Today I talk with Omar Zahzah about his new book, Terms of Servitude: Zionism, Silicon Valley, and Digital/Settler Colonialism in the Palestinian Liberation Struggle. This is an immensely informative study, which details the convergence of Zionism, Silicon Valley Big Tech, and the US political and governmental elites in what Zahzah calls the hegemonic form of Zionism. He shows how capitalist profit motives and Zionist settler colonialism and ethnic cleansing go hand in hand with attempts to censor, silence, and erase Palestinian voices and the voices of those who act in solidarity with Palestine. Nevertheless, and crucially, Omar fills his book with accounts of how Palestinians have found ways to appropriate, repurpose, and deploy technology in ingenious, creative, and subversive ways that keep the movement alive and growing globally.

Omar Zahzah is a poet, writer, independent journalist, and Assistant Professor of Arab and Muslim Ethnicities and Diasporas (AMED) Studies at San Francisco State University.

Today I talk with Omar Zahzah about his new book, Terms of Servitude: Zionism, Silicon Valley, and Digital/Settler Colonialism in the Palestinian Liberation Struggle. This is an immensely informative study, which details the convergence of Zionism, Silicon Valley Big Tech, and the US political and governmental elites in what Zahzah calls the hegemonic form of Zionism. He shows how capitalist profit motives and Zionist settler colonialism and ethnic cleansing go hand in hand with attempts to censor, silence, and erase Palestinian voices and the voices of those who act in solidarity with Palestine. Nevertheless, and crucially, Omar fills his book with accounts of how Palestinians have found ways to appropriate, repurpose, and deploy technology in ingenious, creative, and subversive ways that keep the movement alive and growing globally.

Omar Zahzah is a poet, writer, independent journalist, and Assistant Professor of Arab and Muslim Ethnicities and Diasporas (AMED) Studies at San Francisco State University.

Today I have the immense honor and privilege to speak with Ellen Schrecker, who has been referred to as “the dean of the anti-anti-Communist historians.” Well known for her classic studies of McCarthyism, today Schrecker explains how much worse Trump’s regime is than what we saw in the 1950s and 60s. A fierce defender of democracy, Ellen explains the central role education plays in creating a public culture and in maintaining democracy. Our conversation takes many paths, including an indictment of Capitalism, of the dominance of economistic thinking and values, of the ways university leaders are bending a knee to Trump. We talk about the value of the humanities, the importance of autonomous forms of education and mutual support such as we saw in the pro-Palestinian encampments, and one of the most remarkable differences between the days of McCarthyism—the phenomenon of mass protests like #NoKingsDay. I know you will treasure this conversation as much as I do.

Ellen Schrecker is an American historian known for her research on McCarthyism, political repression, and American higher education. Among her books are The Right to Learn: Resisting the Right-Wing War on Academic Freedom (2024) edited with Valerie C. Johnson and Jennifer Ruth, (2024) winner 2025 Frederick Ness Book Award. American Association of Colleges and Universities; The Lost Promise: American Universities in the 1960s (2021); Many Are the Crimes: McCarthyism in America (1998); and No Ivory Tower: McCarthyism and the Universities (1986). A retired history professor from Yeshiva University, she is active in the American Association of University Professors and now serves on its Committee A on Academic Freedom and Tenure.

Today I am delighted to talk with Eunsong Kim about her stunning book, The Politics of Collecting: Race & the Aestheticization of Property. It is remarkable in its theoretical conceptualization, argument, and archival work. Kim argues that the beginnings of elite art collection in the United States coincided with the rise of the robber barons and the suppression of the labor movement. She connects this to Taylorism and the idea of scientific management, that further extenuated the rift between the mind and the body, between intellectual activity and labor. Not coincidentally, this distribution of kinds of work created a new distribution of value. In each case, Kim argues, race played a fundamental role. Ranging from the “found” art of Duchamp to the pseudo-Marxist conceptual art of Sierra, Kim eviscerates both pretention and cruelty, and restores the laboring body and what it produces to prominence, along with a truly re-invigorated and capacious sense of the Imagination outside of the constraints of neoliberal aesthetics.

