Showing results by narrator "Nicholas Boulton"

John Fowles’s The Magus was a literary landmark of the 1960s. Nicholas Urfe goes to a Greek island to teach at a private school and becomes enmeshed in curious happenings at the home of a mysterious Greek recluse, Maurice Conchis. Are these events, involving attractive young English sisters, just psychological games, or an elaborate joke, or more? Reality shifts as the story unfolds. The Magus reflected the issues of the 1960s perfectly, and it continues to create tension and concern today.

It is 1502, and Rodrigo Borgia, a self-confessed womanizer and master of political corruption, is now on the papal throne as Alexander VI. His daughter Lucrezia, age 22 - already three times married and a pawn in her father's plans - is discovering her own power. And then there is his son Cesare Borgia, brilliant, ruthless, and increasingly unstable; it is his relationship with Machiavelli that gives the Florentine diplomat a master class in the dark arts of power and politics.

The intensely personal David Copperfield (widely regarded to be the most autobiographical of the author’s novels) is one of Dickens’ greatest works. We follow David Copperfield from birth and miserable childhood to inevitable tragedies, until he finally finds happiness later in life. Full of some of the most memorable characters in literary history. Nicholas Boulton’s depiction of the oily Uriah Heep and David Copperfield’s sinister stepfather, Murdstone, do the novel full justice.

He's a duke. He's a mathematical genius. He can't talk and he's locked in a lunatic asylum. Only a modest Quaker girl can reach him, but when she helps him to escape, she's swept into his glittering aristocratic world, her life torn apart by his desperate attempt to save himself.

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

Ranulf Ombrier is notorious throughout England for his skill at swordplay and murderous reputation. But after years of doing his king's bidding, he follows his conscience away from Edward, all the way to the wilds of Wales. Gwenllian of Ruardean, Welsh daughter of a powerful Marcher lord, has every reason to leave Ranulf for dead when one of her men nearly kills him. As a girl she was married by proxy to a man Ranulf murdered, only to become a widow before she ever met her groom.

For reasons of his own, Stephen Hampton, Lord Summerdale, is determined to learn the truth behind the tangled tale of Helen's ruin. There is nothing he abhors so much as scandal - nothing he prizes so well as discretion - and so he is shocked to find that he cannot help but admire her. But how can she trust a man so steeped in the culture of high society, who conceals so much? And how can he, so devoted to the appearance of propriety, ever love a fallen lady?

He was once a legendary highwayman. Now he's a recluse in a ruined French castle, with only a half-wild wolf for a companion. When Lady Leigh Strachan comes looking for a man to aid in her revenge, she's disillusioned to find that the famed Prince of Midnight couldn't help even if he cared to - which he doesn't. S. T. Maitland wants nothing to do with his legend, or with this fierce, beautiful, broken woman... until the old thrill of living on the cutting edge of danger begins to rise in his blood again.

Underneath the patina of civilized society lies the Sadean demimonde: a bundle of lustful appetites fueled by momentary impulse and a desire for unfettered indulgence. And the target of this savagery: Justine de Bertole, a pious and virginal heroine. Grotesque, inhumane, and compelling, Sade’s novel overturns Rousseau’s views of the social contract, and the common trope that punishment only visits sinners, to deliver a passionate treatise on good and evil, virtue and sin.

Pursued by her enemies, flattered and courted for her lands, a powerful, devious princess is desperate to reach refuge. Haunted by the shadow of the young assassin set upon her, Princess Melanthe knows that an ice cold countenance is her only protection. To succumb to love is the greatest danger of all. She can trust only one man amid the lies, the mysterious Green Knight - a true knight who never wavers once he gives his heart; a man who cannot comprehend deceit.

In defense of her honor, innocent Leda Etoile has burned all her bridges and taken refuge in her tiny attic room in a shabby boarding house in London. But her last safe haven is invaded when she wakes to find a man hidden in the dark - a man with golden hair and the face of a fallen angel, who moves in the night like a shadow. Will he be her savior, or her ruin? Samuel Gerard draws her inexorably into the richest circles of aristocratic England. But even as Leda falls in love with a man she can never have, she must keep his secrets.

In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.

Laura Kinsale presents a second novel by talented new author Elizabeth Kingston. Fair, Bright, and Terrible is the riveting companion to The King's Man. Wales is conquered, and Eluned has lost everything: her country, her husband, her hope. All that remains is vengeance, and she will stop at nothing to have it. When Robert de Lascaux is asked to marry the woman he has loved for eighteen years, he never hesitates. No wealth has ever mattered to him as much as Eluned has.

Through their innocent correspondence, a lonely young wife grows to love an imaginary man thousands of miles away. But when he returns to England from India, her idea of reality is turned upside down. Drawn from a safe world of tea and parlor chat into madness and mystery, she cannot find her own cherished Robert in the frightening stranger who claims her love. Laura Kinsale personally chose the exceptional talent of Nicholas Boulton to voice her favorite heroine, sweet, witty Folie with her ferret, Toot.

The Arthurian Romances by Chrétien de Troyes form the wellspring of the legend of King Arthur and the Knights of the Round Table. Stories of knightly valour in the Welsh Marches had existed before the 12th century, but it was the magnificent poetry and imagination of Chrétien, the 12th century French poet and trouvère, which brought alive the great characters of Arthur, his wife Guinevere, Lancelot and others.

In search of a legendary mare, Lord Winter enters the crucible of the red sands, forging unbreakable bonds of loyalty and trust with his young companion in the desert. But hidden beneath the ragged costume of a Bedouin boy is a remarkable young woman: Zenia Stanhope, daughter of the extraordinary Queen of the Desert. Zenia wants nothing of the danger that Lord Winter lives for. She wants only to reach England, far from the blood and sand of the desert.

A fatally dangerous man...and the woman who stands in the way of all he's ever desired. Beautiful and ruthless, the elegant assassin Allegreto will stop at nothing to regain his rightful place. And the perfect instrument has just fallen into his hands, in the lovely form of Lady Elena - the long-lost princess of the land he intends to wrest back from his enemies. But she is no mere maiden to be possessed.

When a powerful, decisive aristocrat undertakes to protect an absent-minded young inventress from England's enemies, he finds his orderly world turned into chaos. Merlin Lambourne's stubborn dream of flight puts her at risk, not to mention driving Ransom crazy. In spite of himself, he's oddly enchanted by this muddled miss and her eccentric ways... but can he overcome his own fears and realize her invention may be the answer to saving both their lives?

Daphnis and Chloe is a gem from the pen of the otherwise unknown second-century CE Greek writer Longus. It is the only work of his to survive, and little is known of him. Though perhaps overshadowed by the Roman magnificence of Ovid’s Metamorphoses (dating from a century earlier), Longus’ story entranced the choreographer Michel Fokine, who persuaded the French composer Maurice Ravel to write music for a ballet on the love story as part of the Ballets Russes’ season in Paris in 1912. Ravel, inspired, produced one of the most ravishing scores of the Impressionist period. 

John Donne, Andrew Marvell, George Herbert, Thomas Carew, and Henry Vaughan: these were some of the 17th-century writers who devised a new form of poetry full of wit, intellect and grace, which we now call Metaphysical poetry. They wrote about their deepest religious feelings and their carnal pleasures in a way that was radically new and challenging to their readers. Their work was largely misunderstood or ignored for two centuries, until 20th-century critics rediscovered it, finding in it a deep originality and a willingness to experiment.