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Necromancer is such an ugly word, but it's a title Eric Carter is stuck with. He sees ghosts, talks to the dead. He's turned it into a lucrative career putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course. When he left LA fifteen years ago, he thought he'd never go back. Too many bad memories. Too many people trying to kill him. But now his sister's been brutally murdered and Carter wants to find out why.

Necromancer Eric Carter's problems keep getting bigger. Bad enough he's the unwilling husband to the patron saint of death, Santa Muerte, but now her ex, the Aztec King of the dead, Mictlantecuhtli, has come back—and it turns out that Carter and he are swapping places. As Mictlantecuhtli breaks loose of his prison of jade, Carter is slowly turning to stone. To make matters worse, both gods are trying to get Carter to assassinate the other. But only one of them can be telling him the truth and he can't trust either one. Carter's solution? Kill them both.

Los Angeles is burning. During one of the hottest summers the city has ever seen, someone is murdering mages with fires that burn when they shouldn't, that don't stop when they should. Necromancer Eric Carter is being framed for the killings and hunted by his own people. To Carter, everything points to the god Quetzalcoatl coming after him, after he defied the mad wind god in the Aztec land of the dead. But too many things aren't adding up, and Carter knows there's more going on.

Necromancer is such an ugly word, but it's a title Eric Carter is stuck with. He sees ghosts, talks to the dead. He's turned it into a lucrative career, putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course. When he left LA 15 years ago, he thought he'd never go back. Too many bad memories. Too many people trying to kill him.

When Eric Carter helps a friend with a deadly ritual that could determine the fate of the most powerful mage family in Los Angeles he steps into the middle of centuries-long feuds with people who make the Borgias look like the Brady Bunch. Eric's just fine with the murder, soul eaters, and death magic. He's just having trouble adjusting to being brought back from the grave. If he's not careful, somebody's going to put him right back.

Sister murdered, best friend dead, married to the patron saint of death, Santa Muerte. Necromancer Eric Carter's return to Los Angeles hasn't gone well, and it's about to get even worse. His link to the Aztec death goddess is changing his powers, changing him, and he's not sure how far it will go. He's starting to question his own sanity, wonder if he's losing his mind. No mean feat for a guy who talks to the dead on a regular basis.

The fifth book of this dark urban fantasy series follows necromancer Eric Carter through a world of vengeful gods and goddesses, mysterious murders, and restless ghosts. The Los Angeles Firestorm killed over a hundred thousand people, set in revenge against necromancer Eric Carter for defying the Aztec god Quetzalcoatl. Carter feels every drop of that blood on his hands. But now there's a new problem. Too many ghosts in one spot and the barrier separating them from the living cracks.

The eighth dramatized audiobook of this dark urban fantasy series follows necromancer Eric Carter through a world of vengeful gods and goddesses, mysterious murders, and restless ghosts.

The eighth book of this dark urban fantasy series follows necromancer Eric Carter through a world of vengeful gods and goddesses, mysterious murders, and restless ghosts.

Eric Carter has a lot on his plate. He's hunting the Oracle of Las Vegas, a literal talking head that manipulates the future to make its prophecies come true. But it has a new trick. It can change the past, too. Now Jazz Age Los Angeles is invading the present. Long gone buildings suddenly restored, decommissioned Red Car trains appearing on paved over tracks, miles of the city changing back to orange groves. Throw in a hundred-year-old doomsday cult, time magic, and a terrifyingly powerful spell to raise the dead and it makes for a busy week.

After being attacked by a demon in the one place he thought he was safe, Eric Carter has been killed, his soul sent to take its place as a stand-in for the Aztec god of death Mictlantecuhtli. But somebody on Earth isn't done with him, yet. Somebody with the power to bring him back from the dead. He doesn't know who, and worse he doesn't know why. Between an angry death goddess, family secrets steeped in blood, a Djinn who's biding his time, and a killer mage who can create copy after copy of himself, Eric's new life looks to be just as violent as his last one.

When Eric Carter helps a friend with a deadly ritual that could determine the fate of the most powerful mage family in Los Angeles he steps into the middle of centuries-long feuds with people who make the Borgias look like the Brady Bunch. Eric's just fine with the murder, soul eaters, and death magic. He's just having trouble adjusting to being brought back from the grave. If he's not careful, somebody's going to put him right back.

Now Jazz Age Los Angeles is invading the present. Long gone buildings suddenly restored, decommissioned Red Car trains appearing on paved over tracks, miles of the city changing back to orange groves. Throw in a hundred-year-old doomsday cult, time magic, and a terrifyingly powerful spell to raise the dead and it makes for a busy week. Carter knows the Oracle is behind it all but he can't figure out how. Or why.

Between an angry death goddess, family secrets steeped in blood, a Djinn who's biding his time, and a killer mage who can create copy after copy of himself, Eric's new life looks to be just as violent as his last one. But if he doesn't get to the bottom of why he's back, it's going to be a hell of a lot shorter.

During one of the hottest summers the city has ever seen, someone is murdering mages with fires that burn when they shouldn't, that don't stop when they should. Necromancer Eric Carter is being framed for the killings and hunted by his own people. To Carter, everything points to the god Quetzalcoatl coming after him, after he defied the mad wind god in the Aztec land of the dead. But too many things aren't adding up, and Carter knows there's more going on.

When erudite ape Professor Khan and rough-and-tumble cowboy Bulls-Eye Gutierrez are zapped away on a one-way trip to Mars, they are thrown into a world in chaos. Under the malevolent gaze of the Weather Witch, Princess Cyclone, our heroes face the intrigue and war raging across an alien world. Will they survive long enough for the other Centurions to build a way back home? Or will they perish upon the shifting sands of the Red Planet, never to be seen again?

Some 25 centuries after the Buddha started teaching, his message continues to inspire people across the globe, including those living in predominantly secular societies. What does it mean to adapt religious practices to secular contexts? Stephen Batchelor, an internationally known author and teacher, is committed to a secularized version of the Buddha's teachings. The time has come, he feels, to articulate a coherent, ethical, contemplative, and philosophical vision of Buddhism for our age.

Kate journeys to the stately manor of Blackmoore and enlists the help of her dearest childhood friend, Henry Delafield. But when it comes to matters of love, bargains are meaningless and plans are changeable. There on the wild lands of Blackmoore, Kate must face the truth that has kept her heart captive. Will the proposal she is determined to reject actually be the one thing that will set her heart free?

Master storyteller Stephen King (writing as Richard Bachman) presents this gripping and remarkable New York Times bestselling crime novel about a damaged young man who embarks on an ill-advised kidnapping plot—a work as taut and riveting as anything he has ever written. Once upon a time, a...

Winner of the 2020 Audio Publishers Association Lifetime Achievement Award From the #1 New York Times bestselling authors of The Talisman, “an intelligent…suspenseful page-turner” (The Wall Street Journal) from “two master craftsmen, each at the top of his game” (The Washington Post)...