Mostrando resultados por autor "Simon Brett" en Todas las categorías

Professional declutterer Ellen Curtis doesn’t do house clearances. So when Tamara Nicklin, owner of a local gastropub, asks Ellen to clear her late father’s house, she’s not interested . . . even when Tamara admits that the real reason she wants to hire Ellen is to find his missing will. Then Ellen discovers Tamara’s husband has plans for the house. Plans Tamara doesn’t know about. And it’s clear to Ellen that this is the right job for her, after all.

Recently retired, Carole Seddon is residing in Fethering in the cottage she purchased with her ex-husband. There she maintains a quiet and sensible life with the companionship of Gulliver, her Labrador retriever. But everything changes when she and Gulliver, while taking their daily constitutional, find a corpse on the beach. What's more, there are two wounds on its neck. The body mysteriously disappears and the police dismiss Carole as a befuddled middle-aged woman.

Professional declutterer Ellen Curtis doesn't need to like her clients to help them sort their homes out. Aging TV personality and curmudgeon Humphrey Carter might have a chip on his shoulder the size of England about the decline of his career, but a job's a job. But when Ellen arrives the morning after Humph's eightieth birthday party, primed and ready to tackle his study—no matter his protests—she gets the shock of her life. Humph's dead… and all signs point to him having taken his own life. Did the egotistical chat show host really die by suicide? His wife is adamant he's been murdered.

Thespian sleuth Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. Estranged from his long-suffering wife, Frances, his personal life is shambolic, and as an actor, he's C-list at best. But he does have a talent for solving murders - which is just as well, because wherever he goes, someone seems to drop dead.

The complete series 1-5 of the thrilling mystery series. On sabbatical from the Franciscan order, Father Paolo Baldi is working as a philosophy lecturer in Dublin when his life takes an unexpected turn and he finds himself helping the police to solve crimes. Along with Tina, Paolo uncovers the truth behind the killings of several rockabilly band members and a high-profile case of a police officer’s murder as well as delving into the highly competitive world of celebrity chefs.

After the death of her GP husband, widow Sarah is battling to bring up her strong-willed 18-year-old daughter, Clare, hindered by her meddling mother, Eleanor. Living on the middle floor of the family home, with Clare downstairs and Eleanor upstairs, Sarah finds herself besieged from above and below as she tries to cope with the demands of both her mum and her daughter. Luckily, she finds solace at work, where her best friend and boss at Bygone Books, Russell, provides a sympathetic ear.

Charles Paris' old friend Mark, who runs a recording studio in Bath where Charles is making a talking book, has a drinking problem that amounts to a death wish. But it's not the drink that kills Mark, it's somebody in the cast of Charles' play who has a dirty little secret that Mark must not be allowed to reveal...

Having been booked to give a talk at Fethering Library, successful author Burton St Clair invites his old friend Jude to come along. Although they haven't met for 20 years, Jude is not surprised to find that St Clair hasn't changed, with his towering ego and somewhat shaky relationship with the truth. What Jude hadn't been suspecting, however, was that the evening would end in sudden, violent death. More worrying, from Jude's point of view, is the fact that the investigating police officers seem to be convinced that she herself was responsible for the crime. With the evidence stacking up against her, Jude enlists the help of her neighbour Carole.

Charles Paris - unsuccessful actor, bad husband, and dipsomaniac - is back, and getting into trouble once more. As he tries to woo back his semi-detached wife, Frances, and land a few half-decent roles, he finds himself embroiled in murder and mayhem and forced to turn detective. Luckily, his sleuthing is much better than his acting.

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation – especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small...

Charles finds himself uncharacteristically employed in a film, having landed the part of Szabec, a middle management vampire in The Wreathing. His co-star is swimwear model turned actress Jodie Ricks and before long, Jodie is using Charles as a confidant. Poor Jodie is in terrible trouble - not...

Actor, alcoholic and amateur sleuth Charles Paris returns in another quintet of humorous theatrical thrillers. All Charles asks for is a nice juicy part in a successful play - but wherever he appears on the bill, murder and mystery always play a starring role.

Charles Paris, middle-aged actor turned amateur sleuth, is vacationing at a small English seaside town. Irresistibly drawn to anything theatrical, Charles seeks entertainment at the local music hall and endures a series of not-so-wonderful vaudeville acts in the hope that the man given star billing will be worth watching. This performer, Bill Peaky, comes on stage with his electric guitar, grasps the microphone, and drops dead, due to faulty wiring of the stage equipment.

Carole Seddon has never enjoyed holidays much. Nevertheless, she has allowed herself to be persuaded by her friend Jude to accept a fortnight’s free accommodation at a luxurious Turkish villa owned by Jude’s property developer friend Barney Willingdon. But from the outset the holiday is marred by a series of menacing incidents.

Mrs. Pargeter’s friends know two important details about her marriage to her late husband. First, that it was blissfully happy. And second, that Mr. Pargeter was not a man to bring his work home with him. So, while the chance of her ever being asked by the police what he did for a living is, naturally, remote, Mrs. Pargeter would be able to reply, in all honesty, that she doesn’t know. What she does know is that Mr. Pargeter’s former associates are all respectable members of society, and if they were ever criminals, they are now 100% reformed.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears.

Having decided to redecorate Woodside Cottage, Jude engages the services of local man Pete, who painted and decorated the homes of Fethering residents for many years. Pete is currently working on Footscrow House, a large Victorian building that is being converted into holiday flats by a local developer.

For Mrs Pargeter, it is a matter of principle that she should complete any of her late husband's unfinished business. Amongst his many bequests, perhaps the most valuable is his little black book, in which he listed all the people who ever worked for him, with details of their particular skill sets. This means that whenever Mrs P has a crime to solve, she can readily contact someone with the relevant expertise.

A job in pantomime seems the perfect way to spend the Christmas season for Charles, but the cast of Cinderella are a motley crew from reality TV and Charles finds himself having to explain the traditions of panto to their baffled American star whose career is on a downward trajectory. When the star is shot dead, and Charles finds the body, he finds himself under suspicion.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?