Regular price: $21.67
Easy Rider, Raging Bulls follows the wild ride that was Hollywood in the 70s - an unabashed celebration of sex, drugs, and rock 'n' roll (both on screen and off) and a climate where innovation and experimentation reigned supreme.
Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines - the Sundance Film Festival and Miramax Films - that have powered them. Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse.
In 1975, five young employees of a sclerotic William Morris agency left to start their own strikingly innovative talent agency. In the years to come, Creative Artists Agency would vault from its origins in a tiny office on the last block of Beverly Hills to become the largest and most imperial, groundbreaking, and star-studded agency Hollywood has ever seen - a company whose tentacles now spread throughout the world of movies, music, television, technology, advertising, sports, and investment banking far more than previously imagined.
1936 was a great year for the movie industry - the financial setbacks of the Great Depression were subsiding, so theater attendance was up. Americans everywhere were watching the stars, and few stars shined as brightly as one of America's most enduring screen favorites, Mary Astor. But Astor's personal story wasn't a happy one. Born poor and widowed at 24, Mary Astor had spent years looking for stability when she met and wed Dr. Franklyn Thorpe.
For 60 years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood’s Circus Maximus---created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King---an entertainment empire called DreamWorks.
New York Times best-selling author, comedian, and actor Patton Oswalt shares his entertaining memoir about coming of age as a performer and writer in the late '90s while obsessively watching classic films at the legendary New Beverly Cinema in Los Angeles. Between 1995 and 1999, Patton Oswalt lived with an unshakeable addiction. It wasn't drugs, alcohol, or sex. It was film.
Easy Rider, Raging Bulls follows the wild ride that was Hollywood in the 70s - an unabashed celebration of sex, drugs, and rock 'n' roll (both on screen and off) and a climate where innovation and experimentation reigned supreme.
Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines - the Sundance Film Festival and Miramax Films - that have powered them. Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse.
In 1975, five young employees of a sclerotic William Morris agency left to start their own strikingly innovative talent agency. In the years to come, Creative Artists Agency would vault from its origins in a tiny office on the last block of Beverly Hills to become the largest and most imperial, groundbreaking, and star-studded agency Hollywood has ever seen - a company whose tentacles now spread throughout the world of movies, music, television, technology, advertising, sports, and investment banking far more than previously imagined.
1936 was a great year for the movie industry - the financial setbacks of the Great Depression were subsiding, so theater attendance was up. Americans everywhere were watching the stars, and few stars shined as brightly as one of America's most enduring screen favorites, Mary Astor. But Astor's personal story wasn't a happy one. Born poor and widowed at 24, Mary Astor had spent years looking for stability when she met and wed Dr. Franklyn Thorpe.
For 60 years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood’s Circus Maximus---created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King---an entertainment empire called DreamWorks.
New York Times best-selling author, comedian, and actor Patton Oswalt shares his entertaining memoir about coming of age as a performer and writer in the late '90s while obsessively watching classic films at the legendary New Beverly Cinema in Los Angeles. Between 1995 and 1999, Patton Oswalt lived with an unshakeable addiction. It wasn't drugs, alcohol, or sex. It was film.
Here is the epic human drama behind the making of the five movies nominated for Best Picture in 1967 - Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Dolittle, and Bonnie and Clyde - and through them, the larger story of the cultural revolution that transformed Hollywood and America forever.
Veteran director John Badham explains the elements of action and suspense and dissects the essentials of any good scene from any genre. Continuing the work begun in his best-selling book I'll Be in My Trailer, Badham shares more insights into working with difficult actors, rehearsal techniques, and getting the best performance from your cast.
With such seminal movies as The Exorcist and The French Connection, Academy Award–winning director William Friedkin secured his place as a great filmmaker. A maverick from the start, Friedkin joined other young directors who ushered in Hollywood’s second Golden Age during the 1970s. Now, in his long-awaited memoir, Friedkin provides a candid portrait of an extraordinary life and career.
A hundred years after his inauguration, Woodrow Wilson still stands as one of the most influential figures of the 20th century, and one of the most enigmatic. And now, after more than a decade of research and writing, Pulitzer Prize-winning author A. Scott Berg has completed Wilson - the most personal and penetrating biography ever written about the 28th President. This is not just Wilson the icon - but Wilson the man.
This joint biography of Bette Davis and Joan Crawford follows Hollywood's most epic rivalry throughout their careers. They only worked together once, in the classic spine-chiller What Ever Happened to Baby Jane, and their violent hatred of each other as rival sisters was no act. In real life they fought over as many men as they did film roles.
Two months before Gianni Versace was murdered on the steps of his Miami Beach mansion by Andrew Cunanan, award-winning journalist Maureen Orth was investigating a major story on the serial killer for Vanity Fair. Culled from interviews with more than 400 people and insights from thousands of pages of police reports, Orth tells the complete story of Cunanan, his unwitting victims, and the moneyed, hedonistic world in which they lived...and died.
As this book's title suggests, Norm Macdonald tells the story of his life - more or less - from his origins on a farm in the-back-of-beyond Canada and an epically disastrous appearance on Star Search to his account of auditioning for Lorne Michaels and his memorable run as the anchor of Weekend Update on Saturday Night Live - until he was fired because a corporate executive didn't think he was funny. But Based on a True Story is much more than a memoir; it's the hilarious, inspired epic of Norm's life.
