was the first major play by Frank Wedekind. It was written in the early 1890s but, due to opposition from censorship authorities, was not presented on stage until 1906. The play explores two contentious themes: the development of adolescent sexuality and the repressive nature of the German education system.

Lucy Honeychurch is a young English girl abroad in Italy for the first time and is ready to experience all the beauty, art, and romance it has to offer. She is hampered by the oppressive attentions of her chaperone, her prim cousin Charlotte, as well as the presence of a substantial British expatriate and tourist community in Florence.