The Goldfinch
A Novel (Pulitzer Prize for Fiction)
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Narrado por:
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David Pittu
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De:
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Donna Tartt
A young New Yorker grieving his mother's death is pulled into a gritty underworld of art and wealth in this “extraordinary” and beloved novel that "connects with the heart as well as the mind" (Stephen King, New York Times Book Review), named a New York Times Best Book of the 21st Century.
Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by a longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into a wealthy and insular art community.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love — and at the center of a narrowing, ever more dangerous circle.
The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention. From the streets of New York to the dark corners of the art underworld, this "soaring masterpiece" examines the devastating impact of grief and the ruthless machinations of fate (Ron Charles, Washington Post).
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Editorial review
By Sam Danis, Audible Editor
THE GOLDFINCH IS A COMING-OF-AGE EPIC THAT WILL STEAL YOUR HE(ART)
The Goldfinch was one of the first novels I listened to when I started working at Audible nearly a decade ago. I joined the team in September, and with this title releasing in a month’s time, I remember what a very big deal it was that a new Donna Tartt book was forthcoming (she only publishes about once a decade, after all). The plot is gripping: During a bombing at New York’s Metropolitan Museum of Art, two events alter the course of 13-year-old Theo Decker’s life. His mother—the most prominent figure in his life—is killed, and he grabs the painting they were there to see (the titular Goldfinch by Carel Fabritius), thereby becoming an accidental art thief. What follows is a coming-of-age story of epic proportions—about fate, loss, consequences, and the intangibility of home and family. It is at turns sentimental, suspenseful, melancholy, and hopeful.
I watched as the glowing reviews poured in, with no real intention to listen myself. A 32-hour audiobook seemed incredibly daunting when I was new to the world of audio entertainment—primarily, a podcast and short audiobook listener. And this, after all, was literary fiction.
Why did I ultimately decide to pick it up? I can’t recall exactly, but I imagine it had something to do with peer pressure. My fellow editors and I influence each other in the best of ways—nobody wants to be the last one to hear something truly amazing—and I think it was our fiction editor, Tricia, who first sung the praises of this one. So, I buckled in (read: put on my headphones) and prepared for whatever was to come.
Continue reading Sam's review >
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Any additional comments?
The good news:∙Easy to read, interesting, and thought-provoking.
∙Lots of words for the money, and for the most part, it doesn't drag or seem like filler.
∙Called Dickensonian by many (e.g. Stephen King), the book has many of the elements of other accomplished author's works. Obvious ones are "On the Road", "The Catcher in the Rye", "The Painted Bird", "The Great Gatsby", "The Mystic Arts of Erasing All Signs of Death", "Dark Places", "Snobs", and "The Kite Runner". Most of the Dicken's comparisons mention "Oliver Twist" or "David Copperfield", but I found that it borrows the most from "Great Expectations" if plot is excluded. It's probably pointless to make comparisons to Tartt's classmate, Bret Easton Ellis, but you can't read "Lunar Park" and escape the kinship.
∙It has a lot of what made "The Secret History" great.
∙The setup is as compelling as any book in recent memory.
∙One of the main character's friends is as developed and memorable as any character in popular fiction.
The bad news:
∙The first couple chapters are tedious. I was relieved when the book finally took off. You'd think the editor didn't get a say.
∙The painting serves somewhat as a MacGuffin, reducing its impact as a near-character in the novel.
∙The 2nd quarter of the book goes on an indulgent interlude. The book is the length of 4 standard novels, so this section could easily have been tightened up with no harm done.
∙Toward the end, the novel's themes are reiterated in narrative exposition as if the author doesn't trust the reader to understand them from the story itself.
∙At least one important character is very static and woefully underdeveloped.
∙It may be personal preference, but I tend to dislike characters that repeatedly behave immorally or amorally, but constantly fret about it. Fine if the character grows over time (or devolves), but frankly, who likes a shit that constantly feels bad that he's such a shit. There's Byronic and there's embryonic. I imagine Tartt might say, "But some people are actually like that". Yes, but perhaps that makes them more bland than a hero or an anti-hero.
Other thoughts:
Some movie comparisons might be "Closer", "Good Will Hunting", and "Ordinary People" with a little "True Romance" thrown in for feathers.
A Not So Secret History
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Where does The Goldfinch rank among all the audiobooks you’ve listened to so far?
Top Five for sure, probably second after Infinite Jest.What other book might you compare The Goldfinch to and why?
Performances like this are difficult to compareWhich character – as performed by David Pittu – was your favorite?
All fantasticWas this a book you wanted to listen to all in one sitting?
It's too long to listen to in one sitting. Also, this audiobook is not one to blow through as fast as possible. It is one to take your time with. It is one to appreciate for the writing and the narration.Any additional comments?
This book starts off a little slow, but stay with it. You'll be glad you did. It incrementally gets better up until the very end. I didn't want it to be over. Some books, or audiobooks, give the listener/reader a sense of satisfaction after finishing it. I haven't felt that type of satisfaction since listening to Infinite Jest. And while The Goldfinch didn't strike me in the way that Infinite Jest did, it came close, and I never thought another book would. The narrator is amazing. The writer is amazing, and it takes both to create a performance so perfect. Listen to it. You won't be sorry.Wow
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All the Heart Eyes
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The rest of the book describes the effects of this initial trauma on the life of the boy growing into a man. He is taken in by two kind New York families and is eventually reclaimed by his dodgy estranged father, who whisks him off to Las Vegas. Theo still has the painting and has kept it secret all along.
He forms a friendship with a likable Russian-American rogue and they hang out together, getting drunk and experimenting with drugs. His father is then killed as a result of mixing in the wrong circles, and so Theo is alone again. He runs away to avoid Child Custody Services and rejoins the kindly New York antique dealer who had helped him after the bomb blast.
The book then shoots forward a few years to find Theo getting himself into trouble by selling fake antiques, and then he is reunited with his Russian Friend. There is a bit of an adventure at the end and I won't spoil it any more than I have already done.
Overall, I was disappointed by this book. It is well-written and the characters are well-drawn and engaging, but the plot is slow and a bit random. It sort of drifts along and you are thinking 'come on, come on, get on with it', and although it finishes with a dramatic climax you are still thinking 'what was the point of all that?'. It is all a bit shapeless and unsatisfying.
Slow Burner
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Hallelujah
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