Showing results by narrator "Gabrielle de Cuir and Stefan Rudnicki"

Why we think it’s a great listen: It’s easy to say that when it comes to sci-fi you either love it or you hate it. But with Ender’s Game, it seems to be you either love it or you love it.... The war with the Buggers has been raging for a hundred years, and the quest for the perfect general has been underway for almost as long. Enter Andrew "Ender" Wiggin, the result of decades of genetic experimentation.

Xenocide is the third installment of the Ender series. On Lusitania, Ender found a world where humans and pequeninos and the Hive Queen could all live together; where three very different intelligent species could find common ground at last. Or so he thought. But Lusitania also harbors the descolada, a virus which kills all humans it infects, but which the pequeninos require in order to transform into adults.

The mining ship El Cavador is far out from Earth, in the deeps of the Kuiper Belt, beyond Pluto. Other mining ships, and the families that live on them, are few and far between this far out. So when El Cavador’s telescopes pick up a fast-moving object coming in-system, it’s hard to know what to make of it. It’s massive and moving at a significant fraction of the speed of light.

El Cavador has other problems. Their systems are old and failing. The family is getting too big for the ship. There are claim-jumping corporate ships bringing Asteroid Belt tactics to the Kuiper Belt.

In this sweeping, threaded narrative of the global phenomenon known as the Vampire Wars, mankind is unwittingly infected by a millennia-old bacteria unknowingly exhumed by a scientific expedition in Antarctica. Now, in some rare cases, a person’s so-called junk DNA becomes activated. Depending on their racial and ethnic heritage, they begin to manifest one of the many diverse forms of the "others" that are the true basis for the legends of supernatural creatures. These aren’t your usual vampires and werewolves - it goes much deeper than that.

One hundred years before Ender's Game, the aliens arrived on Earth with fire and death. Earth Afire by Orson Scott Card and Aaron Johnston is the story of the First Formic War. Victor Delgado beat the alien ship to Earth, but just barely. Not soon enough to convince skeptical governments that there was a threat. They didn’t believe that until space stations and ships and colonies went up in sudden flame. And when that happened, only Mazer Rackham and the Mobile Operations Police could move fast enough to meet the threat.

Meticulously formatted, this is a highly listenable edition of the Senate Intelligence Committee’s investigation of Central Intelligence Agency interrogation and detention programs launched in the wake of the 9/11 attacks. 

"The Lottery," one of the most terrifying stories of the twentieth century, created a sensation when it was first published in the New Yorker. "Powerful and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Jackson's lifetime, unites "The Lottery" with 24 equally unusual stories. Together they demonstrate her remarkable range - from the hilarious to the truly horrible - and power as a storyteller.

First Meetings is a collection of three novellas (plus the original "Ender's Game") that journey into the origins and the destiny of one Ender Wiggin.

Perhaps no figure in biblical scholarship has been the subject of more controversy and debate than Mary Magdalene. Although she is discussed in the gospels of Philip, Thomas, Peter, and Bartholomew in the collection of writings known as the Gnostic gospels that were rejected by the early Christian church, there is no better insight into this mysterious and influential woman than Mary's own gospel.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

It's been one year since a virus triggered junk DNA and people all over the world started changing, becoming something else, craving blood. It's been 10 months since the word vampire stopped being something from old monster stories and Hollywood movies. It's been six months since our world and theirs erupted into war, two since an uneasy peace was signed, and one hour since that peace was shattered. The war is here again - the vampire war.

Two unknown producers struggle to fulfill their dreams to change lives through the power of film. With millions of investors' dollars on the line, everything starts to fall apart and they realize they may be in over their heads. Is it possible to beat the odds and make a movie unlike anything ever done before? Or will they lose everything in the process?

Prince Roger is coming home, but home isn't what it was when he left. Traitors have murdered his brother and sister, his nieces and nephews. His mother, the empress, is still alive but in the hands of Roger's own biological father, who controls her through drugs and physical and psychological torture. A new heir to the throne has been conceived, and once the child is born his mother will no longer be necessary to the traitors' plans.

A man wakes up in a hospital bed, with no idea who he is or how he came to be there. The only information the doctor shares with his patient is his name: Innokenty Petrovich Platonov. As memories slowly resurface, Innokenty begins to build a vivid picture of his former life as a young man in Russia in the early 20th century, living through the turbulence of the Russian Revolution and its aftermath. But soon, only one question remains: How can he remember the start of the 20th century, when the pills by his bedside were made in 1999?

This stand-alone novel will serve as either a grand introduction or a beautiful conclusion in the saga of the Baxter Family. The Baxters make plans to come together for a summer lakeside reunion, a celebration like they haven’t had in years. But before the big day, the unthinkable happens. As the Baxter Family rallies together, memories come to light in the grief-stricken hours of waiting and praying, memories that bring healing and hope during a time when otherwise darkness might have the final word.

In a not-too-distant future that is not quite ours, there has been a major scientific breakthrough. It is a way to open windows into the past, permitting historical researchers to view, but not participate, in the events of the past.

In one of the most powerful and thought-provoking novels of his remarkable career, Orson Scott Card interweaves a compelling portrait of Christopher Columbus with the story of a future scientist who believes she can alter human history from a tragedy of bloodshed and brutality to a world filled with hope and healing.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Three-headed trolls, horses that carry their masters up mountains of glass, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved.

The Bailey Flanigan series begins with Bailey leaving Bloomington for the adventure of a lifetime. She has won an audition for the ensemble of a Broadway musical in New York City. She's determined to take advantage of this once-in-a-lifetime opportunity, but is she really ready to leave family and friends for the loneliness of the city? And what of Cody? His disappearance has her worried about their future and praying that their love can survive.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

Arlyn's quest is simple: Find her father and let him know her mother is dead. After all, Arlyn had promised her mother she'd go. The problem? Her father's people are myths and legends, and he doesn't even live on Earth. But despite a long journey through the mysterious mists of the Veil, finding him turns out to be the easy part. Arlyn thought she would return to Earth after meeting her father. Now she must fight to save the family she never knew she wanted.