The Secret History
A Novel
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Narrado por:
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Donna Tartt
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De:
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Donna Tartt
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.
“A remarkably powerful novel [and] a ferociously well-paced entertainment.... Forceful, cerebral, and impeccably controlled.” —The New York Times
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Editorial review
By Kat Johnson, Audible Editor
THE SECRET HISTORY WAS ALWAYS ABOUT THE AESTHETICS
I’m old enough to remember the publication of The Secret History, back in 1992. Like Zadie Smith’s White Teeth almost a decade later, it was one of those rare Publishing Events, when a debut author and novel arrived so authentically entwined that everyone agreed—a literary star was born. Tartt, in men’s pajamas or a necktie and sleek bob, commanded attention. So did the novel, with its premise of murder among classics students at an elite liberal arts college. The Secret History was instantly heralded as an icon of its era. Who knew that, 30 years later, it would perform the same feat for a new generation?
I tore through The Secret History as soon as it came out. Like its narrator Richard Papen, I was a middle-class teenager thrust into a rarified academic world—in my case, a Swiss boarding school instead of a Vermont college—populated by the rich international set. I also wanted to be a writer, and The Secret History set a bar that seemed impossibly high. It’s not one of those novels that makes you think "I can do that"—quite the opposite. It’s simultaneously a complex inverted mystery (like Columbo, it starts with whodunit and then tantalizingly drips out the why and how) and a modern Greek tragedy with characters and prose so compelling, it’s positively hypnotic. I was envious and smitten, and I couldn’t stop reading.
Richard is a California native who is new to both the East Coast and Hampden College, where he’s trying to hide a mediocre background and lack of wealth. In a stroke of luck, he’s invited to join the school’s selective Ancient Greek program, run by charismatic professor Julian Morrow and comprised of five other students. Bunny Corcoran is an all-American preppy type, at home with money and privilege in the style of the Kennedys. Cecilia and Charles are beautiful blond twins with a mysterious relationship and, despite Richard’s love for them, a predilection for offhand cruelty. Henry Winter, tall and reserved, is a polymath and polyglot who’s the smartest and most complicated of the bunch. And there’s red-headed Francis, always wearing a billowing cloak or a pince-nez, who likes boys but is essentially closeted due to the times and his extremely traditional, wealthy family.
These are the main players in a murder that ends with Bunny dead at the bottom of a cliff and buried by snow—hardly a spoiler, since Tartt provides this information in the novel’s exquisitely chilling prologue. In part one, the novel rebuilds beautifully to the climax of the deadly event, while the second part deals with its aftermath, its meditations on beauty, ecstasy, morality, and the taint of murder so seductive that it demands and rewards multiple readings.
Continue reading Kat's review >
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Please re-record this wonderful book with a male narrator
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Yes. Just yes.
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Astonishingly good
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Love the Narration
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Why do writers think they are narrators?
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An unexpected favorite
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our omniscient narrator, a social climbing outsider, enters the rarified world of the Greek scholars at Hampton College in Vermont. A circle of privileged insular young people he slowly comes to know each of them intimately. What follows is a character study of great depth and power. An examination of the seductive force of belonging, of the devotion and loyalty that lead him to participate in an immoral act. An unflinching look at evil, guilt and lack their of.
Stupendous
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I must say something about the negative comments here about the narration. I’m honestly baffled: Tartt’s reading is excellent and to me endlessly listenable. She’s not over the top with dramatizing the characters, but each one has a recognizable voice. I’m not trying with my audiobook listening to hear a recording of a theater play. Instead I want the reading to be clear and to carry me into the story without getting in the way of my imagination. The narration here 100% does that.
Gripping tremendous story
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The twist never comes
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I’ll miss them!
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