Mostrando resultados por autor "G.K. CHESTERTON" en Todas las categorías

Saint Francis of Assisi is one of the most influential men in the whole of human history. This acclaimed biography of Saint Francis examines the life of a pure artist, a man "whose whole life was a poem". Here is the Saint Francis who prayed and danced with pagan abandon, who talked to animals, and who invented the crèche. Yet Francis also acknowledged the mystic responsibility to communicate his divine experience.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Spirited and unpretentious, Chesterton's romp through English history recounts the thrilling story of a somewhat complicated nation, told through the soul of its people. From the Roman roads to the Magna Carta, the Reformation and the rise of democracy, Chesterton compellingly traces England's journey through history, often noting the persistent struggle between ordinary folk and overreaching elites.

Father Brown, G. K. Chesterton's lovable little Norfolk priest, has an uncanny knack of unraveling mysteries that leave lesser mortals floundering. His sympathetic understanding of human nature never deserts him, even when he himself is touched by a breath of scandal, thanks to the hasty conclusions of a crusading newspaperman. In this collection, Father Brown uses his distinctive style of deduction to solve the seemingly insoluble.

First published in 1925, The Everlasting Man is in many ways a direct rebuttal to H.G. Wells’s The Outline of History, wherein he states that man is merely a development from animal life, and that Jesus was just a charismatic figure. Although a popular secular idea at the time, Chesterton believed otherwise. He argued that in order to understand both humanity and history, we ought first to recognise the uniqueness of both man and Christ.

All that G. K. Chesterton’s critics and comrades labeled him—devotional, impious, confounding, intelligent, humorous, bombastic—he wove into The Man Who Was Thursday. This thriller sends characters bobbing around a delightfully confusing plot of mythic proportions. There are so many twists and turns that soon you’ll be tangled in a story that you cannot put down...even if you’re not entirely sure why!

In this stirring epic poem, delve into the tale of Alfred the Great as he valiantly defends Christian England against the fierce Viking invaders. The pivotal battle unfolds near a white horse mark etched into a hill, giving the poem its evocative name. G.K. Chesterton interprets this mark not just as a landmark, but as a powerful symbol of the ongoing struggle to preserve the Christian culture and values that Alfred fought so hard to defend. - Summary by Robin Lamb

Gilbert Keith Chesterton (1874-1936) was a British writer, philosopher, lay theologian, and literary critic. Chesterton wrote around 80 books, several hundred poems, some 200 short stories, several plays, plus 4,000 essays and newspaper columns. He was a columnist for the Daily News and The Illustrated London News.

A Short History of England (1917) is Chesterton’s commentary on the philosophical, social, and religious history of England. The book focuses on those highlights that have shaped the nation, and is presented in the author’s customary wit. Having displayed strong Roman Catholic leanings at this time of his life, the author equates Anglicanism with atheism, but does commend the upliftment achieved by the Wesleyans. Chesterton views the story of England as the story of robber barons who became an aristocracy and who concealed their rise to power and hegemony through Parliament.

Dubbed the "Dumb Ox" by his classmates for his shyness, Saint Thomas Aquinas proved to be possessed of the rarest brilliance, justifying the faith of his teacher, Albertus Magnus, and sparking a revolution in Christian thought. Chesterton's unsurpassed examination of Aquinas' thinking makes his philosophy accessible to listeners of any generation.

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

This is a new edition of the first collection of G. K. Chesterton's masterful mysteries, The Innocence of Father Brown. Contains 12 thrilling tales, including "The Blue Cross", "The Invisible Man", and "The Sins of Prince Saradine". The audiobook is expertly narrated by British actor Nigel Peever, who brings to life Father Brown and all of Chesterton's marvelous characters.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón.

Chesterton's talent as a mystery writer is displayed in this collection of detective stories, The Man Who Knew Too Much. In each story, the star detective, Horne Fisher, deals with another strange mystery: the vanishing of a priceless coin, the framing of an Irish "prince" freedom fighter, an eccentric rich man dies during an obsessive fishing trip, another vanishing during an ice skate, a statue crushing his own uncle, and a few more.

Gilbert Keith Chesterton (1874-1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is best known for his fictional priest-detective Father Brown. In The Club of Queer Trades, narrator 'Cherub' Swinburne and his friends, the eccentric former judge Basil Grant, and Basil's younger brother, private detective Rupert Grant, encounter six curious mysteries, each involving someone who makes a living in an extraordinary and bizarre - in the language of the time a 'queer' - way.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray...."

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

One of the two greatest detectives of the twentieth century come together in this incredible collection.