On May 25, 1977, a problem-plagued, budget-straining, independent science-fiction film opened in a mere 32 American movie theatres. Conceived, written, and directed by a little-known filmmaker named George Lucas, Star Wars reinvented the cinematic landscape, ushering in a new way for movies to be made, marketed, and merchandised. Simply put, George Lucas is one of the most influential filmmakers of the past 50 years.
From the dawn of the studio system to the decade it all came crashing down, Hedda Hopper was one of the Queens of Hollywood. Although she made her name as a star of the silent screen, she found her calling as a gossip columnist, where she had the ear of the most powerful force in show business: the public. With a readership of 20,000,000 people, Hopper turned nobodies into stars, and brought stars to their knees. And in this sensational memoir, she tells all.
With extraordinary access to the West Wing, Michael Wolff reveals what happened behind-the-scenes in the first nine months of the most controversial presidency of our time in Fire and Fury: Inside the Trump White House. Since Donald Trump was sworn in as the 45th President of the United States, the country—and the world—has witnessed a stormy, outrageous, and absolutely mesmerizing presidential term that reflects the volatility and fierceness of the man elected Commander-in-Chief.
Sarah Vowell's special brand of armchair history makes the bizarre and esoteric fascinatingly relevant and fun. She takes us from the modern-day reenactment of an Indian massacre to the Mohegan Sun casino, from old-timey Puritan poetry, where "righteousness" is rhymed with "wilderness," to a Mayflower-themed waterslide. Throughout, The Wordy Shipmates is rich in historical fact, humorous insight, and social commentary by one of America's most celebrated voices.
She is a housewife: young, healthy, blissfully happy. He is an actor: charismatic and ambitious. The spacious, sun-filled apartment on Manhattan's Upper West Side is their dream home, a dream that turns into an unspeakable nightmare. Enter the chilling world of Ira Levin, where terror is as near as your new neighbors and where evil wears the most innocent face of all.
Robert Evans' The Kid Stays in the Picture is universally recognized as the greatest, most outrageous, and most unforgettable show business memoir ever written. The basis of an award-winning documentary film, it remains the gold standard of Hollywood storytelling.
With a new introduction by the legendary actor, producer, and Hollywood studio chief Robert Evans, The Kid Stays in the Picture is driven by a voice as charming and irresistible as any great novel.
An extraordinary raconteur, Evans spares no one, least of all himself. Filled with starring roles for everyone from Ava Gardner to Marlon Brando to Sharon Stone, The Kid Stays in the Picture is sharp, witty, self-aggrandizing, and self-lacerating in equal measure.
I enjoyed the book and the performance, but having read this twice prior, I'm extremely disappointed to find out that despite being advertised as unabridged, nothing could be further from the truth. There are large sections missing, and to the point where other parts make no sense. My advice is to read the book rather than listen to this. Then again, if you only want the basics of the story, then go ahead and download.
11 of 11 people found this review helpful
Not only was the unabridged version abridged to the point of skipping multiple chapters, Robert Evans' retelling of his wild escapades was completely wooden. You're telling me that you had multiple woman, including Ava Gardner. fighting over you because your charm and personality in a monotone bored voice? Cool.
11 of 12 people found this review helpful
Thank you, Patton Oswalt, for turning me on to this Titan! Robert Evans is a giant!
2 of 2 people found this review helpful
Would you recommend this audiobook to a friend? If so, why?
I loved that it was narrated by the author. His tone made it all more real. The stories recounted were juicy and also useful lessons and background/history. Overall, a great listen.
2 of 2 people found this review helpful
This audio book was a gift to me from a friend of mine. We both heard of this work from listening to Oswalt's stand up. I find this book fascinating and insightful of the behind the scenes happenings in Hollywood's past. I can't help but get the vibe of a time when men were men and dames were dames in Evan's telling. There are so many great quotes too. I just finished my first listen and am already listening again.
1 of 1 people found this review helpful
Any additional comments?
The audiobook disappoints me. Robert Evans' reading adds authenticity, but at the cost of too much mumbling. Too many of the recollections seem tainted by the evident narcissism of the author. Evans seems to present superficially the highs and lows of his life, but the point of each episode is whether it was a triumph or a failure for him. I would have been much more interested in an analysis of the movie business during the three decades he was active in it.
There is also way too much gratuitous Jewish self-loathing.
After reading this book, I learned nothing about what--other than luck--might have led to Evans success or his eventual fall from grace. Also, I learned very little of substance about some of his big hits: Love Story, The Godfather, and Chinatown.
This is a good audiobook to avoid, There are just too many other good memoirs, and other compelling story about Hollywood.
1 of 1 people found this review helpful
Hollywood in the 60s & 70s was Silicon Valley. Taste, talent, hustle and balls won the day every time. This guy was also amazing and refreshing to watch and listen to in narration.
1 of 1 people found this review helpful
Thank you for letting me enjoy your book it really inspired me to hang in there in business and family Don Darling
I started reading the actual book; it's good. But to hear Robert Evans tell the story, or should I say stories in his voice which is akin to if Jack Nicholson & the devil had a child, is priceless. Plus, he does impressions of some if his infamous (that's more than famous) close friends everytime he tells a story in which they are in. If Bob Evans recorded a second book, I'd swipe it up immediately. This guy is legend.
Robert Evans' autobiography is uncompromising, at times uncomfortable, but always engaging. His inside perspective and unflinching take on Hollywood is a must-read for anyone remotely interested in film. It has its biases and gaps, but his narrative style is second to none.