
The Geography of Nowhere
The Rise and Decline of America's Man-Made Landscape
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Narrated by:
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Al Kessel
In elegant and often hilarious prose, Kunstler depicts our nation's evolution from the Pilgrim settlements to the modern auto suburb in all its ghastliness. The Geography of Nowhere tallies up the huge economic, social, and spiritual costs that America is paying for its car-crazed lifestyle. It is also a wake-up call for citizens to reinvent the places where we live and work, to build communities that are once again worthy of our affection. Kunstler proposes that by reviving civic art and civic life, we will rediscover public virtue and a new vision of the common good. "The future will require us to build better places," Kunstler says, "or the future will belong to other people in other societies."
The Geography of Nowhere has become a touchstone work in the two decades since its initial publication, its incisive commentary giving language to the feeling of millions of Americans that our nation's suburban environments were ceasing to be credible human habitats. Since that time, the work has inspired city planners, architects, legislators, designers, and citizens everywhere.
©1993, 2016 James Howard Kunstler (P)2019 TantorListeners also enjoyed...




















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Timeless and Prescient
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narrator. adds full stops. for no reason.
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Narrator sounds like a bitter Rod Serling doing an infomercial. It was a strong choice and distracting. But ultimately added to the hilarity. An interesting story.
Well-researched rant
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The ugly result
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Suburbia Jeremiad with poor narration
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Happy Car Armageddon
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If it is less than this
Your voice means nothing
A review requires at least 15 words
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Excellent whole view on why we develop our towns and cities so poorly
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Feels new, but it’s older
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This observation, and many other aha moments about the urban and suburban landscape are explained here. Everything happens for a reason, the say, but most of the time that reason is because somebody else is profiting from it. The book has many more examples, like how one streetcar company tore out all its own lines within 18 months of being acquired by a holding company owned by an oil company, a car company, and a tire company.
There is an especially interesting chapter about how fascist adoption of pseudo-classical architectural traditions in mid-century Europe made brutalists look good in the US. As a result, unadorned concrete, steel or glass slab buildings spread like kudzu.
One of the most influential books I've read in decades, right up there with, for instance, "The Power Broker".
Explains so much about what your see around you
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