Nilo Tabrizy is an investigative reporter at The Washington Post. She works for the Visual Forensics team, where she covers Iran using open-source methods. Previously, she was a video journalist at the New York Times, covering Iran, race and policing, abortion access, and more. She is an Emmy nominee and the 2022 winner of the Front Page Award for Online Investigative Reporting. Nilo received her MS in Journalism from Columbia University and her BA in Political Science and French from the University of British Columbia.

Today I am deeply honored to speak with journalist Fatemeh Jamalpour about her book, For the Sun After Long Nights, which she wrote with fellow journalist Nilo Tabrizy. In September 2022, the world learned of the murder of a young Kurdish woman in Iran, Mahsa Jina Amini. Her death, while a captive of the Iranian state, sparked the Woman, Life, Freedom protests. Fatemeh and Nilo’s book frames those protests in the deep tradition of Iranian women leading political movements for rights and freedom, that date back at least a century. They also provide incredibly detailed and moving accounts of the everyday lives of people in Iran who are part of a collective movement under the most oppressive and violent conditions imaginable. Fatemeh talks about the significance of the many ethnic minorities in Iran, the unique role of Gen Z in the protests, and the many ways that women’s bodies have become a powerful weapon on the fight for collective freedom, in places as diverse as prisons and illegal music concerts. Clearing up myths and lies about Iran and the resistance, this is an especially important episode of Speaking Out of Place.

Fatemeh Jamalpour is a feminist journalist banned from working in Iran by the Ministry of Intelligence. Jamalpour has worked as a freelance reporter for outlets such as The Sunday Times, The Paris Review and the Los Angeles Times, and has also held positions at BBC World News in London and Shargh newspaper in Tehran. She has two master's degrees in journalism and communication from Northwestern University and Allameh Tabatabaei University in Tehran and was a 2024-25 Knight-Wallace Fellow at the University of Michigan.

Today I am both excited and frightened to talk with Tamara Kneese and Xiaowei Wang, two individuals whose research, writing, and activism has for years insisted on the materiality of the technologies that have brought us things like artificial intelligence, the Cloud, data centers, and digital agriculture. They explain why and how these technologies clothe themselves in ethereal garb and notions of a frictionless, beneficent capitalism while diverting attention from the vast natural and human resources they plunder to make a profit, and colonize more and more land, water, and minerals. We move from corrective histories and analyses to case histories that show how these technologies materialize in settler colonial practices, and end decisively on stories of how people are fighting back, and creating alternate software, hardware, and cultural and social practices that offer a window onto a much less violent and dismal world than the one technofascism wants us to be hypnotized by. Here, we set to break that spell.

Tamara Kneese directs Data & Society Research Institute's Climate, Justice, and Technology program and previously led the Algorithmic Impact Methods Lab. Before joining D&S, she was director of developer engagement on the Green Software team at Intel and assistant professor of Media Studies and director of Gender and Sexualities Studies at the University of San Francisco. She is the author of Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond (Yale University Press, 2023), co-author of Notes Toward a Digital Workers' Inquiry (Common Notions Press, 2025), and the co-editor of The New Death: Mortality and Death Care in the Twenty-First Century (School for Advanced Research/University of New Mexico Press, 2022). Her work has been published in academic journals including Social Text, Social Media + Society, and the International Journal of Communication and in popular outlets such as Wired, The Verge, and The Baffler. Her research has been supported by the Internet Society Foundation, National Science Foundation, Social Sciences and Humanities Research Council, the Mellon Foundation, and the American Council of Learned Societies.

Xiaowei R. Wang is an artist, writer, organizer and coder. They are the author of the book Blockchain Chicken Farm: And Other Stories of Tech In China's Countryside, a 2023 National Book Foundation Science and Literature Award winner. Their multidisciplinary work over the past 15 years sits at the intersection of tech, digital media, art, and environmental justice. Currently, they are a Mancosh Fellow at Northwestern University and one of the stewards of Collective Action School (formerly known as Logic School), an organizing community for tech workers. In 2024 they were a Eyebeam Democracy Machine Fellow, which supported their work with forms of soft data storage and transmission using textiles.