Showing results by author "Jon Walter" in All Categories

With the publication of his debut novel, The Privateer, in 1981, Walter Jon Williams began one of the most varied and prolific careers in contemporary popular fiction. But much of Williams' best work takes place in the shorter forms, as this generous volume, filled to overflowing with award-winning and award-nominated stories, clearly proves. The Best of Walter Jon Williams reflects its author's affection for - and mastery of - the novella form.

Captain Favian Markham, USN, is a man surrounded by secrets. Secrets that will be revealed when he is court-martialed for losing his ship. Secrets held by his mistress Caroline. The secrets of enemy spies signaling to British ships over the horizon. And the greatest secret of the War of 1812, a secret which will be revealed once Favian breaks the enemy blockade in the Macedonian, a frigate stolen from his own government.

Imagine a game with no boundaries - waiting in parking lot, sitting at your computer, walking down the street. You could be called at any moment - and you'd better be ready. This is not a game. This is a novel of greed, betrayal, and social networking.

By day Dagmar Shaw orchestrates vast games with millions of players spanning continents. By night, she tries to forget the sound of a city collapsing in flames around her. She tries to forget the faces of her friends as they died in front of her. She tries to forget the blood on her own hands. But then an old friend approaches Dagmar with a project. The project he pitches is so insane and so ambitious, she can't possibly say no. But this new venture will lead her from the world of alternate-reality gaming to one even more complex.

In a frigate stolen from his own navy, Captain Favian Markham races to New Orleans with the dispatches he’s captured from a British warship—dispatches making it clear that the city will soon be the target of a British fleet and an invading army. But Favian finds New Orleans a city of intrigue, where Creoles conspire against the Americans, streetfighters cloak their murders under the Code Duello, the pirate Jean Laffite defies the Navy, and a cabal of elite soldiers conspire to hand the city to the enemy—and where two sensuous Creole women, Eugenie and Campaspe, vie for his favor.

Well-mannered Samuel and his mischievous younger brother, Joshua, are free black boys living in an orphanage during the end of the Civil War. Samuel takes the blame for Joshua's latest prank, and the consequence is worse than he could ever imagine. He's taken from the orphanage to the South, given a new name - Friday - and sold into slavery. What follows is a heartbreaking but hopeful account of Samuel's journey from freedom to captivity and back again.

Devastated by the loss of his family, Gideon Markham has retreated to his ship and the life of the sea. Heir to a privateering tradition, he brings his schooner into the Gulf of Mexico to wage unremitting war on the British who threaten America’s freedom. But the puritanical Gideon finds the Gulf a strange and threatening place, and soon he must face Jean Laffite’s pirates, a mutiny, an attack by Red Stick Creeks, and a British invasion…none of which he finds as baffling and alarming as Maria-Anna de Suarez.

Short novels are movie length narratives that may well be the perfect length for science fiction stories. This audio collection presents the best-of-the-best short science fiction novels published in 2012 by current and emerging masters of this vibrant form.

Walter Jon Williams regularly draws praise for pushing the limits of the science fiction genre. His third novel featuring AR (augmented reality) games designer Dagmar Shaw, The Fourth Wall follows Sean, a washed-up child actor recruited to star in Dagmar's latest movie project. But when people on set start dying, Sean wonders if Dagmar's secretive behavior is hiding a more dangerous game.

Clara and Nancy, two sisters working in Holloway Prison in 1913, find themselves face to face with imprisoned suffragettes: women fighting for the same freedoms they want for themselves. Soon Nancy is drawn to one inmate in particular - the enigmatic 'Duchess' - and decides to follow her into the fight. But Clara is torn by the very laws her sister has chosen to try to change. She's fallen in love, and yet marriage would mean giving up the job she loves and losing her independence forever. How can she possibly choose between the two sides of her heart and not lose a part of herself?