Mostrando títulos en Latinoamericano

México, finales del siglo XVI. Desde su niñez, la falsa beata Crisanta Cruz y el indio apóstata Tlacotzin, desarrollaron una férrea voluntad de sobrevivir y una refinada malicia para burlarse de sus opresores. Ellos son la columna vertebral de una hilarante intriga novelesca que desnuda los vicios privados y las virtudes públicas de la sociedad colonial: la teatralidad del misticismo, los laberintos barrocos del deseo reprimido, el culto clandestino de los Dioses prehispánicos, la sórdida lucha por el poder entre las órdenes religiosas...

What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado’s strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically.

Uprooted from her comfortable life in Bogotá, Colombia, into an ant-infested Miami townhouse, 15-year-old Francisca is miserable and friendless in her strange new city. Her alienation grows when her mother is swept up into an evangelical church, replete with Christian salsa, abstinent young dancers, and baptisms for the dead. But there, Francisca also meets the magnetic Carmen: opinionated and charismatic, head of the youth group, and the pastor’s daughter. As her mother’s mental health deteriorates and her grandmother descends into alcoholism, Francisca falls in love with Carmen.

Iggy Guerra is out of prison, but his homecoming is anything but smooth. His beloved mother is gone, his grief-stricken father Armando is deep in debt, and they are about to lose the butcher shop that has been in their family for generations. Iggy must earn his father’s lost trust in order to save La Carnicería Guerra from the threats imposed by a new rival business, a vigilante activist, and big-game hunter Orin, who has dragged Armando into his dangerous money-making schemes deep in the Everglades, where more than secrets are buried.

In this "devastating debut" (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between.

¿México? Podría ser. Pero también podría ser su revés. Así como el tiempo podría ser éste o cualquiera y los personajesquienes son, además de quienes fueron y serán. En estas páginas, llenas de asombro y belleza, pérdidas y hallazgos, la realidad es un eterno deshacerse y rehacerse. Vestigia, cuyo pasado parece impenetrable, necesita recordar para entender su dolor; Hincapié desea cambiar su relación con los otros, pues no tolera vivir con el temor a que dejen de estar

Río Salado es una población pesquera que muere lentamente y dentro de ella sus pobladores que se han acostumbrado tanto al lugar, que carecen del ánimo necesario para traspasar los cerros, cruzar el desierto y alejarse de ese sitio en el que muchas mujeres son seducidas, anualmente, por pescadores japoneses que las enamoran, las embarazan y las ilusionan con volver. Solo les dejan como recuerdo y recompensa bolsitas de perlas que muy pronto pierden valor porque en cada casa hay una de ellas.

Growing up in the ’90s along Clement Moore Avenue in Queens, Brisma and Kelly are two young Latinas with an inseparable bond, sharing everything and anything with each other. The girls are opposites: Brisma is sweet, sensitive, and observant, whereas Kelly is free-spirited, flirtatious, and bold. But together, they binge on Sour Patch Kids, listen to Boyz II Men cassette tapes, and dance to Selena and Mariah Carey where no one can see them.

Xavier Velasco cuenta cómo se convirtió en novelista y lo que significa ser escritor de tiempo completo.

Every country has its unique stories, and El Salvador is no different. For the first time, the magic of the Salvadoran nights is coming to you in English. For hundreds of years, parents have shared unique stories with their children, like the twins whom a Shaman transformed into the Cadejos because of their antics, or the vain and beautiful woman who scares bad men in the rivers at night, the Siguanaba. It's time that you could discover more about the unique Salvadoran folklore and transport yourself to a new land. Are you ready to travel in time and discover El Salvador? This volume ...

Poet and musician Melania Luisa Marte opens Plaintains and Our Becoming by pointing out that Afro-Latina is not a word recognized by the dictionary. But the dictionary is far from a record of the truth. What does it mean, then, to tend to your own words and your own record—to build upon the legacies of your ancestors?

Ramón López nació en la frontera entre los Estados Unidos y México, pero está decidido a salir y abrazar el sueño americano, y no está seguro si su complicada familia es una ayuda o un obstáculo. Hijo de inmigrantes, a medida que Ramón crece, su admiración por su padre emprendedor se agria al ver cómo sus sueños de éxito se marchitan. Su madre se encuentra constantemente preocupada por su hermano menor, quien lucha contra una discapacidad intelectual.

Solitario Cisneros thought his life was over long ago. He lost his wife, his family, even his country in the late 1870s when the Rio Grande shifted course, stranding the Mexican town of Olvido on the Texas side of the border. He’d made his brooding peace with retiring his gun and badge, hiding out on his ranch, and communing with horses and ghosts.

A few years ago, having a curvy prisoner in my home wouldn’t have been a problem. A few years ago I wasn’t broken, damaged beyond all repair. I thought I was dead inside…until she came along and awakened me in ways I never thought were possible for a brute like me. But what will become of us when her past and mine collide? Can a monster like me ever become the man she deserves?

Jo De La Cruz should be on top of the world. As one of spin’s hottest instructors, her workouts stream into thousands of living rooms, her waiting list is harder to access than Area 51, and even her hair has its own social media page. But Jo’s struggling from a decade in the spotlight—which is when she meets the annoyingly handsome journalist who claims her job is just yelling at people from a bike.

A collection of humorous, sexy, and highly neurotic tales about parenting, long-term relationships, systemic and interpersonal racism, and class conflict from the author of The Town of Babylon, The People Who Report More Stress deftly and poignantly expresses the frustration of knowing the problems and solutions to our society’s inequities but being unable to do anything about them.

Radiografía de un país llamado Venezuela en los días en que las promesas del Socialismo del siglo XXI preparaban el terreno para sembrar el caos y conducir la nación a la ruina. Usnavy Chourio, un maracucho asentado en Mérida durante la Cuarta República, lleva una vida ligera de estudiante universitario hasta que Josmara llega a ponerle un poco de orden a su existencia. Con ella amalgama sus esfuerzos cuando la “Revolución Bolivariana” se aparece para arrebatarles las esperanzas a muchos. Aquí descubriremos las andanzas de este ciudadano venezolano que intenta abrirse espacio ...

Larimar Cintrón works hard at three things: her job as brand manager for Beacon Café, a New York based corporate bakery chain; taking care of her parents and her abuela; and hiding that she’s a ciguapa—a mythical creature of Dominican folklore with long, straight hair and backwards-facing feet. Larimar may only be a ciguapa on full moons, but she feels like an outsider in her family the rest of the month too. Her love of ’90s punk rock music and style further sets her apart.

On a clear, moonlit night in December, police detective Jimmy Vega races to the scene of a reported home invasion in an upscale New York community. As Vega arrives, he spots a Hispanic man who fits the description of the armed intruder running from the victim's estate. Vega chases him into the woods. When the suspect refuses to surrender - and reaches into his pocket - Vega has only seconds to make a life-or-death decision.

Camila is haunted by the death of her sister, Marisol, who was caught by a mudslide during the huracán. Unable to part with Marisol, Camila carries her through town, past the churchyard, and, eventually, to the supposed utopia of Memoria. Urayoán, the idealistic, yet troubled cult leader of Memoria, has a vision for this new society, one that in his eyes is peaceful and democratic. The paradise he preaches lures in the young, including Bayfish, a boy on the cusp of manhood, and Morivivi, a woman whose outward toughness belies an inner tenderness for her friends.