The Cube Audiolibro Por Adam Rapp arte de portada

The Cube

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The Cube

De: Adam Rapp
Narrado por: Carla Gugino, Juliana Canfield
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An invitation to a mysterious theatrical performance changes the lives of two women in Adam Rapp’s riveting new audio play The Cube. Magda, an upper-class White woman, is shocked to the core by what she sees—and questions her complicity. Ruth, a Black woman who played a role in the show, is thrilled to be part of it—until she discovers her performance is all too convincing. Directed by Whitney White, a visceral and truly immersive audio experience that tackles issues of race, privilege, and cultural blindness.

©2021 Adam Rapp (P)2021 AO Media LLC
Drama y Obras Estados Unidos Literatura Mundial Aterrador

Enjoy the Trailer for The Cube

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About the Creator

Adam Rapp is the author of numerous plays, which include The Sound Inside (Broadway, WTF), Nocturne (ART, New York Theatre Workshop), Finer Noble Gases (Rattlestick, Edinburgh Fringe, Fringe First Award), Kindness (Playwrights Horizons), The Metal Children (The Vineyard), The Hallway Trilogy (Rattlestick), Blackbird (The Bush, Edge Theatre), Stone Cold Dead Serious (A.R.T., Edge Theatre), and Red Light Winter (Steppenwolf, Barrow Street Theatre), for which he won Chicago’s Jeff Award, an OBIE, and was named a finalist for the 2006 Pulitzer Prize. His playwriting honors include The Helen Merrill Prize, The Benjamin H. Danks Award from the American Academy of Arts and Letters, and the PEN/Laura Pels International Foundation Award.

About the Director

Whitney White is an Obie and Lily award winning director, writer and musician based in New York. Recent directing: On Sugarland (Lucile Lortel and Drama Desk nominations for Outstanding Direction), What To Send Up When it Goes Down (The Public, Playwrights Horizons, BAM, Woolly Mammoth, America Repertory Theatre), The Amen Corner (Shakespeare DC), Our Dear Dead Drug Lord (Second Stage/WP Theater), For All The Women Who Thought They Were Mad (Soho Rep).
Original works include: Semblance (NYTW), Definition (Bushwick Starr), and Macbeth in Stride for which she won an Eliot Norton Award for Best Musical Performance (American Repertory Theatre, Under the Radar Festival at The Public Theatre).
Fellowships include: Sundance Theatre Lab, NYTW 2050 Fellowship, Drama League Next Wave, Jerome Fellowship, Colt Coeur, Roundabout Directing Fellowship. Whitney is a Rolex Arts Initiative Protegee, an Associate Artist at the Roundabout, and an Associate Director at Shakespeare DC. She is also a writer on Boots Riley's upcoming show I'm a Virgo (Amazon, Media Res). MFA Brown Trinity Rep, BA Northwestern.

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There are three types of negative reviews. The two that have merit but shouldn’t dissuade you from this play/book are the complaints about the extra noises and volume and that there is some disturbing imagery. The thrust of most of the complaints is about the second act and/or the book having “no point.” That’s ridiculous. Even if you don’t agree with the author’s point of view, it’s well done and provocative.

The sounds and noises are too loud and distracting I found that first Act was less believable than the second. The Act is supposed to be from the perspective of the middle aged wealthy white woman. I didn’t notice if a man or woman wrote this book. But less than a quarter of the way in, I figured it was a man. The woman’s ideas and feelings toward sex and relationships did not add up in my experience. I almost gave up but the story is intriguing. The second Act felt spot on to me. I think the character’s perspective was captured and it helped answer questions from the first Act.

Let me explain the negative reviews

Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.

I found the story fascinating. I see a fair amount of theater and I can relate to the power and draw of an amazing and original performance. Original and interesting. Solid performance by the reader.

A solid and original story

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Great story and amazing performance! One of the best short books on audible. Feels like theatre performance.

Amazing!

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I was completely invested in the turn out, it did not disappoint. somehow I feel I shall see these characters again.

captivating!

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I loved it and will be listening again. The random sounds make this so cool to listen to. I was immersed all the way through.

Not sure why this has bad reviews

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I found each character interesting. The story line kept me listening.
Tragic characters you can identify with. I enjoyed how Ruth and Magda’s paths crossed.

Great Story line

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There’s probably something I’m not getting. It was good but it wasn’t. I did not get the end. This obviously had a point that was over my head. Philosophical, artsy I’m not sure how to describe this. The narration was incredible.

I Just Don’t Know

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This book was a shock. I anticipated none of it and enjoyed all of it.

So engaging!

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I’m not sure. It was interesting, thought provoking, gross and annoying. The performances were excellent but the storyline is one that you have to hear it to know if it is for you…

Ummmm

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This one made me think. I enjoyed the different perspectives too. Performance was great! I listened straight through.

Different! I enjoyed it

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