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Love, Lucy is the valentine Lucille Ball left for her fans—a warm, wise, and witty memoir written by Lucy herself. The legendary star of the classic sitcom I Love Lucy was at the pinnacle of her success when she sat down to record the story of her life. No comedienne had made America laugh so hard, no television actress had made the leap from radio and B movies to become one of the world’s best-loved performers. This is her story—in her own words. 

Jess Oppenheimer, "the brains" behind I Love Lucy, gives us an insider's view of this groundbreaking show, generously interspersed with recordings of classic Lucy radio and TV comedy performances - including her famous "Vitameatavegamin" routine. Oppenheimer weaves a wonderfully entertaining tale of the creation of this landmark series and its evolution from Lucy's hit radio sitcom, My Favorite Husband. Lucy aficionados will delight in his personal accounts of stars like Desi Arnaz, William Frawley, Vivian Vance, and of course, Lucille Ball.

The onscreen pairing of Lucille Ball and Desi Arnaz is at the heart of one of the most popular TV shows in history. Who would have thought that to get on the air, they had to battle both a network and a sponsor who thought the show couldn't possibly succeed? Playwright Gregg Oppenheimer, son of I Love Lucy’s creator Jess Oppenheimer, spins the hilarious true story behind America’s beloved TV comedy. 

An episodic discussion of Lucifer season 6 with Philicia and Ian.

Welcome to the Ricardo Project, where we watch, dissect, and reflect on I Love Lucy, one episode at a time.

Lucille Ball — the most powerful woman in the history of Hollywood — was part of America’s first high-profile interracial marriage. She owned more movie sets than did any movie studio. She more or less single-handedly created the modern TV business. And yet Lucille’s off-camera life was in disarray. While acting out a happy marriage for millions, she suffered in private. Her partner couldn’t stay faithful. She struggled to balance her fame with the demands of being a mother, a creative genius, an entrepreneur, and, most of all, a symbol.

Darwin had his theory of evolution, and David Bianculli has his. Bianculli's theory has to do with the concept of quality television: what it is and, crucially, how it got that way. In tracing the evolutionary history of our progress toward a Platinum Age of Television - our age, the era of The Sopranos and Breaking Bad and Mad Men and The Wire and Homeland and Girls - he focuses on the development of the classic TV genres.

In 20 years of show business, Lucille Ball had only modest and sporadic success. Her TV program, I Love Lucy, was her last chance to fulfill the ambition that had sustained her through the frustrations of her professional life and the anguish of a failing marriage. The role of Lucy Ricardo revealed her true gifts, but it changed her life immeasurably. This definitive portrait of Lucille Ball is based on the recollections of fellow performers, her closest friends and family, and Lucille herself.

Desi Arnaz’s incredible life story - in his own words. Desi Arnaz’s memoir tells the story of how a kid from Cuba hit the big time in the United States. It’s all here - the good, the bad, the beautiful, the ugly, the lucky breaks, and the heartbreaking failures.

How do we find love? How do we sustain it? And how do we survive when we lose it Interviewing authors and experts as well as drawing on her own experience, Natasha Lunn guides us through the complexities of these three questions. The result is a book to learn from, to lose and find yourself in. The real-life love stories will leave you feeling hopeful and seen, while the insights from experts will transform the way you think about your relationships. 

Much like her hit TV show, I Love Lucy, Americans in the 1950s fell in love with Lucy. Born in New York in 1911, Lucille Ball was always a natural performer. She danced in the chorus of Broadway shows and acted in small parts in Hollywood movies. But Ball's true gift was comedy. She found a way to showcase her gifts in 1951 when CBS gave her the chance to star in a sitcom.