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Im Frühjahr 1346 Neuer Galaktischer Zeitrechnung steht die Menschheit vor der größten Bedrohung ihrer Geschichte: Mit einer gigantischen Übermacht hat die Terminale Kolonne TRAITOR die Milchstraße besetzt und alle bewohnten Planeten unter ihre Kontrolle gebracht. Die gigantische Raumflotte steht im Dienst der sogenannten Chaotarchen. Ihr Ziel ist, die Ressourcen der Milchstraße auszubeuten, um die Existenz der Negasphäre abzusichern.

Make Us Worthy includes a reading of the eponymous prayer followed by beautiful piano music based on an original composition of Frederic Chopin. The piano composition includes Nocturne in G Minor, Op. 15 No. 3 - Lento. Chopin was inspired by Hamlet in composing this nocturne. The key features of this piece are the irregularity and unpredictability of the phrasing. It is wistful in its outer sections, with a hymnlike passage at its heart.

David's Prayer includes a reading of the eponymous prayer followed by beautiful piano music based on an original composition of Frederic Chopin. The piano composition includes 'Nocturne in B Major, Op. 32 No. 1 - Andantino sostenuto'. The simplicity of this nocturne's opening is contrasted by a very dramatic and original ending. This arrangement is illustrative of Chopin's desire to make the music speak.

Im Frühjahr 1346 Neuer Galaktischer Zeitrechnung steht die Menschheit vor der größten Bedrohung ihrer Geschichte: Mit einer gigantischen Übermacht hat die Terminale Kolonne TRAITOR die Milchstraße besetzt und alle bewohnten Planeten unter ihre Kontrolle gebracht. Die gigantische Raumflotte steht im Dienst der sogenannten Chaotarchen. Ihr Ziel ist, die Ressourcen der Milchstraße auszubeuten, um die Existenz der Negasphäre abzusichern.

The Little and the Great Things includes a reading of the eponymous prayer followed by beautiful piano music based on an original composition of Frederic Chopin. The piano composition includes Nocturne in G Major, Op. 37 No. 2 - Andantino. The nocturne is painted with Chopin's most ethereal brush, characterised by beautiful sensuousness and luscious soft, rounded tones, and not without a certain degree of languor.

Smirnov is scared of being robbed. To compensate and deter the cabman from attacking him, he blusters on in a comical way about his fighting abilities, the three revolvers he doesn't have, and how a party of armed friends will join him soon.

Onkel Wanja, eigentlich Iwan Petrwitsch Wojnizkij, lebt mit seiner nicht allzu hübschen Nichte Sonja auf dem Gut seiner verstorbenen Schwester und betreibt dieses schuldenfrei. Er unterstützt finanziell die Karriere von Sonjas Vater, dem Kunstprofessor Serebrjakow. Aufgrund des teuren Stadtlebens verlässt Serebrjakow mit Eintritt in den Ruhestand die Stadt und zieht mit seiner neuen Ehefrau Jelena auf das Gut. Sowohl Wanja als auch dessen befreundeter Arzt Astrow, in den seine Nichte verliebt ist, werfen ein Auge auf Jelena. Serebrjakow vermisst aber das Stadtleben und möchte das Gut verkaufen. Aufgrund dessen sowie die Eifersucht in Bezug auf Jelena kommt es zwischen Wanja und Serebrjakow zum Eklat, der mit einer Schießerei endet...

Po syuzhetu povesti dyadya vezyot svoego maloletnego plemyannika v gimnaziyu. Ih soprovozhdaet dobryj, no praktichnyj nastoyatel' mestnoj cerkvi. Plemyannik Egorushka grusten ottogo, chto pokinul rodnoj dom. Po doroge on vstrechaet mnogo novyh lyudej, vklyuchaya krasivuyu grafinyu Dranickuyu, obozchikov, semejstvo unizhennyh evreev, bogatogo kupca Varlamova. Avtor uvlechyonno opisyvaet stepnye pejzazhi.

Lejtmotiv rasskaza - bessilie pered kosnost'yu i skukoj besprosvetnoj russkoj zhizni, vyzyvayushchej tosku i otchayanie. Bezyniciativnye i vyalye geroi chekhovskih povestej osoznayut bezyskhodnost' situacii, stradayut ot nee, no ne sposobny k postupkam. Poshlost' okruzhayushchej dejstvitel'nosti ubivaet v nih stremlenie k idealu, reshimost' i muzhestvo.

