Good Dirt
A Novel
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Narrado por:
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January LaVoy
“Engrossing . . . Wilkerson masterfully weaves these threads of love, loss and legacy [into] a thoroughly researched and beautifully imagined family saga.”—The New York Times
LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • A TIME BEST BOOK OF THE YEAR
When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well.
The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart without any explanation, that's exactly what they get.
So Ebby flees to France, only for her past to follow her there. And as she tries to process what's happened, she begins to think about the other loss her family suffered on that day eighteen years ago—the stoneware jar that had been in their family for generations, brought North by an enslaved ancestor. But little does she know that the handcrafted piece of pottery held more than just her family's history—it might also hold the key to unlocking her own future.
In this sweeping, evocative novel, Charmaine Wilkerson brings to life a multi-generational epic that examines how the past informs our present.
Interview: Charmaine Wilkerson delivers another stunning multigenerational family story in "Good Dirt"
Interview: Charmaine Wilkerson delivers another stunning multigenerational family story in "Good Dirt"
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“Engrossing . . . Wilkerson masterfully weaves these threads of love, loss and legacy through Old Mo’s journey as well as the ongoing mystery of Baz’s murder. The result is a thoroughly researched and beautifully imagined family saga, with a moving and hopeful ending.”—The New York Times
“[A] moving sophomore novel . . . a multigenerational tale about a family haunted by tragedy.”—The Washington Post
“A remarkable exploration of family bonds, grief, heartbreak, friendship, and the deep scars of slavery and racism, Good Dirt seamlessly links the tragedies and resilience of our past in a way that is both brilliantly resonant and heartbreakingly beautiful. Wilkerson’s prose is succinct yet richly evocative, masterfully delving into the minds and motivations of her characters and delivering a narrative that lingers long after the final page . . . This novel solidifies Wilkerson’s place as one of the great multi-generational storytellers of our time.”—Abi Daré, New York Times bestselling author of The Girl with the Louding Voice
“Charmaine Wilkerson is a writer of extraordinary gifts. She can capture the arc of a family story like none other. In Good Dirt, she does it again. This kaleidoscopic novel of love, loss, and triumph will sit with you for a long time after you finish the last page.”—Dolen Perkins-Valdez, bestselling author of Take My Hand
“Good Dirt is a mystery that weaves together multigenerational strands of past and present trauma, from West Africa to Long Island, from the 1800s to the present. Written in glittering and discerning prose, poignant yet hopeful, Good Dirt is a masterful character study exploring the stories we inherit and how the past informs the present. I loved it.”—Nikki May, author of Wahala and This Motherless Land
“[A] moving sophomore novel . . . a multigenerational tale about a family haunted by tragedy.”—The Washington Post
“A remarkable exploration of family bonds, grief, heartbreak, friendship, and the deep scars of slavery and racism, Good Dirt seamlessly links the tragedies and resilience of our past in a way that is both brilliantly resonant and heartbreakingly beautiful. Wilkerson’s prose is succinct yet richly evocative, masterfully delving into the minds and motivations of her characters and delivering a narrative that lingers long after the final page . . . This novel solidifies Wilkerson’s place as one of the great multi-generational storytellers of our time.”—Abi Daré, New York Times bestselling author of The Girl with the Louding Voice
“Charmaine Wilkerson is a writer of extraordinary gifts. She can capture the arc of a family story like none other. In Good Dirt, she does it again. This kaleidoscopic novel of love, loss, and triumph will sit with you for a long time after you finish the last page.”—Dolen Perkins-Valdez, bestselling author of Take My Hand
“Good Dirt is a mystery that weaves together multigenerational strands of past and present trauma, from West Africa to Long Island, from the 1800s to the present. Written in glittering and discerning prose, poignant yet hopeful, Good Dirt is a masterful character study exploring the stories we inherit and how the past informs the present. I loved it.”—Nikki May, author of Wahala and This Motherless Land
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In Short: Many moments of brilliance and some great commentary on many important topics and a great exposition of grief, but the brilliance is slightly lessened by some loose threads and some disjointed themes.
General Thoughts: This was a book club read. Similar to Black Cake, I enjoyed a lot about the book. Many moments in this book shone and were really thought-provoking. I loved how Charmaine really delved into grief and also how intergenerational trauma can complicate that grief. I also loved the symbolism and history of the jar. Charmaine is at her best when she dips into family lore, and the snippets into the past were really one done. There was a lot to love about this book.
However, at the conclusion of part two, I found myself thinking, how are we only halfway through the book? The book is only 368 pages, but it felt so much longer. I think that's indicative of some of the pacing issues in the book. Now, there were many parts of Parts 3 and 4 that I absolutely loved, but the book at times felt disjointed or like some threads didn't fully connect. I felt it could have benefited from some pruning and tightening up a bit. Some characters and POVs felt like they cluttered the story. I said I felt like the author tried to do too much in book one all at once, and I felt that way here, too. But I would definitely read more by the author because I think she'll get there. Lots to love about this book, but some parts were hard to get through.
Tropes:
-historical fiction
-multi pOV
-family saga
-family mystery
Moments of brilliance
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Fantastic performance of an outstanding story
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Absolutely Beautiful!
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Good historical journey dealing with the past and the present
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History untold
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Yummy 😋
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Great Historical and Love Story
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Best book an a long time
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Amazing Storytelling
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getting through tragedy
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