Showing results by author "Henry Kuttner" in All Categories

We’ve recorded some 400+ stories since 2015 here at HorrorBabble. This collection comprises some of our very favorites. From Blackwood's evocative "The Transfer", through to Smith's terrifying visit to the vaults of Yoh-Vombis, there’s something here to strike fear into the heart of any horror enthusiast....

Since the first appearance of a vampire in Robert Southey’s Thalaba the Destroyer, we mortals have endured a morbid fascination with these peculiar creatures of the night. They come in many forms: charming and seductive; ghastly and terrible. Join us as we explore a number of classic yarns concerning the various guises of the vampire, from Aleksey Tolstoy’s horrifying description of a vampiric family to Robert E. Howard’s tale of a creature loosed from bondage after having been buried for over three centuries. Thank the gods these creatures are fictitious…aren’t they?

Anthology of Cthulhu Mythos is a captivating collection that brings together the works of three legendary authors: H. P. Lovecraft, Robert E. Howard, and Henry Kuttner. This anthology showcases over thirty stories that delve into the dark and mysterious realms of the Cthulhu Mythos, a universe filled with cosmic horrors, ancient deities, and existential dread.

This collection of classic horror stories is sure to give you goose bumps, raise the hair on the back of your neck, and put some fright in your night. Includes Yours Truly, Jack the Ripper by Robert Bloch, Coin of the Realm by Charles L. Grant, Something Had to be Done by David Drake, The Graveyard Rats by Henry Kuttner, The Small Assassin by Ray Bradbury, Calling Card by Ramsey Campbell, The Words of Guru by C.M. Kornbluth, and Passengers by Robert Silverberg.

The Cthulhu Mythos of Henry Kuttner features a series of interconnected stories that explore the dark corners of the universe, where ancient gods and unspeakable horrors lurk just beyond the veil of reality. Kuttner's masterful storytelling heightens the atmospheric tension of each narrative.

Henry Kuttner's "Hydra" falls primarily into the genres of horror and fantasy, with elements of occultism and science fiction. The story deals with a dangerous experiment in occultism that opens a door to another dimension, resulting in horrific consequences. It's also considered part of the Cthulhu Mythos, a subgenre of cosmic horror created by H.P. Lovecraft and his associates.

Beneath the rolling seas and deadly atmosphere of Venus are the Keeps - fully enclosed cities that house descendants of the survivors who first harbored atomic energy to escape a dying earth. In massive superstructures built beneath the Venusian seas, a complex feudal society devoted simply to decadence has evolved. Presiding over that society are Immortals - genetic throwbacks to the mutant atomic survivors.

Elak of Atlantis must confront a plot by the followers of Dagon to sink the island. These followers, known as the "children of Dagon", are using black magic and earthquakes to destabilize Atlantis and ultimately submerge it. Elak, with the help of a mage named Zend, must stop them and protect Atlantis from being destroyed.

In this story, World War II veteran Edward Bond, is a fighter pilot recuperating from a plane crash. Suddenly his life takes a strange turn into weirdness. He steps through a portal into a world of magic and swordplay that is terrible but somehow hauntingly familiar. He meets a giant wolf, a red witch, and something called the "need-fire." In this strange Dark World, Bond finds himself opposed to the dread lord Ganelon and his terrible army of werewolves, wizards, and witches.

Beneath the crumbling tombstones of Salem's old cemetery, something stirs in the dark. The dead do not rest easy here, not because of ghosts, but because of what lurks beneath—the scurrying, gnawing, ever-hungry things that slither through tunnels older than memory. Massing in the catacombs, these rats are no mere vermin. They are watchers, thieves of the dead, and perhaps something far worse. For every corpse lowered into the earth, another vanishes, stolen away into the labyrinth of writhing shadows.

First published in Weird Tales in May 1937, Henry Kuttner’s pulp classic blends New England witchcraft, cosmic dread, and the fevered paranoia of Lovecraftian horror. This is a tale of an undead witch’s vengeance, an inhuman god’s awakening, and one man’s descent into a nightmare from which there may be no escape.

This collection of classic horror tales is as remarkable for its literary value as for its scream factor. You'll hear stories by the masters of the genre, past and present.

Think again! We have unearthed from their yellowing pulp pages coffins, six stories that you have probably never heard, and combined them with two indisputable classics for one of the best and freshest anthologies of undead doings you are likely to listen to for a long time to come.

FNH Audio presents the third in a series of short story collections. In this collection: A Earth passes through a poisonous space-cloud. Beneath the civilised crust of Venus a dark horror awaits. The slaves of Titan are about to wake. The first four spaceships disappeared, the fifth went to hell. During the war, one man demands government money to reach the moon. Storm Cloud suspect that everything going wrong is very suspicious. The beautiful girl is dying, and only space can offer hope. A survey team are hunted on a barren world. And many more stories...

"The Ego Machine" is science fiction story by Henry Kuttner. Excerpt: "Was your mother's name Helena Glinska?" the robot asked. "It was not," Martin said. "Ah, then she must have been the Great Hairy One," the robot murmured. Martin took his feet off the desk and sat up slowly. "It's quite all right," the robot said hastily. "You've been chosen for an ecological experiment, that's all. But it won't hurt. Robots are perfectly normal life forms where I come from, so you needn't..."

"The Secret of Kralitz" by Henry Kuttner tells the story of Franz, the twenty-first Baron Kralitz, who is summoned one night by two figures cloaked in black. These figures, wardens of the Kralitz lineage's secret, reveal a horrifying truth: the Baron is part of a long line bound to a malevolent curse and dark rituals. The story culminates in Franz's realization that each Baron Kralitz is initiated into a brotherhood of blood, and that his own name is inscribed on a sarcophagus, sealing his fate.

Risking his own life force to cure a patient’s psychosis, Dr. Robert Bruno learns of the true individualism of human minds!

A grave robber glances at a coffin he's recently unearthed and opened, and, enraged, he witnesses his prized corpse being drawn out the chewed end of the coffin into a subterranean burrow by the graveyard rats. Without thinking, he dives in after it and, crawling through the underground maze, pursues the corpse only to discover he is being pursued by the gargantuan rats and something far more ominous...the undead.

This is a lost world fantasy story with elements of science and science fiction. It was first published in 1946. In this revised edition, nothing has been done to change the plot or characters. However, there are times in the story where it dates itself. These areas have been respectfully updated in this revised edition. A few spelling and grammatical errors have also been corrected. The story itself remains true to the original.

Carson moves into an old house in Salem, formerly owned by the executed witch Abigail Prinn. He discovers a hidden "Witch Room" in the basement, designed to revive Prinn's spirit. An occultist, Michael Leigh, intervenes, and together they thwart Prinn's plan, sending her and the entity back to their realm, though a chilling memento remains.