Eunsong Kim is an Associate Professor in the Department of English at Northeastern University. She is the author of gospel of regicide (2017), and with Sung Gi Kim she translated Kim Eon Hee’s poetic text Have You Been Feeling Blue These Days? published in 2019. Her monograph, The Politics of Collecting: Race & the Aestheticization of Property (Duke 2024) materializes the histories of immaterialism by examining the rise of US museums, avant-garde forms, digitization, and neoliberal aesthetics, to consider how race and property become foundational to modern artistic institutions. In 2021 she co-founded offshoot, an arts space for transnational activist conversations.

Today I am deeply honored to spend time with poet, activist, and scholar Jamaica Osorio. Shortly after October 7, 2023, she began to write a series of astonishing poems about the war in Gaza and the genocide. Osorio graces us with readings of some of those poems, and engages in a rich, complex, and deeply moving discussion of what went into their composition. Throughout, we talk about the power of poetry to suspend time and allow us the space to contemplate the impossible. We talk about the nature of not knowing, of the inexpressible, and the ways certain poems can give us the strength, energy, and commitment to persist in working for the liberation of all peoples, even when dwelling in grief.

Dr. Jamaica Heolimeleikalani Osorio is a Kanaka Maoli wahine artist / activist / scholar / storyteller born and raised in Pālolo Valley to parents Jonathan and Mary Osorio. Jamaica earned her PhD in English (Hawaiian literature) in 2018 from the University of Hawaiʻi at Mānoa. Currently, Jamaica is an Associate Professor of Indigenous and Native Hawaiian Politics at the University of Hawaiʻi at Mānoa. In 2020 her poetry and activism were the subject of an award-winning film, This is the Way we Rise which premiered at Sundance Film Festival in 2021. In 2022 she was a lead artist and Co-writer of the revolutionary VR Documentary, On the Morning You Wake (To the end of the world), that premiered at Sundance Film Festival 2022 and won the XR experience Jury award at SXSW 2022. She is a proud past Kaiāpuni student, Ford Dissertation (2017) and Post Doctoral (2022) Fellow, and a graduate of Kamehameha, Stanford University (BA) and New York University (MA). She is the author of the award winning book Remembering our Intimacies: Moʻolelo, Aloha ʻĀina, and Ea which was published in 2021 by The University of Minnesota Press. She believes in the power of aloha ʻāina and collective action to pursue liberatory, decolonial, and abolitionist futures of abundance.

In February, a New York assemblyman little known outside New York City was polling at 1% in his bid for mayor of NYC. This Tuesday, he became mayor-elect, after running a remarkable and inspiring campaign that drew 100,000 volunteers to knock on two million doors. Largely centering on making NYC affordable for everyone, Zohran Mamdani toppled a political dynasty by weaving together a broad constituency with his charisma, intelligence, compassion and energy. We talk to Liza Featherstone and Doug Henwood, who have covered Mamdani from the start. They talk about what went into the campaign, what he needs to do once in office to start to make good on his promises, and the national significance of his victory.

Liza Featherstone is the author of Divining Desire: Focus Groups and the Culture of Consultation, published by O/R Books in 2018, as well as Selling Women Short: the Landmark Battle for Workers’ Rights at Walmart (Basic Books, 2004). She co-authored Students Against Sweatshops (Verso, 2002) and is editor of False Choices: the Faux Feminism of Hillary Rodham Clinton (Verso, 2016). She's currently editing a collection of Alexandra Kollontai 's work for O/R Books and International Publishers and writing the introduction to that volume.

Featherstone's work has been published in Lux, TV Guide, The New York Times, The Washington Post, Ms., the American Prospect, Columbia Journalism Review, Glamour, Teen Vogue, Dissent, the Guardian, In These Times, and many other publications.

