Mostrando títulos en Latinoamericano

Vargas Llosa realiza un valiosísimo análisis de la obra de Juan Carlos Onetti haciendo hincapié en una preocupación que comparte ambos autores: la complicada y al mismo tiempo necesaria relación entre la ficción literaria y la realidad.

An upcoming book to be published by Penguin Random House.

San Diego-based model and influencer Jaime Montez isn’t the heir—or even the spare—to his family’s Taco King fast-food empire. So after he’s asked to be the face of yet another non-Hispanic, celebrity-owned tequila company, Jaime decides to reinvent his role in the family dynasty: he’s going to start his own liquor brand. The problem? He’s an agave amateur. He needs help if he expects to ever master mezcal. And he has the perfect teacher in mind. . . .

Can you love and hate the same person? I fell in love too fast, too young. I made decisions I thought would protect the ones I love. Now I'm hated for them. Skull is the love of my life. But our life was wrapped up in lies. We were captured by them, and left with nothing when they exploded. How much can a heart take before it breaks and just doesn't care anymore?

Se acerca el confinamiento de 2020 y el protagonista siente la tentación de retirarse a su cabaña en las afueras de Buenos Aires para hacer frente desde allí a lo que pueda venir. Mientras espera, cultiva un jardín con todo tipo de plantas y flores. Su amor por la naturaleza le lleva a indagar en la formación del pensamiento científico, el nacimiento de la botánica y la gran aventura de las expediciones europeas del siglo XVIII.

Iggy Guerra is out of prison, but his homecoming is anything but smooth. His beloved mother is gone, his grief-stricken father Armando is deep in debt, and they are about to lose the butcher shop that has been in their family for generations. Iggy must earn his father’s lost trust in order to save La Carnicería Guerra from the threats imposed by a new rival business, a vigilante activist, and big-game hunter Orin, who has dragged Armando into his dangerous money-making schemes deep in the Everglades, where more than secrets are buried.

Poet and musician Melania Luisa Marte opens Plaintains and Our Becoming by pointing out that Afro-Latina is not a word recognized by the dictionary. But the dictionary is far from a record of the truth. What does it mean, then, to tend to your own words and your own record—to build upon the legacies of your ancestors?

Alexis Valdés narra con profunda ternura sobre el niño que fue y logra reflejar no solo los años más duros de su vida, sino transportar al lector a la Cuba de su infancia y adolescencia, con sus problemas, sus carencias, su dolor, pero también con una alegría de vivir y la esperanza de que algún día todo será mejor.

«Esta colección de artículos, conferencias, reseñas y notas da testimonio de más de medio siglo de lecturas de un autor que ha sido para mí, desde que leí sus primeros cuentos y ensayos en la Lima de los años cincuenta, una fuente inagotable de placer intelectual. Muchas veces lo he releído y, a diferencia de lo que me ocurre con otros escritores que marcaron mi adolescencia, nunca me decepcionó; al contrario, cada nueva lectura renueva mi entusiasmo y felicidad, revelándome nuevos secretos y sutilezas de ese mundo borgiano tan inusitado en sus temas y tan diáfano y elegante en su expresión.

Dr. Ana Maria Ross Gutierrez runs a clinic near the Texas-Mexico border, taking care of those who've crossed into the United States illegally. Ana was once married to Peter Ross, but his decision to join the border patrol drove her to divorce him—despite Peter's continuing feelings for her and his conviction that he's protecting the desperate immigrants in his own way. Now, as hostility and hatred heat up in El Paso, Ana, Peter, and a young mother are entangled in danger and violence that threaten them all.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.

Los Angeles, 1986. A group of right-wing Christians has put an initiative on the November ballot to allow health officials to force people with HIV into quarantine camps - and it looks like it’s going to pass. Rios, now living in LA, agrees to be counsel for a group of young activists who call themselves QUEER. QUEER claims to be committed to peaceful civil disobedience. But when one of its members is implicated in the bombing of an evangelical church that kills its pastor, Rios finds himself with a client suddenly facing the death penalty.

With The Barbarian Nurseries, Héctor Tobar gives our most misunderstood metropolis its great contemporary novel, taking us beyond the glimmer of Hollywood and deeper than camera-ready crime stories to reveal Southern California life as it really is, across its vast, sunshiny sprawl of classes, languages, dreams, and ambitions.

The Meth Chronicles III, takes the reader to a place where everyone’s worst fears come out to play, four tales of utter control of the human mind. From the user and their families, to the dealer, the manufacturer and the cop, no one is spared the wrath of this horrid drug in these stories. The Meth Chronicles will take you down the psychological well and leave you there cold, wet and in the dark. Chronicles captures the whole meth scene with introverted, immoral, habituated humans turned from normal people into non-civilized, self indulging meth zombies capable of doing anything to get to...

La máscara, el maquillaje que reformula las identidades: José Donoso ha buscado siempre en sus relatos, obsesivamente, ese otro rostro posible de los seres y las cosas. El lugar sin límites (novela que llevó al cine el mexicano Arturo Ripstein) juega eficazmente con el engañoso espejo de los sexos en un prostíbulo de pueblo, especie de infierno anodino donde confluyen no sólo las pasiones eróticas, sino además los sórdidos juegos de poder y dominación que suelen marcar los territorios degradados.

A few years ago, having a curvy prisoner in my home wouldn’t have been a problem. A few years ago I wasn’t broken, damaged beyond all repair. I thought I was dead inside…until she came along and awakened me in ways I never thought were possible for a brute like me. But what will become of us when her past and mine collide? Can a monster like me ever become the man she deserves?

In the suburbs of Rio de Janeiro, one summer in the 1970s, a family—a husband and wife, their daughter, and their crippled teenage son Camilo—take in an orphan named Cosme. The boys unexpectedly fall in love, but an act of violence shatters their intimate world and changes their lives forever. Decades later, when Camilo returns to his hometown, he is haunted by his first love and the long shadow of Brazil's military dictatorship.

Whether intended as historical fiction or not, this tale of a California bandit in the early years of the Gold Rush by America's first Native American novelist was based on real occurrences. By early 1853, a certain "Joaquin" was being blamed for seemingly every murder and robbery in the young Golden State—a Robin Hood-like figure originally from Mexico said to be an inspiration a half a century later for the character of Zorro (who in turn was an influence on masked vigilante and avenger characters like Batman).

Una mañana Ramón Castaños, un adolescente que vive en un pequeño poblado en Tamaulipas, descubre en un sembradío el cadáver desnudo y apuñalado de Adela, una muchacha a quien apenas conocía. Cuando el resto de los pobladores llega a la escena del crimen, corre el rumor de que quien ha muerto era la novia de Ramón. Así, el protagonista se verá obligado a vengar el asesinato de la mujer que supuestamente amaba para defender su honor y su hombría. Al mismo tiempo, voces en el pueblo achacan el crimen al Gitano, un hombre inocente.

¿Hijo de p...? No, no es lo que piensas. Las pes de las que hablamos aquí son otras muy diferentes. Tras el enorme éxito de su primer libro, El poder de escuchar, el presentador de CNN en Español y conferencista en desarrollo humano Ismael Cala vuelve con una fábula inspiradora sobre el desarrollo humano, los significados reales de nuestras historias de vida, la inteligencia emocional, la búsqueda del éxito, y el bienestar interior que nos ayudará a transformar la manera en que vivimos nuestras vidas.