Mostrando resultados por narrador "David Foster" en Todas las categorías

A collection of thrilling tales from the Golden Age of Detective Fiction, including six full-cast dramas and a short story read by Benedict Cumberbatch In the first half of the 20th century, the detective story exploded in popularity. Innovative authors penned whodunits, whydunits and...

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

After five centuries of slumber, the dragons have only one thing on their minds. They want more than desire … more than lust. They want love … and connection. And the survival of the next generation. Each story in this epic collection follows the journey of a dragon and their chosen mate (or mates) as they fight to uncover ancient secrets, find the lost piece of a powerful artifact, and hunt for a missing dragon princess, all the while getting closer to the Dragon Council who are the only ones capable of changing outdated immortal laws and ensure their race’s survival.

For nearly a decade, Erika Rosencrans has carried on her dead father's legacy to prove that dragons exist, but it isn't only his old archaeology research that drives her. Dreams of a potently masculine, red-haired man haunt her sleep and leave her aching to know him in the flesh. She is only sure of one thing: the man of her dreams is a dragon locked in hibernation and she won't stop searching until she finds him. Red dragon Geva has lain in stasis for five centuries, petrified in the form of a man awaiting release from his stone prison.

The companions' journey across Lake Huron is interrupted by a pirate attack during a furious storm, and Krysty is pulled overboard during the fray. The companions seek refuge on a submerged freighter occupied by ex-pirate “Mean Pete" Kellogg and his crew. They tell stories of "He Who Shouts in the Lake", a creature under the control of Heidecker labs. The stories say the director of Heidecker labs is brutal and unforgiving, burning local villages to the ground and infecting them with disease. Forget the stories. Ryan knows only one truth. He must get Krysty back.

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Abandoned by her allies, the Republic of Venice holds out as the last beacon of resistance against the hobgoblin armies. Armed with new weapons the Southern Horde drives upon the floating city by land and sea. The Northern Horde drives deep into the heart of Europa and all fall before it. The Horde is vast beyond measure. Assassin daggers lurk in every shadow. Necrotic evil seeps and infects.

Prometheus returned to his solar system, and de Finita’s forces prepare to defend what’s theirs. The AllSeer’s return threatens to conquer both militaries in one genius move. He’ll obliterate Mars and force Prometheus to make an impossible choice: Save his friend or save his insurrection. Will de Finita bend the knee or watch billions burn alive beneath the AllSeer’s magnificent power? Will Prometheus let his friend die? Or will he abandon everything that what he’s built and risk his own life for someone he once loved?

Where do you begin with a writer as original and brilliant as David Foster Wallace? Here -- with a carefully considered selection of his extraordinary body of work, chosen by a range of great writers, critics, and those who worked with him most closely. This volume presents his most dazzling...

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Business is booming in Chirichua Junction, on the edge of a great northern river basin. But with cattlemen lined up against sheep men, the land has turned into a war zone and the town constable is a dirty as they come. Fresh from a violent confrontation with a fellow manhunter, Frank Morgan is called to Chirichua Junction by his old Civil War commander - and arrives just as an angry rancher is taking the law into this own hands. Suddenly, good men and bad are poised to kill.

Humanity thought the war with demonkind was over. Now, after less than a generation to rebuild, the demon corelings have returned with a vengeance. The Spear of Ala–the fortress that stands at the gates of the demon’s hive–is the last bastion against the horde, and reports say it may already have fallen. Olive Paper is expected to take the vanguard in the fight. Only an heir of Kaji can wield the artifact that opens the gates of the Spear of Ala, and as Ahmann Jardir’s child, Olive seems destined for a role as leader and savior.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

Stephen walked into the office which Barnabas was using as his judge's chamber. While the massive amount of data Bethany Anne’s team was throwing at him was more than enough to assuage his curiosity, he had never felt this way in the last one hundred and fifty-two years. He wanted a vacation.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike beings, with silvery skin and hair of the purest, flowing white. Able to create powerful magics with a mere wave of their hands, the Elantrians were able to heal mortal wounds and create any object they desired. To be an Elantrian was to be without sickness, without pain and without want.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.