Showing results by author "Simon Brett" in All Categories

Although she hadn’t known Leonard Mallett very well, nor liked him particularly, Carole Seddon feels duty bound to attend her fellow committee member’s funeral. As she suspected, the hymns, readings, and sermon are all very predictable - not unlike Leonard himself. What she couldn’t have predicted was that the deceased’s daughter would use the occasion to publicly accuse her stepmother of murder.

Having been booked to give a talk at Fethering Library, successful author Burton St Clair invites his old friend Jude to come along. Although they haven't met for 20 years, Jude is not surprised to find that St Clair hasn't changed, with his towering ego and somewhat shaky relationship with the truth. What Jude hadn't been suspecting, however, was that the evening would end in sudden, violent death. More worrying, from Jude's point of view, is the fact that the investigating police officers seem to be convinced that she herself was responsible for the crime. With the evidence stacking up against her, Jude enlists the help of her neighbour Carole.

What makes Charles different from other seedy, middle-aged, down at heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth but he's patently no Poirot. Most of his brainwork is done over a large Bell's in the pub. In the still, quiet, deadly hours of the early morning, lying alone, Charles can't help wondering where he'd be if he put half as much energy into his career as he does into solving crime.

Simon Brett's oldest and most beloved character, Charles Paris, is back. Paris, the often out-of-work actor, has a good part for a change, playing Sir Toby Belch in a summer festival production of "Twelfth Night." But when the director takes ill and then Paris' friend in the production is the apparent victim of intentional food poisoning meant for Paris, it's not long until the bodies start to turn up. Paris is forced to deal with a wild young director whose idea of Shakespeare the bard himself would hate.

When Charles Paris’ agent rings with the news that he has a part for him in a new musical, Charles is delighted - and somewhat amazed, as he can neither sing nor dance. But Maurice has an ulterior motive: as one of the show’s backers, he wants Charles to play detective and investigate a series of accidents that have dogged the production. The pianist has been shot in the hand, and another cast member fell downstairs - or was he pushed? Anxious about their investment and their star, Chris Watt, the ‘angels’ are keen to ensure that nothing else goes wrong.

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small role in a play, she nearly pushes him out of the door. But it seems that ‘The Message is Murder’ is such a terrible production that someone wants to kill off the cast.

Helen and Ben are an upwardly mobile couple climbing the social ladder in suburbia. They have just moved into a semi-detached house but discover that their taste for restoring their home to its original character is not shared by the neighbours....

Inspector Rudge does not encounter many cases of murder in the sleepy seaside town of Whynmouth. But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt.

Bill Nighy stars as Charles Paris with Martine McCutcheon as Jodie Ricks in this BBC Radio 4 comedy detective drama. Charles finds himself uncharacteristically employed in a film, having landed the part of Szabec, a middle management vampire in 'The Wreathing'. His co-star is swimwear model turned actress Jodie Ricks and before long, Jodie is using Charles as a confidant.

When the owner of Polly's Cake Shop announces her retirement, the Fethering residents start to worry about the loss of this popular amenity. Alarmed by rumours that the café might become a Starbucks, a group clubs together to form an action committee. The plan is that Polly's should become a community venture managed and run by volunteers from the village. Roped in to help, Jude finds the committee meetings fraught with petty power struggles, clashing personalities and monstrous egos.

Jude's life has been turned upside-down thanks her new man, Piers Targett, who's keen to get her involved in his hobby – or obsession – of Real Tennis. But when one of Piers' friends dies on the court in suspicious circumstances, Jude finds herself caught up in the police investigation. Meanwhile, Jude's neighbour Carole is trying to identify the human remains known locally as the “Lady in the Lake”.

"I want you all out, gone, dead, exterminated!" high strung Alex Household had cried out when, after a lifetime of struggle, he lost the starring role in a new play called The Hooded Owl to an actor who couldn't remember his lines. But did that mean that it was Alex who had shot the leading man dead during his climactic speech? Charles Paris, for one, could see many logical suspects: from the devious producer, to the gullible playwright, to the young starlet's overprotective mother.

As ever, Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation, especially in the form of women and alcohol. His intentions may be good, but somehow the results always go wrong. What makes Charles different from other seedy, middle-aged, down-at-heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth, but he's patently no Poirot.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?

Bill Nighy returns as Charles Paris: unsuccessful actor, bad husband, and dipsomaniac. Desperately in need of work, having been kicked out of his marital home, Charles jumps at playing a missing property developer in a crime-reconstruction program. But the missing person case soon turns to murder when severed body parts begin to appear.

After the death of her GP husband, widow Sarah is battling to bring up her strong-willed 18-year-old daughter, Clare, hindered by her meddling mother, Eleanor. Living on the middle floor of the family home, with Clare downstairs and Eleanor upstairs, Sarah finds herself besieged from above and below as she tries to cope with the demands of both her mum and her daughter. Luckily, she finds solace at work, where her best friend and boss at Bygone Books, Russell, provides a sympathetic ear.

Very little disturbs the ordered calm of Fethering, a pleasingly self-contained retirement town on England's southern coast. Which is precisely why Carole Seddon, who has outlived both her husband and her career at the Home Office, has chosen to reside there. So the last thing Carole expects to encounter in Fethering is a new neighbour with but one name and an obviously colourful past.  

Invited to a Private View of the work of controversial artist Denzil Willoughby, the good citizens of Fethering are not quite sure what to expect. And it certainly turns out to be a lively affair, culminating in a confrontation between Willoughby and his ex-lover, followed by a heated argument with the gallery owner and a rival artist. But what no one could have anticipated was that the evening would end in sudden, violent death.

Carole Seddon has never enjoyed holidays much. Nevertheless, she has allowed herself to be persuaded by her friend Jude to accept a fortnight’s free accommodation at a luxurious Turkish villa owned by Jude’s property developer friend Barney Willingdon. But from the outset the holiday is marred by a series of menacing incidents.

Carole Seddon's trusty Renault is one of her most treasured possessions. So when it’s vandalized, there's only one person she will entrust with its repair: Bill Shefford, who’s been servicing the vehicles of the good citizens of Fethering for many years. But how could something like this happen in Fethering of all places? Then a note is shoved under Carole's kitchen door: Watch out. The car window was just the start. It appears that she’s been deliberately targeted. But by whom, and why?