Showing results by publisher "One Voice Recordings" in Horror

Prince Prospero invites several dozen of the local nobility to his castle for protection against an oncoming plague, the Red Death. Prospero orders his guests to attend a masked ball and, amidst a general atmosphere of debauchery and depravity, notices the entry of a mysterious hooded stranger dressed all in red.

Actor David Ian Davies' telling of Poe's Gothic horror tale "The Tell-Tale Heart" captures this classic narrative of the unnamed murderer in all its exquisite vileness, its self-effacing insanity that poses rationality where none exists.

One Voice Recordings presents its premiere recording of William Hope Hogdson's ghost story, "Carnacki The Ghost Finder: Gateway of the Monster"Carnacki's profession and delight is the eerie art and science of tracking down and dealing with the supernatural, and then relating his latest experience to an attentive group of friends...gathered together for just this purpose.

A man touring Mammoth Cave separates from his guide and becomes lost. His torch expires and he is giving up hope of finding a way out in the pitch dark, when he hears strange non-human footsteps approaching him. Thinking it to be a lost mountain lion or other such beast, he picks up a stone and throws it toward the source of the sound. The beast is hit and crumples to the floor. The guide finds the protagonist back, and together they examine the fallen creature with the guide's torchlight.

Edgar Allan Poe's horrific short story is the account of a man's irreversible journey into madness as he awaits his execution by hanging the next morning. Fueled by bouts of alcoholism and what seems an inborn fatal streak of madness, his manic extremes of violence and guilt demand attacks upon the innocent to alay his own self-hatred.

One Voice Recordings presents amazingly versatile voice actor David Ian Davies performing 10 of Edgar Allan Poe's most famous short stories: "The Cask of Amontillado", "The Sphinx", "The Descent into the Maelstrom", "Hop-Frog", "The Man of the Crowd", "Some Words With a Mummy", "The Murders in the Rue Morgue", "The System of Doctor Tarr and Professor Fether", "Shadow: A Parable", and "Silence: A Fable".

One Voice Recordings presents amazingly versatile voice actor David Ian Davies performing three of Edgar Allan Poe's most famous short stories: "Oblong Box", "The Pit and the Pendulum", and "The Black Cat".

The Story of the Late Mr. Elvesham opens with the following preface to Edward George Eden's account of the progressively unbelievable incidents leading to his death: "I set this story down, not expecting it will be believed, but, if possible, to prepare a way of escape for the next victim. He, perhaps, may profit by my misfortune. My own case, I know, is hopeless, and I am now in some measure prepared to meet my fate."

In "The Pit And The Pendulum" author Edgar Allan Poe weaves the story of a prisoner of the Spanish Inquisition, tried and condemned to death and locked in a horrific torture chamber to meet his doom at the hands of his sadistic keepers.

Great Expectations is a novel by Charles Dickens, first serialised in All the Year Round from December 1860 to August 1861. The action of the story takes place from Christmas Eve 1812, when the protagonist is about seven years old, to the winter of 1840. Great Expectations is written in a semi-autobiographical style, and is the story of the orphan Pip, tracing his life from his early days of childhood until adulthood.

"This agency stands flat-footed upon the ground, and there it must remain. The world is big enough for us. No ghosts need apply." So says Sherlock Holmes at the opening of The Adventure of the Sussex Vampire. Holmes investigates what appears to be a case of vampirism in an upper class home.

A pair of casual paranormal researchers are experimenting with the idea of astral projection. One night, one of them inadvertently succeeds in projecting his spirit from his body, which is then taken possession of by a malevolent entity in his absence.

You know how stuffy those English men's clubs are: "right sort of chap, and all that rot." Now imagine that the very worst sort of interloper forced his way into the exclusive club - a ghost who refuses to leave. And even worse, a ghost who was a failure in life and a failure in his haunting. David Ian Davies offers an enchanting one-man performance of this otherworldly tale.

Kennedy and Burger are rivals seeking fame, the one young and rich, the other old and crafty. They will head out, Burger in the lead, to enter and explore one of history's legends: The catacombs of old Rome in all its violent glory, where lie the decaying remains of Christians hunted down, tried and murdered. But there is more to this trip than we realize at its beginning.

Sir James Damery calls upon Sherlock Holmes, representing an exalted client who wishes his identity protected. Holmes' mission is to break up an engagement between Violet De Merville, the daughter of a prominent citizen, and her rakish fiancee, by exposing his true scoundrel character to her.

E. F. Benson's ghost story In The Tube is posited as an exposition of a vast metaphysical question that we as human beings cannot understand. Our suppositions of time and space are taken to task. This is fiction with historical significance.

In a sleepy, coastal, New England town, three men decide to rob and, if need be, torture a very old sea captain to learn where he keeps his wealth - a man who is so old no one ever remembers him being young; a man who pays for his purchases not with dollars but with ancient gold and silver coins minted over two centuries ago; a man who speaks to spirits in bottles; a man who may not be a man at all.

England, 1893. Chief Inspector Roderick Langham of Scotland Yard is asked to investigate the discovery of a Russian cargo schooner whose crew has vanished except for its captain, who is found dead, tied to the ship's wheel. The captain's log speaks of strange cargo aboard and the crew members disappearing one after another.

As the visitor to Lorraine Castle tells its two elderly caretakers, he does not believe in ghosts and will prove it by spending the night in the Red Room. Their parting words to him are that he is doing it by his own choosing. He moves away, smug with confidence. But as he ascends the spiral stairs with a single candle, what he senses around him begins to fill him with a growing, unnamable fear.

The narrator in this story vows revenge upon a man named Fortunato. He takes advantage of Fortunato's ego and lures him down into the recesses of an underground vault to taste a rare wine, a cask of Amontillado.