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Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

The Wind Runner is visiting Riverfarm, and Emperor Laken Godart couldn't be happier. Summer has arrived on Izril, and with it, trouble is brewing. The prosperity of the Unseen Empire has brought both enemies and unlikely allies to the north. A coven has descended upon Riverfarm, seeking a grand bargain with the [Emperor].

Sara Marsala barely knows who she is anymore after the failure of her business and marriage. On top of that, her beloved great-aunt Rosie passes away, leaving Sara bereft with grief. But Aunt Rosie’s death also opens an escape from her life and a window into the past by way of a plane ticket to Sicily, a deed to a possibly valuable plot of land, and a bombshell family secret. Rosie believes Sara’s great-grandmother Serafina, the family matriarch who was left behind while her husband worked in America, didn’t die of illness as family lore has it . . . she was murdered.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

Being summoned to random worlds by others is becoming a familiar event for Rico, and with each bizarre challenge the system throws at him, his strength grows. Dungeons, deadly creatures, and powerful foes are commonplace in these other worlds, but what happens when they start showing up here on Earth? Rico gladly joins the other summoned beings to defend his world, but if he dies at home, there is no respawn waiting to bring him back.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together, they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case.

I might be the only person not obsessed with Simon Luckwood, Hollywood's hottest leading man and the newest part-time resident of my little hometown. I don’t trust the way he’s always smiling. No one smiles that much. And I’m clearly missing something, because I don’t get why the character Simon played on his weird hit TV show is so popular. But revenge is a dish best served cold, just like the dishes on the menu at the restaurant my ex stole from me.

With the Builder threat behind them, the time has finally come for Jason and his team to hit the road. Eager to get back to the adventuring he’s been longing for, Jason is excited to not be at the center of world-changing events. But before he goes, one last attempt to pull him into politics has him leaving Rimaros with a strong final impression. With new places to visit and new people to meet, the remnants of recent events have scarred the land and left lingering dangers behind. It's a busy time for adventurers willing and able to fight with monsters.

With the crisis in Hataka Village behind them, Ivy and her friends set out for new adventures. Along the way, they creep through the caves where the forest monsters dwell, only to find the monsters who attacked her before are now friendly! Not only that, she's entrusted with a forest monster baby. Bewildered at this turn of events, Ivy arrives in an unusual village full of tension between the church and the villagers.

Lor has endured twelve long years of torment under the Aurora King's rule. Her only desire is to get free and pay him back for every moment of misery she's endured. When a surprise release finds her in the hands of the Sun King, Lor is thrust into the spotlight as she competes against nine other tributes for the role of queen. If she wins his heart, she'll earn her freedom and finally get her revenge. But Lor doesn't belong in the Sun Queen trials.

This is a tale of sorrow, a tale of survival, a tale of one man's search for meaning in his universe, and how that search, and the indomitable will that drove it, gave birth to a legend.

The last time I saw him, I’d just turned eighteen. Six years later we’re face-to-face again. Neither of us wanted the night to end. The next morning, we made a pact. Each of us going our separate ways. Until two pink lines changed everything.

The epic and highly anticipated conclusion to the listener-favorite series that had countless Audible listeners (and employees) hooked from the very first Bob - featuring, as always, a flawless performance from the inimitable Ray Porter. Being a sentient spaceship really should be more fun. But after spreading out through space for almost a century, Bob and his clones just can't stay out of trouble. They've created enough colonies so humanity shouldn't go extinct.

Bryden and Sam have it all: thriving careers, a smart apartment in a luxury condominium, supportive friends and a cherished daughter. The perfect life for the perfect couple. Then Sam receives a call at his office. Bryden–working from home that day–has failed to collect their daughter from daycare. Arriving home with their little girl, he finds his wife’s car in the underground garage. Upstairs in their apartment her laptop is open on the table, her cell phone nearby, her keys in their usual place in the hall.

Alice isn't like the other Storm siblings. While the rest stayed to battle for their parents' approval, attention, and untold billions, she left, building her own life beyond the family’s name and influence. Nothing could induce her to come back, except the shocking death of her larger-than-life father. Now back on the family’s private island off the Rhode Island coast, she plans to keep her head down, pay the last of her respects, and leave the minute the funeral is over. Unfortunately, her father had other plans.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow.

According to the FBI, I was considered a serial murderer after three kills. What do they call me after fifty-two? They call me the Silencer. One final bullet would have been all it took to stop me from taking another soul, and I would have been doing Meridian City a service by pulling that trigger. An angel crying for help stopped me, and that night, I took three lives for her. Then three turned into eight. Then eight turned into twenty. Twenty turned into twenty-one. Twenty one turned into twenty-three.

Veteran horror screenwriter and novelist Jamie Nash leads us into the shadows of Blake Snyder’s legendary Monster in the House genre—and sheds light over the secrets to crafting truly terrifying tales.