Liza teachers at NYU 's Literary Reportage Program as well as at Columbia University School for International and Public Affairs. She is proud to be an active member of the New York City Democratic Socialists of America and of UAW local 7902.

Doug Henwood is a Brooklyn-based journalist and broadcaster specializing in economics and politics. He edited Left Business Observer, a newsletter, from 1986–2013, and has been host of Behind the News, a weekly radio show/podcast that originates on KPFA, Berkeley, since 1995. He is the author of Wall Street: How It Works and for Whom (Verso, 1997), After the New Economy (New Press, 2004), and My Turn: Hillary Clinton Targets the Presidency (OR Books, 2016). He’s written for numerous periodicals including Harper’s, The New Republic, The Nation, The Baffler, and Jacobin. He’s been working on a book about the rot of the US ruling class for way too long and needs to acquire the self-discipline to finish it.

Today I have the pleasure of talking with Dean Spade about his new book, Love in a Fucked-up World: how to build relationships, hook up, and raise hell together. This book builds on all of Dean’s previous books, and shares their commitment to finding ways to build better movements for better worlds. Like all of his work, Love in a Fucked Up World homes in on the obstacles we face not only from repressive states and destructive ideologies, but also from our own very human weaknesses and blindspots. This new book focuses on what Spade calls the “romance myth,” which shares so many features with, among other things, capitalism—ideas like a property, scarcity, ownership, status, power. While showing how when romance is brought into activist spaces it can cause great harm, Dean Spade also shows that, if converted into a form which includes patience, kindness, and generosity, romance can complement and strengthen our activism at a time when it is needed the most.

Dean Spade has been working in movements for queer and trans liberation, anti-militarism, and police and prison abolition for the past 25 years. He’s the author of Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law, and Mutual Aid: Building Solidarity During This Crisis (and the Next) the director of the documentary “Pinkwashing Exposed: Seattle Fights Back!.” His new book is Love in a Fucked Up World: How to Build Relationships, Hook Up and Raise Hell Together, and he is the host of a new podcast with the same name.

In 2017, activist-scholar Robyn Maynard published her groundbreaking study, Policing Black Lives: State Violence in Canada from Slavery to the Present. Today, I have the privilege of talking with her about the second edition of this study, which has just been published by Duke University Press. Robyn tells us what has happened since 2017 that compelled her to revise the book and add important new materials to address the challenges of the present. At the core of this new edition is a powerful argument against reform and for abolition—Maynard details the numerous failures of police reform, and explains why precious time, resources, and lives have been spent trying to bring about authentic change via reform. Her vision for abolition is bold, and expansive, reaching beyond Canada to examine both transnational apparatuses of surveillance, policing, and punishment, and vital global forms of resistance and solidarity.

Robyn Maynard is an author and an assistant professor at the University of Toronto. Her writing on borders, policing, abolition and Black feminism is taught widely in universities across Canada, the United States and Europe.

The first edition of Policing Black Lives: State violence in Canada from Slavery to the Present, published in 2017, is a national bestseller, designated as one of the “best 100 books of 2017” by the Hill Times, listed in The Walrus‘s “best books of 2018,” shortlisted for an Atlantic Book Award, the Concordia University First Book Prize and the Mavis Gallant Prize for Non-fiction, and the winner of the 2017 Errol Sharpe Book Prize. In 2018 the book was published in French, titled NoirEs sous surveillance. Esclavage, répression et violence d’État au Canada, and won the 2019 Prix de libraires. Her second book, Rehearsals for Living, co-authored with Leanne Betasamosake Simpson, is a Toronto Star, Globe and Mail, and CBC national bestseller and was shortlisted for a Governor General’s Award for literary non-fiction, a Toronto Heritage Award, and designated one of CBC’s “best Canadian non-fiction books of 2022” and the “best 100 books of 2022” by the Hill Times. Other awards include “2018 Author of the Year” from Montreal’s Black History Month and the Writers’ Trust Dayne Ogilvie Prize for LGBTQI* Emerging Writers. Her public scholarship is available at www.robynmaynard.com