Showing results for "shakespeare plays" in History

William Shakespeare may have been the greatest playwright in the English language, but how does he measure up as a historian? In this brilliant comparison between the events and characters in Shakespeare's history plays and the actual events that inspired them, acclaimed historian John Julius Norwich examines the nine works that together amount to an epic masterpiece on England's most fascinating period.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

Millions of words of scholarship have been expended on the world's most famous author and his work. And yet a critical part of the puzzle, Shakespeare's library, is a mystery. For four centuries people have searched for it: in mansions, palaces, and libraries; in riverbeds, sheep pens, and partridge coops; and in the corridors of the mind. Yet no trace of the Bard's manuscripts, books, or letters has ever been found.

Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents.

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

The focus of the book is on Shakespeare's London, how it influenced his drama, and how he represents it on stage. Taking listeners on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and geographically, traversing London from west to east.

In September 1769, 3,000 people descended on Stratford-upon-Avon to celebrate the artistic legacy of the town's most famous son, William Shakespeare. Attendees included the rich and powerful, the fashionable and the curious, eligible ladies and fortune hunters, and a horde of journalists and profiteers. For three days, they paraded through garlanded streets, listened to songs and oratorios, and enjoyed masked balls. It was a unique cultural moment - a coronation elevating Shakespeare to the throne of genius. Except it was a disaster....

Henry VIII folis a plot by the scheming Cardinal Wolsey and rejects his 20-year marriage with the tragic Katherine of Aragon. All the while he is keeping his wandering eye on the beautiful Anne Boleyn.

There is a complicated relationship between African-Americans and Shakespeare. Long a symbol for elite white culture, Shakespeare was used in classroom and community to maintain barriers. Producer Richard Paul talks to Shakespeare historians from the Folger Shakespeare Theater and looks at minstrel show parodies of Shakespeare, color-blind casting of Shakespeare and how African-Americans are interpreting Shakespeare through their own experience.

Juliet Capulet is the heartbeat of the world's most famous love story. She is an enduring romantic icon. And she is a captivating, brilliant, passionate teenage girl who is read and interpreted afresh by each new generation. Searching for Juliet takes us from the Renaissance origin stories behind William Shakespeare's child bride to the boy actor who inspired her creation onstage. From enslaved people in the Caribbean to Italian fascists in Verona, and real-life lovers in Afghanistan. From the Victorian stage to 1960s cinema, Baz Luhrmann and beyond.