Mostrando resultados por narrador "Bernard Setaro Clark" en Todas las categorías

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work. This third volume of the series brings together 21 of his fantasy stories.

Kaerion Whitehart was once a mighty paladin, but sins of the past have cast him far from the light. Together with an elf mercenary, he now survives by the might of his sword alone. In exchange for a hefty purse, the two friends agree to accompany a band of patriots into a tomb haunted by fear and legend. They soon find the mission growing beyond their control. As warring factions vie for the ultimate prize of a long-dead wizard, Kaerion finds himself caught between death and redemption.

A riveting portrait of the Gold Rush, by the award-winning author of Down the Great Unknown and The Forger's Spell. In the spring of 1848, rumors began to spread that gold had been discovered in a remote spot in the Sacramento Valley. A year later, newspaper headlines declared "Gold Fever!" as...

Vlad Taltos is very good at killing people. That, combined with two faithful companions and a talent for witchcraft, makes him an assassin par excellence. But lately his heart just hasn't been in his work, so he decides to retire. Unfortunately, old enemies have scores to settle with Vlad. So much for retirement!

When the Demon-Goddess saves him from a certain death, Vlad must pay her back with his professional services as an assassin.

A young man witnesses the unrestrained violence of the Civil War along the American frontier in this brutally honest novel from the author of Winter's Bone. Set in the border states of Kansas and Missouri, Woe to Live On explores the nature of lawlessness and violence, friendship and loyalty...

Devera has appeared again - to lead Vlad into a mysterious, seemingly empty manor overlooking the Great Sea. Inside this structure are corridors that double back on themselves, rooms that look out over other worlds, and - just maybe - answers to some of Vlad's long-asked questions about his world and his place in it. If only Devera can be persuaded to stop disappearing in the middle of his conversations with her....

This series presents Clark Ashton Smith's fiction chronologically, based on composition rather than publication. Editors Scott Connors and Ron Hilger have compared original manuscripts, various typescripts, published editions, and Smith's notes and letters in order to prepare a definitive set of texts. The Maze of the Enchanter includes, in chronological order, all of his stories from The Mandrakes (February, 1933) to The Flower-Women (May, 1935). This volume also features an introduction and extensive notes on each story.

Vlad Taltos, short-statured, short-lived human in an Empire of tall, long-lived Dragaerans, has always had to keep his wits about him. Long ago, he made a place for himself as a captain of the Jhereg, the noble house that runs the rackets in the great imperial city of Adrilankha. But love, revolution, betrayal, and revenge ensued, and for years now Vlad has been a man on the run, struggling to stay a step ahead of the Jhereg who would kill him without hesitation.

Now Vlad's back in Adrilankha. The rackets he used to run are now under the control of the mysterious "Left Hand of the Jhereg" - a secretive cabal of women who report to no man.

Years ago, Vlad Taltos came from the East, to make his way as a human amidst the impossibly tall, fantastically long-lived natives of the Dragaeran Empire. He joined the Jhereg, the Dragaeran House (of which there are seventeen) that handles the Empire's vices: gambling, rackets, organized crime. He became a professional assassin. He was good at it. But that was then, before Vlad and the Jhereg became mortal enemies. For years, Vlad has run from one end of the Empire to the other, avoiding the Jhereg assassins who pursue him.

Marching through mud just isn't as much fun as they say. After years of surviving in Adrilankha by practicing the trade I know best - killing people for a living - suddenly I'm in the last place any self-respecting assassin wants to be: the army. Worse, I'm right in the middle of a apocalyptic battle between two sorcerous armies, and everyone expects me to play a role they won't explain. All I've got between me and the worst kind of death is my wits. Oh, and a smart-mouthed winged lizard.

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

Keep on the Borderlands was one of the very first D&D adventures, so seasoned gamers remember this product from their early days, and newer gamers will recognize it from the 25th anniversary rerelease. Greyhawk novels are based on the classic D&D modules from this world and provide listeners with the same kind of feeling that they get playing classic D&D modules.

The Aesthetic Brain takes the listener on a wide-ranging journey through the world of beauty, pleasure, and art. Chatterjee uses neuroscience to probe how an aesthetic sense is etched in our minds and evolutionary psychology to explain why aesthetic concerns feature centrally in our lives. Along the way, Chatterjee addresses fundamental questions: What is beauty? Is beauty universal? How is beauty related to pleasure? What is art? Should art be beautiful? Do we have an instinct for art?

Once, Vlad Taltos knew his trade: he killed people for a living. That skill got him his foothold in House Jhereg, running the rackets for a chunk of urban Adrilankha. Later, things happened that left Vlad a changed man, on the run from the Jhereg and frequently involved in the affairs of Dragonlords, Empresses, and even Jenoine. Far more involved than the average human. Meanwhile, in the very distant past, one of the gods fashioned an artifact - a silver figurine of a tiassa, a winged panther-like animal.

House Jhereg, Dragaera's organized crime syndicate, is still hunting Vlad Taltos. There's a big price on his head in Dragaera City. Then he hears disturbing news. Aliera - longtime friend, sometime ally - has been arrested by the Empire on a charge of practicing elder sorcery, a capital crime. It doesn't make sense. Everybody knows Aliera's been dabbling in elder sorcery for ages. Why is the Empire down on her now? Why aren't her powerful friends - Morrolan, Sethra, the Empress Zerika - coming to her rescue? And most to the point, why has she utterly refused to do anything about her own defense?

Most company's change initiatives fail. Yours don't have to.

Vlad Taltos, a mobster and assassin in the magical metropolis of Adrilankha, is given the largest contract of his career, but the job is even more complicated than he expects.

A remorseless ranger. A sentient hell hound pelt with a penchant for pyromania. An irksome pixie who sells intrigue and information. Three companions who find themselves trapped in a city filled with warring priestly factions, devious machinations, and an angry fiend. To save the city, they must find three weapons of power, which lie in the most trap-laden, monster-infested place this side of Acererak's tomb: White Plume Mountain.

Doing Time: For the prison writers whose work is included in this anthology, it means more than "serving a sentence"; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one's humanity. For the last quarter century the prestigious writers' organization PEN has sponsored a contest for writers behind bars to help prisoners face these challenges. The contest honors the best short stories, plays, essays, and poems among hundreds submitted annually by men and women nationwide.