Showing results by author "James Sallis" in All Categories

Die Schatten der Vergangenheit sind lang. Besonders, wenn die Mafia ihre Finger im Spiel hat und noch eine Rechnung offen ist. James Sallis hat die Fortsetzung seines preisgekrönten und erfolgreich verfilmten Romans "Driver" geschrieben - und wieder einen außergewöhnlichen Noir geschaffen. In Hollywoodfilmen schnellt ein Typ, der fast ertrunken wäre, für gewöhnlich aus dem Wasser hoch ins Sonnenlicht und schnappt dabei gierig nach Luft.

Driver ist kein Verbrecher. Jedenfalls nicht im engeren Sinne. Er ist nur der beste Stuntfahrer, den man in Hollywood kriegen kann. Und manchmal fährt er bei Raubüberfällen den Fluchtwagen, obwohl ihn das gar nicht so richtig interessiert. Genauso wenig wie die Hollywoodfilme. Eigentlich will er nur fahren. Aber dann läuft einer dieser Überfälle schief, und Driver findet sich in einem schäbigen Motel in Arizona wieder, mit mehreren Leichen im Zimmer und einer Tasche voller Geldscheine.

David was one of an elite corps of spies trained during the Cold War. But those days are gone and for nine years he has been an ordinary citizen... until a phone call in the middle of the night. The only other known survivor of that elite corps has gone rogue. They need David to stop him. What ensues is an existential cat-and-mouse game played out across the American landscape.

A hired killer on his final job, a burned out detective whose wife is dying slowly, a young boy abandoned by his parents and living alone by his wits. The detective is looking for the killer, Christian, though he doesn't know that. And the boy, Jimmie, is having the killer's dreams. While they never meet, they are inextricably linked; as their stories unfold, all find the solace of community.

Sarah Jane Pullman is a good cop with a complicated past. From her small-town chicken-farming roots through her runaway adolescence, court-ordered army stint, ill-advised marriage and years slinging scrambled eggs over greasy spoon griddles, Sarah Jane unfolds her life story, a parable about memory, atonement, and finding shape in chaos. Her life takes an unexpected turn when she finds herself named the de facto sheriff of a rural town, investigating the mysterious disappearance of the sheriff whose shoes she's filling.

Two years have passed since Turner's lover, Val Bjorn, was shot as they sat together on the porch of his cabin. Then the sheriff's long-lost son comes ploughing down Main Street in what appears to be a stolen car. And waiting at Turner's cabin is his good friend, Eldon Brown. Haunted by his own ghosts, Turner nonetheless goes in search of a truth he's not sure he can live with.

Now Deputy Sheriff in his new town, Turner seems to be finally escaping his past and creating a new life for himself. That is, until a routine traffic stop results in a young man being sprung from jail, a brutal assault on the Sheriff and Turner risking everything in his wild pursuit. A novel as atmospheric and eventful as anything Sallis has written.

The small town where Turner has moved is the perfect hide-away for him to forget he was a cop, a psychotherapist and always an ex-con - until a body is found and Turner is thrust into the investigation and everything he thought he had left behind. Turner slowly becomes reacquainted not only with the darkness he had fled, but with the unsuspected kindness of others.

Ain’t Long Fore Day are poems that carry on in the spirit of the blues. With music and enigma, James Sallis delivers lyrical and narrative poems steeped in the beauty of the every day.