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  • The Only Story

  • A Novel
  • By: Julian Barnes
  • Narrated by: Guy Mott
  • Length: 7 hrs and 21 mins
  • 3.9 out of 5 stars (207 ratings)

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The Only Story

By: Julian Barnes
Narrated by: Guy Mott
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Publisher's summary

From the Man Booker Prize-winning author of The Sense of An Ending, a novel about a young man on the cusp of adulthood and a woman who has long been there, a love story shot through with sheer beauty, profound sadness, and deep truth.

Most of us have only one story to tell. I don't mean that only one thing happens to us in our lives: there are countless events, which we turn into countless stories. But there's only one that matters, only one finally worth telling. This is mine.

One summer in the 60s, in a staid suburb south of London, Paul comes home from university, aged 19, and is urged by his mother to join the tennis club. In the mixed-doubles tournament he's partnered with Susan Macleod, a fine player who's 48, confident, ironic, and married, with two nearly adult daughters. She is also a warm companion, their bond immediate. And they soon, inevitably, are lovers. Clinging to each other as though their lives depend on it, they then set up house in London to escape his parents and the abusive Mr. Mcleod.

Decades later, with Susan now dead, Paul looks back at how they fell in love, how he freed her from a sterile marriage, and how - gradually, relentlessly - everything fell apart, as she succumbed to depression and worse while he struggled to understand the intricacy and depth of the human heart. It's a piercing account of helpless devotion, and of how memory can confound us and fail us and surprise us (sometimes all at once), of how, as Paul puts it, "first love fixes a life forever."

©2018 Julian Barnes (P)2018 W. F. Howes

Editor's Pick

Love, arriving swiftly, ultimately proves to be incomprehensible
"Opening in 1963, 19-year-old Paul (student, home from Uni) and 48-year-old Susan (married, mother of two) meet playing mixed doubles at the tennis club, and fall face-first in love. Promises are made instinctively and with little foresight, setting in motion the central conflict of Paul's life. Throughout the narrative, Barnes moves almost randomly between first, second, and third person, but narrator Guy Mott's deft transitions are so seamless that it's not immediately apparent to the listener. And this struck me as exactly how self-reflection works: you view yourself from every angle, and here this shifting vantage point creates the room in the narrative for moments of granular honesty, both beautiful and gruesome."
Emily C., Audible Editor