Showing results by author "Simon Brett" in All Categories

Bill Nighy stars as Charles Paris in this BBC Radio 4 full-cast adaptation of Simon Brett's comic crime novel An Amateur Corpse. Charles is out of work again, and to make matters worse his mother has come to stay and he's no way of escaping her. So when he's offered some voiceover work by old friend, Hugo, he's delighted to get out of the house. But Hugo's marriage is in trouble: his much younger wife, Ellie, spends all her time at her Amateur Dramatic Group, and Hugo is drinking too much.

Having been booked to give a talk at Fethering Library, successful author Burton St Clair invites his old friend Jude to come along. Although they haven't met for 20 years, Jude is not surprised to find that St Clair hasn't changed, with his towering ego and somewhat shaky relationship with the truth. What Jude hadn't been suspecting, however, was that the evening would end in sudden, violent death. More worrying, from Jude's point of view, is the fact that the investigating police officers seem to be convinced that she herself was responsible for the crime. With the evidence stacking up against her, Jude enlists the help of her neighbour Carole.

Bill Nighy stars as Charles Paris with Martine McCutcheon as Jodie Ricks in this BBC Radio 4 comedy detective drama. Charles finds himself uncharacteristically employed in a film, having landed the part of Szabec, a middle management vampire in 'The Wreathing'. His co-star is swimwear model turned actress Jodie Ricks and before long, Jodie is using Charles as a confidant.

Invited to a Private View of the work of controversial artist Denzil Willoughby, the good citizens of Fethering are not quite sure what to expect. And it certainly turns out to be a lively affair, culminating in a confrontation between Willoughby and his ex-lover, followed by a heated argument with the gallery owner and a rival artist. But what no one could have anticipated was that the evening would end in sudden, violent death.

It isn't the rain that upsets Carole Seddon during her walk on the West Sussex Downs. It isn't the dilapidated barn in which she is forced to seek shelter. No, what upsets her is the human skeleton she discovers there, neatly packed into two blue fertilizer bags.

Although she hadn’t known Leonard Mallett very well, nor liked him particularly, Carole Seddon feels duty bound to attend her fellow committee member’s funeral. As she suspected, the hymns, readings, and sermon are all very predictable - not unlike Leonard himself. What she couldn’t have predicted was that the deceased’s daughter would use the occasion to publicly accuse her stepmother of murder.

Carole is thrilled with the coming wedding of her once-estranged son, Stephen. She finds it odd, though, that the parents of the bride have no interest in arranging the wedding, and seem terrified at the prospect of publicizing it. Things turn deadly intriguing when the father of the bride disappears at the engagement party, only to be found brutally murdered the following morn.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?

Bill Nighy stars as Charles Paris in a BBC Radio 4 full-cast dramatisation of Simon Brett's novel. Charles Paris is understudying in a West End production, whose star Michael Banks seems unable to master the script. Has Charles time to solve a murder, win Frances' heart and make it on stage by the time the curtain goes up?

Actor, alcoholic and amateur sleuth Charles Paris returns in another quintet of humorous theatrical thrillers. All Charles asks for is a nice juicy part in a successful play - but wherever he appears on the bill, murder and mystery always play a starring role.

Charles Paris - unsuccessful actor, bad husband, and dipsomaniac - is back, and getting into trouble once more. As he tries to woo back his semi-detached wife, Frances, and land a few half-decent roles, he finds himself embroiled in murder and mayhem and forced to turn detective. Luckily, his sleuthing is much better than his acting.

The life of noted man of letters Esmond Chadleigh is celebrated in the halls of Bracketts House, though most of his work remains out of print, leaving Bracketts out of funds. Carole Seddon can keep Bracketts running, in exchange for assistance on her Chadleigh biography. But the trustees are afraid the biographer is only interested in rooting out the skeletons in Chadleigh's closet, especially after uncovering one in his garden.

When Charles Paris’ agent rings with the news that he has a part for him in a new musical, Charles is delighted - and somewhat amazed, as he can neither sing nor dance. But Maurice has an ulterior motive: as one of the show’s backers, he wants Charles to play detective and investigate a series of accidents that have dogged the production. The pianist has been shot in the hand, and another cast member fell downstairs - or was he pushed? Anxious about their investment and their star, Chris Watt, the ‘angels’ are keen to ensure that nothing else goes wrong.

After the death of her GP husband, widow Sarah is battling to bring up her strong-willed 18-year-old daughter, Clare, hindered by her meddling mother, Eleanor. Living on the middle floor of the family home, with Clare downstairs and Eleanor upstairs, Sarah finds herself besieged from above and below as she tries to cope with the demands of both her mum and her daughter. Luckily, she finds solace at work, where her best friend and boss at Bygone Books, Russell, provides a sympathetic ear.

August in Edinburgh, and thousands of performers of all stripes have flocked to the Fringe Festival. Among them is Charles Paris filling in at the last minute after a student actress breaks a leg and has to drop out. Showcasing an earnest one-man show in a sea of stand-up comics is a bit of a gamble, but at least he's acting, and with a Charles Paris production, what could possibly go wrong?

For Mrs Pargeter, it is a matter of principle that she should complete any of her late husband's unfinished business. Amongst his many bequests, perhaps the most valuable is his little black book, in which he listed all the people who ever worked for him, with details of their particular skill sets. This means that whenever Mrs P has a crime to solve, she can readily contact someone with the relevant expertise.

Having decided to redecorate Woodside Cottage, Jude engages the services of local man Pete, who painted and decorated the homes of Fethering residents for many years. Pete is currently working on Footscrow House, a large Victorian building that is being converted into holiday flats by a local developer.

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small role in a play, she nearly pushes him out of the door. But it seems that ‘The Message is Murder’ is such a terrible production that someone wants to kill off the cast.

Carole Seddon's trusty Renault is one of her most treasured possessions. So when it’s vandalized, there's only one person she will entrust with its repair: Bill Shefford, who’s been servicing the vehicles of the good citizens of Fethering for many years. But how could something like this happen in Fethering of all places? Then a note is shoved under Carole's kitchen door: Watch out. The car window was just the start. It appears that she’s been deliberately targeted. But by whom, and why?

A dinner party at an English mansion with some stuffy, not-very-close friends is not exactly Jude's cup of tea. But the practically mummified torso of a woman found in the cellar is much more up Jude's alley. Once again, the two middle-aged women from Fethering, Jude and her reluctant neighbor, Carole, find themselves embroiled in another puzzling whodunit.