Showing titles in Music

In a long line of beloved books, Loud Pictures stands as Marc Spitz’s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most—movies and rock and roll. In many ways, films can become imprinted on our brains because of their soundtracks.

From 1993 to 2021, Daft Punk were the world's most influential electronic group. But how much of the cultural landscape did they change, and how much changed around them? After Daft draws on new interviews with over 100 groundbreaking and commercially dominant artists, creative teams, record labels and concert promoters to illustrate how dance & electronic music transformed from a fringe concern to the indispensable pulse of 21st century culture.

Born in Alabama in 1926, raised in the church, appropriated by white performers, buried in an indigent’s grave—Willie Mae “Big Mama” Thornton's life events epitomize the blues—but Lynnée Denise pushes past the stereotypes to read Thornton’s life through a Black, queer, feminist lens and reveals an artist who was an innovator across her four-decade-long career. Why Willie Mae Thornton Matters “samples” elements of Thornton’s art—and, occasionally, the author’s own story—to create “a biography in essays” that explores the life of its subject as a DJ might dig through a crate of records.

De La Soul burst onto the scene with the release of their groundbreaking 1989 album 3 Feet High & Rising, an “anything goes” hip-hop masterpiece. Between their dusty drums and obscure samples, De La’s debut was received as a new masterwork from a bygone era of Black experimentation.

Heartbreak Is the National Anthem has descriptive copy which is not yet available from the Publisher.

In this breathtaking biography (by the critically acclaimed author of BRUCE, PAUL McCARTNEY: A Life, and HOMEWARD BOUND: The Life of Paul Simon), Peter Ames Carlin not only documents R.E.M.’s success in the music industry, but also opens a fascinating window into the lives of four college friends–Michael Stipe, Peter Buck, Mike Mills and Bill Berry–who stuck together with a common goal. He paints a cultural history of the commercial peak and near-total collapse of rock ‘n’ roll, and the story of an era and the generation that came of age at the apotheosis of rock.

Every Valley presents a depressive dissenter stirred to action by an ancient prophecy; an actress plagued by an abusive husband and public scorn; an Atlantic sea captain and penniless philanthropist; and an African Muslim man held captive in the American colonies and hatching a dangerous plan for getting back home. At center stage is Handel himself, composer to kings but, at midlife, in ill health and straining to keep an audience’s attention. Set amid royal intrigue, theater scandals, and political conspiracy, Every Valley is entertaining, inspiring, unforgettable.

In his rough yet sweet voice, Alex recounts the brothers’ childhood, first in the Netherlands and then in working class Pasadena, California, with an itinerant musician father and a very proper Indonesian-born mother—the kind of mom who admonished her boys to “always wear a suit” no matter how famous they became—a woman who was both proud and practical, nonchalant about taking a doggie bag from a star-studded dinner. He also shares tales of musical politics, infighting, and plenty of bad-boy behavior. But mostly his is a story of brotherhood, music, and enduring love.

In A FEW WORDS IN DEFENSE OF OUR COUNTRY, veteran music journalist Robert Hilburn presents the definitive portrait of an American legend. Hilburn has known Newman since his club debut at the Troubadour in 1970, and the two have maintained a strong connection in the decades since, conversing over the course of times good and bad. Though Newman has long refused to talk with potential biographers, he now gives Hilburn unprecedented access not only to himself but also to his archives, as well as his family, friends, collaborators, and famous fans.

Balancing nostalgia, fresh perspectives and introspection, Never begins with family and unconventional upbringings; journeys through the tumultuous and glamorous world of pop; and takes pause for self-reflection. Never goes beyond the blinding lights of the stage – giving an intimate look at the man behind the hits – and is a portrait of truth, artistic evolution and the astounding power of contentment.

The award-winning, platinum selling rapper, songwriter, and television personality shares her unforgettable story of coming of age in Miami, her inevitable rise to stardom, and her enduring legacy as a Hip-Hop Icon.

Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s—a wry, richly observed, and enlightening remembrance of “the scene” in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself—with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier.

This candid memoir of punk rock, fame, and endurance from Deryck Whibley, lead singer of Sum 41, follows Whibley’s rise from a punk kid in Canada to an international star.

In MC5: An Oral Biography of Rock’s Most Revolutionary Band​, music journalists Brad Tolinski and Jaan Uhelszki invite listeners to reconsider this legendary band in a new light. Centered around a series of interviews with MC5 and their inner circle—many of whom are no longer with us—that Tolinski and Uhelszki inherited from Creem Magazine founding staffer and Mojo's US editor Bed Edmonds prior to his death, this book presents a genuinely candid, funny, and moving portrait of rock’s most uncompromising and articulate band.

Linkin Park is one of the 21st Century’s biggest, and most important, rock bands. All it takes is one quick glance at the numbers— 11 Top 40 hits on the Hot 100 and six No. 1 albums on the Billboard 200, over a dozen massive tours, 27 major award wins, 100+ million records sold worldwide, over 30 million monthly Spotify listeners —to realize that when it comes to the metrics of music consumption and fandom, there’s no bigger group in recent memory. And yet, despite their enduring legacy within rock, there’s never been a full, comprehensive biography of Linkin Park—until now.

Drawn from NPR Music’s acclaimed, groundbreaking series Turning the Tables, the definitive book on the vital role of Women in Music—from Beyoncé to Odetta, Taylor Swift to Joan Baez, Joan Jett to Dolly Parton—featuring excerpts of archival interviews, essays, and best album and song shout-outs.

For more than thirty years Francesco Lotoro, an Italian pianist and composer, has been on an odyssey to recover music written by the inmates of Adolf Hitler's concentration camps and the gulags of Stalin's Soviet Union. Between 1933, the year of the opening of the Dachau Lager in Germany, to Stalin's death in 1953 when thousands of Soviet prisoners were released, Lotoro pieces together the human stories of survivors whose only salvation was their love of music.

Although Greenwich Village takes up less than a square mile in downtown New York, rarely has such a concise area supported and nurtured so many groundbreaking artists and genres. Musician used the Village’s smokey coffeehouses and clubs to chronicle the tumultuous Sixties, rewrite jazz history, and take rock & roll into eclectic places it hadn’t been before. Based on new interviews with surviving participants, previously unseen and unheard archives, and author David Browne's years immersed in the scene, Talkin’ Greenwich Village lends the saga the epic, panoramic scope it has long deserved.

Music is like no other business. It's about being at the right place at the right time, following your nose and diving in feet first. It's about being plugged into the mystical electricity and about surfing on the wild energy. And no one captures this wild feral spirit better than Alan McGee whose helter-skelter career through music has made him a major force. His ability to start a raw power ruckus brought the visceral danger back to a moribund mid-eighties music scene.

By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.