Mostrando resultados por autor "Paula Hawkins" en Todas las categorías

An isolated Scottish island, accessible to the mainland only twelve hours a day. A famous (some might say infamous) artist whose notoriously unfaithful husband disappeared after visiting her twenty years ago. A present-day discovery that intimately connects three people and unveils a web of secrets and lies.

The debut psychological thriller that will forever change the way you look at other people's lives. Every day the same. Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. Jess and Jason, she calls them. Their life - as she sees it - is perfect. Not unlike the life she recently lost.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

Pocos días antes de morir, Nel Abbott estuvo llamando a su hermana, pero Jules no cogió el teléfono, ignoró sus súplicas de ayuda. Ahora Nel está muerta. Dicen que saltó al río. Y Jules se ve arrastrada al pequeño pueblo de los veranos de su infancia, un lugar del que creía haber escapado, para cuidar de la adolescente que su hermana deja atrás. Pero Jules tiene miedo. Mucho miedo. Miedo al agua, miedo de sus recuerdos enterrados largo tiempo atrás, y miedo, sobre todo, de su certeza de que Nel nunca habría saltado... 

Laura has spent most of her life being judged. She's seen as hot-tempered, troubled, a loner. Some even call her dangerous. Miriam knows that just because Laura is witnessed leaving the scene of a horrific murder with blood on her clothes, that doesn't mean she's a killer. Bitter experience has taught her how easy it is to get caught in the wrong place at the wrong time. Carla is reeling from the brutal murder of her nephew. She trusts no one: good people are capable of terrible deeds. But how far will she go to find peace?

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely 15-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from - a place to which she vowed she'd never return.

Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. Jess and Jason, she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely 15-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from - a place to which she vowed she'd never return.

Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life - as she sees it - is perfect. Not unlike the life she recently lost. And then she sees something shocking.

Rachel prend le train deux fois par jour pour aller à Londres. Chaque jour, elle observe, lors d'un arrêt, une jolie maison en contrebas de la voie ferrée. Elle a même donné un nom à ses occupants, qu'elle voit derrière la vitre : Jason et Jess. Un couple qu'elle imagine parfait, heureux, comme Rachel a pu l'être par le passé avec son mari, avant qu'il ne la trompe et la quitte. Jusqu'à ce matin où Rachel voit un autre homme que Jason à la fenêtre. Jess tromperait-elle son mari ? Quelques jours plus tard, elle découvre la photo de Jess dans les journaux : de son vrai nom Megan Hipwell, la jeune femme a mystérieusement disparu.

An isolated Scottish island, accessible to the mainland only twelve hours a day. A famous (some might say infamous) artist whose notoriously unfaithful husband disappeared after visiting her twenty years ago. A present-day discovery that intimately connects three people and unveils a web of secrets and lies. A masterful and propulsive novel that asks searing questions of ambition, power, gender and perception, The Blue Hour recalls the very best of Shirley Jackson and Patricia Highsmith and cements Hawkins’s place among the very best of our most nuanced, powerful and stylish storytellers.

Paula Hawkins, nos ofrece un brillante thriller sobre las heridas que provocan los secretos que ocultamos. El descubrimiento del cuerpo de un joven asesinado brutalmente en una casa flotante de Londres desencadena sospechas sobre tres mujeres. Laura es la chica conflictiva que quedó con la víctima la noche en que murió; Carla, aún de luto por la muerte de un familiar, es la tía del joven; y Miriam es la indiscreta vecina que oculta información sobre el caso a la policía.

The Coronavirus Bible is what happens when a bunch of Christian comedians get together (virtually) during quarantine to raise money to support those in need. This coronavirus comedy bible will not only raise a laugh, but also raise funds to help those in need. And since laughter is also good medicine, you’ll be helping yourself, too. Honest.

Paula Hawkins, autora de La chica del tren, un fenómeno mundial con más de 27 millones de lectores en 50 países. Desde que son niños Edie, Jake y Ryan han sido inseparables. Ellos tres contra el mundo. Edie pensaba que su amistad podría con todo, así que cuando su marido Jake es brutalmente asesinado y su mejor amigo, Ryan, acusado del crimen, su mundo se desmorona.

Jeden Morgen pendelt Rachel mit dem Zug in die Stadt, und jeden Morgen hält der Zug an der gleichen Stelle auf der Strecke an. Rachel blickt in die Gärten der umliegenden Häuser, beobachtet ihre Bewohner. Oft sieht sie ein junges Paar: Jess und Jason nennt Rachel die beiden. Sie führen - wie es scheint - ein perfektes Leben. Ein Leben, wie Rachel es sich wünscht. Eines Tages beobachtet sie etwas Schockierendes. Kurz darauf liest sie in der Zeitung vom Verschwinden einer Frau - daneben ein Foto von "Jess".

Laura has spent most of her life being judged. She's seen as hot-tempered, troubled, a loner. Some even call her dangerous. Miriam knows that just because Laura is witnessed leaving the scene of a horrific murder with blood on her clothes doesn't mean Laura is a killer. Bitter experience has taught her how easy it is to get caught in the wrong place at the wrong time.

Being British isn’t easy. Especially if you live abroad, where your countrymen aren’t exactly famous for, well, blending in. As his beloved homeland goes Brexit bananas, best-selling humourist Paul Hawkins takes on Britishness - how it looks from the outside, how to be British abroad and what you only learn about home once you leave it. In this self-deprecating audiobook, he reveals the awkward secrets, cultural blind-spots and private oddness of the people with whom he once shared an island.

Since they were kids, Edie, Jake and Ryan have been the closest of friends. It's been the three of them against the world. Edie thought the bonds between them were unbreakable. So when Jake is brutally murdered and Ryan accused of the crime, her world is shattered. Edie is alone for the first time in years, living in the remote house that she and Jake shared. She is grief-stricken and afraid—with good reason. Because someone is watching. 

Random House presents the unabridged, downloadable audiobook edition of Into the Water by Paula Hawkins, read by Imogen Church, Sophie Aldred, Daniel Weyman, Rachel Bavidge and Laura Aikman. The addictive new psychological thriller from the author of The Girl on the Train, the runaway Sunday Times Number One best seller and global phenomenon. In the last days before her death, Nel called her sister. Jules didn't pick up the phone, ignoring her plea for help.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.