Povest' "Muzhiki" bylo ochen' spornym proizvedeniem. Derevnyu v obychnoj literature izobrazhali kak raj zemnoj. Pravdivoe izobrazhenie derevni v povesti "Muzhiki" polnost'yu razrushalo ehtot mif.

"Duel'" - odna iz samyh bol'shih po razmeru povestej Antona Pavlovicha Chekhova. Vpervye opublikovana v 1891 godu v gazete "Novoe vremya". Dejstvie povesti proiskhodit na Kavkaze na beregu Cyornogo morya. Pervoe upominanie o zamysle, ochen' napominayushchem syuzhet "Duehli", nahoditsya eshche v pis'me Chekhova 1888 goda. Cherez neskol'ko mesyacev posle poezdki po Kavkazu, v noyabre 1888 goda Cekhov pisal A. S. Suvorinu: "Ah, kakoj ya nachal rasskaz! Pishu na temu o lyubvi. Formu izbral fel'etonno-belletristicheskuyu. Poryadochnyj chelovek uvez ot poryadochnogo cheloveka zhenu i pishet ob ehtom svoe mnenie; zhivet s nej - mnenie; raskhoditsya - opyat' mnenie.

Verocka ist jung, schön und nachlässig gekleidet. "Junge Frauen, die viel träumen und tagelang träge und im Liegen alles lesen, was ihnen in die Hände fällt, die sich langweilen und traurig sind, kleiden sich im allgemeinen nachlässig."

Anton Krutitsch serviert sein Wienerisch in Wort und Schrift in einer für alle verständlichen Umgangssprache...

Uno dei più famosi racconti cechoviani in cui si narra una storia ancora attualissima: uno squallido ospedale di provincia, i matti trattati come bestie, uno strano filosofo paranoico e un dottore in crisi con la professione e con il mondo intero. L'epilogo tragi-comico è in puro stile cechoviano.

Ja s vami govorju! Esli ne umeete pet', to za kakim chjortom vy lezete na scenu so svoim voron'im karkan'em? Nachinajte snachala! — Tak krichal on i treshhal po partiture svoej dirizherskoj palochkoj. Jetim kosmatym gospodam dirizheram mnogoe proshhaetsja.

Audiokniga "Ved'ma" po odnoimennomu rasskazu velikogo russkogo pisatelja Antona Pavlovicha Chehova. V daljokoj storozhke zhivut dvoe - grjaznyj, obrosshij d'jachok Savelij i ego krasavica-zhena Raisa. D'jachok muchaet svoju zhenu nelepoj revnost'ju. V metel' v storozhku zabredajut sbivshiesja s puti pochtovye jamshhiki.

Late one evening, tragedy strikes when the town doctor, Kirilov, is unable to save his dying son from diphtheria. As he and his wife mourn their only son's death, a stranger, Abogin, arrives at the doctor’s home, begging him to come save his dying wife. The doctor, who is still shocked from his son's death of five minutes ago, declines Abogin's pleas. However, Abogin refuses to give up, trying desperately to save his wife.

Rashevitch was enjoying Meier's company, providing him with a body to talk at. Rashevitch would go on and on about his beliefs and ideas, and found himself thinking that Meier might be a good match for one of his daughters to marry. As he continues to prattle on about social Darwinism, he develops this idea further and further in his mind, His daughters join the two men for dinner and Rashevitch takes his social critiques a step too far for Meier.

Emu chrezvychajno ne nravilos', kogda kto-nibud' zavodil rech' ob ego molodosti, osobenno v prisutstvii zhenshhin ili gimnazistov. S teh por kak on priehal v jetot gorod i postupil na sluzhbu, on stal nenavidet' svoju molozhavost'. Gimnazisty ego ne bojalis', stariki velichali molodym chelovekom, zhenshhiny ohotnee tancevali s nim, chem slushali ego dlinnye rassuzhdenija. I on dorogo dal by za to, chtoby postaret' teper' let na desjat'.

Ivan Lyashkevsky, a Polish lieutenant who suffered a head injury, spends a large amount of time grumbling about the native people of the town he's living in. He thinks them to be lazy and useless and is quick to express his views. On this particular day, he is visiting with his friend Franz Finks and studying his native landlord out the window. Lyashkevsky grows more and more angry with the natives as he discusses their flaws with Finks throughout the entire day, and simple Finks takes all his complaints in stride.