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We spend an average of 33 years of our lives asleep. But what really happens, and what are we capable of, when we sleep? Anna Ogilvy was a budding twenty-five-year-old writer with a bright future. Then, one night, she stabbed two people to death with no apparent motive—and hasn’t woken up since. Dubbed “Sleeping Beauty” by the tabloids, Anna’s condition is a rare psychosomatic disorder known to neurologists as “resignation syndrome.”

Heiress Clarissa Studley yearns to be loved for more than her fortune. Warmhearted, but plain and shy, she wishes to marry, but has two firm rules: no rakes and no fortune-hunters—her father was both, and she'll never forget the misery he caused.

Lara, Domina of Terah, has mysteriously disappeared, and Magnus Hauk is frantic to find his beloved wife. When no trace of her can be discovered, he turns to two strong allies - Prince Kaliq of the Shadows and Ilona, the most powerful of the faerie queens. Meanwhile, Kol - the Twilight Lord - revels in his victory. The exquisite Domina is now in his possession, and her powers will soon help him to conquer first Hetar and then Terah. But Lara will not stand for his treachery, even as she is seduced by his charisma.

Three years ago, a Carnelian bead came into Catrine Jarman's temporary possession. River Kings sees her trace the path of this ancient piece of jewelry back to eighth-century Baghdad and India, discovering along the way that the Vikings' route was far more varied than we might think—that with them came people from the Middle East, and that the reason for this unexpected integration between the Eastern and Western worlds may well have been a slave trade running through the Silk Road, all the way to Britain.

Margaret Lovell tries her best to love everyone. But when it comes to Lord Blackwell, she doesn't care to succeed. After the young Earl of Blackwell accused her father of cheating and tricked him out of his fortune, she has despised him for causing their disgrace and lack of security. So when she learns that Lord Blackwell is on his deathbed, she cannot help but feel a lack of sympathy. With her family's financial situation worsening, she doesn't have time to think of anything else, especially the man who caused it.

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

Adora's mahogany hair and violet eyes captivated young Prince Murad the moment he saw her in a convent garden, and their love flowered like the peach blossoms surrounding them. But Orkahm, Grand Turk of an empire, claimed Adora for his bride, tearing her from her young love as she wept bitter tears. Destiny might carry them to other lands and other loves, but Murad and Adora were meant only for each other - forging a magnificent love that lies forever in the pages of history....  

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized—and largely mythical—notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of Edward I, often known as Longshanks. The lives of these sisters—Eleanora, Joanna, Margaret, Mary, and Elizabeth—ran the gamut of experiences open to royal women in the Middle Ages.

A sheltered life in the countryside has left Diana Lindsay restless to see the wider world, for both herself and the son she is raising alone. She cannot marry, but perhaps as a courtesan she will find love and protection despite her painful past. Gathering her courage, she moves to London - and finds herself the city's most desired woman, as admired for her charm as for her beauty. But it is one man who captivates her - handsome, haunted, and harboring a secret as deep as her own....

A hundred years have passed since the faerie woman Lara last saved Hetar. Her youth and beauty remain as always. The waning years, however, have taken many of her friends and kin. And those who remember her heroism in times of peril are few. All the while Lara's son, the charming but nefarious Twilight Lord Kolgrim, waits patiently for his moment. Kolgrim won't repeat his father's mistakes by waging war. His way is more subtle but just as sinister - not even Lara's formidable powers will be able to stop him.

Recently returned to England, Leo, the new Earl of Salcott, discovers he's been thrust into the role of guardian to an heiress, the daughter of a notorious rake. Even worse, his wealthy ward has brought her half-sister, the beautiful but penniless Isobel, with her. Leo must find Clarissa a suitable husband, but her illegitimate half sister, Izzy, is quite another matter. Her lowly birth makes her quite unacceptable in London's aristocratic circles. However, the girls are devoted to each other and refuse to be separated. Even worse, sparks fly every time Leo and Izzy interact.

Mary MacLeod's mother died in childbirth when Mary was five, an event that marked for the child a "before time" - a lost joyful time - and after. She was shunted from one relative to another while her father coped with his grief. He married again only nine months later, perhaps to have a mother for his child, but her new mum, harsh and withholding of her love, quickly exerted complete control over her thoughts and deeds, with her father oblivious. 

For Lara, a half faerie, half human, her beauty's a blessing and a curse. Sold into a Pleasure House by her father, she commits herself to a lifetime of servitude. But even in a place where pleasure is not censured but encouraged, her otherworldly beauty proves too much for her suitors. When Lara escapes, she's introduced to a new way of life, and an incredible man who opens her eyes to the growing unrest among their people, and the extraordinary destiny that awaits her. She will journey the depths of desire and despair to find a love that will last an eternity.

Magic coursing through his blood, Dillon, son of the Domina of Hetar, follows his path to the forgotten world of Belmair. Summoned to marry the king's daughter and inherit the throne, Dillon discovers Belmair is beautiful, enigmatic, and seductive - as is his strong-willed new queen. What's more, Hetar's brightest star may hold the key to his people's lost heritage - and his heart.

Alice, Lady Charlton, is finally free of her dominating husband, but on the verge of her new life, she is trapped when a blackmailer threatens to publish letters that could ruin her. To protect the secrets of her past Alice must find a lord for his daughter, Lucy, to marry. Alice reluctantly agrees to find the girl a noble husband but when Lucy arrives, she's difficult and uncooperative and has no interest in her father's scheme. A lord, she says, will only look down his nose at her-and she's having none of that! Desperate, Alice enlists the aid of her handsome young nephew.

The time of peace is over. After the murder of her husband, Lara - half faerie, half human - must leave the home she has made in the Outlands and follow the destiny that has long called her. Using her brilliant sword and even sharper mind, Lara must journey toward the coast, seeking alliances to protect the future of her land. But when treachery binds her once more in chains, the green-eyed beauty is taken far beyond the world she knows. Only there will she discover that destiny has a mind of its own - and that true passion knows no boundaries.

One of the world's most multicultural cities, 20th-century Cairo was a magnet for the ambitious and talented. During the 1920s and '30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a "modern" Egyptian. Women came to dominate the Egyptian entertainment industry - as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry.

Justice for Some offers a new approach to understanding the Palestinian struggle for freedom, told through the power and control of international law. Focusing on key junctures—from the Balfour Declaration in 1917 to present-day wars in Gaza—Noura Erakat shows how the strategic deployment of law has shaped current conditions. Over the past century, the law has done more to advance Israel's interests than the Palestinians'. But, Erakat argues, this outcome was never inevitable.

Following the deaths of her husband and son, Helen Cartwright returns to the English village of her childhood after living abroad for six decades. Her only wish is to die quickly and without fuss. Helen retreats into her home on Westminster Crescent, becoming a creature of routine and habit. Then, one cold autumn night, a chance encounter with an abandoned pet mouse on the street outside her house sets Helen on a surprising journey of friendship.

Every fortune-hunting female in London is after the newly titled Earl of Drake, but he's intent on finding a wife whose heart is true. So, while drunkenly jesting with his friends in a pub one night, he has an idea - what if the ladies of the ton didn't know he was a wealthy earl? All he has to do is pose as a servant at his friend's summer country house party and make sure the guest list is full of beautiful, eligible debutantes. What could possibly go wrong?