Mostrando resultados por autor "G.K Chesterton" en Todas las categorías

A serious attack against Christianity by well-known newspaper editor Robert Blatchford in 1903 impelled Chesterton to seize the gauntlet of refutation. His reply was immensely successful and was the early formation of his convincing credo that is so brilliantly and cogently argued in Orthodoxy, a masterwork that was published just five years later.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Saint Francis of Assisi is one of the most influential men in the whole of human history. This acclaimed biography of Saint Francis examines the life of a pure artist, a man "whose whole life was a poem". Here is the Saint Francis who prayed and danced with pagan abandon, who talked to animals, and who invented the crèche. Yet Francis also acknowledged the mystic responsibility to communicate his divine experience.

All that G. K. Chesterton’s critics and comrades labeled him—devotional, impious, confounding, intelligent, humorous, bombastic—he wove into The Man Who Was Thursday. This thriller sends characters bobbing around a delightfully confusing plot of mythic proportions. There are so many twists and turns that soon you’ll be tangled in a story that you cannot put down...even if you’re not entirely sure why!

Father Brown, G. K. Chesterton's lovable little Norfolk priest, has an uncanny knack of unraveling mysteries that leave lesser mortals floundering. His sympathetic understanding of human nature never deserts him, even when he himself is touched by a breath of scandal, thanks to the hasty conclusions of a crusading newspaperman. In this collection, Father Brown uses his distinctive style of deduction to solve the seemingly insoluble.

Chesterton's talent as a mystery writer is displayed in this collection of detective stories, The Man Who Knew Too Much. In each story, the star detective, Horne Fisher, deals with another strange mystery: the vanishing of a priceless coin, the framing of an Irish "prince" freedom fighter, an eccentric rich man dies during an obsessive fishing trip, another vanishing during an ice skate, a statue crushing his own uncle, and a few more.

Chesterton's allegorical masterpiece is a surreal, psychologically thrilling novel that centres on seven anarchists in turn of the century London who call themselves by the names of days of the week. The story begins when poet Gabriel Syme is recruited as a detective to a secret anarchist division of Scotland Yard by a shrouded, nameless person. Syme infiltrates a secret meeting of anarchists who are intent on destroying the world and becomes known as 'Thursday', one of the seven members of the Central Anarchist Council.

Published in 1911, The Ballad of the White Horse by G. K. Chesterton is a poem about the deeds of King Alfred the Great. The epic ballad tells the story of how the King defeated the invading Danes at the Battle of Ethandun in the Valley of the White Horse, beneath an ancient equine image on the Berkshire hills. Chesterton employs this mysterious figure as a symbol of the traditions that guard and protect humanity.

Few people had a more profound effect on Christianity in the 20th century than G. K. Chesterton. The Everlasting Man, written in response to an anti-Christian history of humans penned by H.G. Wells, is considered Chesterton’s masterpiece. In it, he explains Christ’s place in history, asserting that the Christian myth carries more weight than other mythologies for one simple reason—it is the truth.

Considered by many to be one of G.K. Chesterton’s greatest works, The Everlasting Man (first published in 1925), along with many of Chesterton’s other works, were heavily influenced by his own spiritual journey into Christianity. Published in 1925, The Everlasting Man is said to be a rebuttal of H.G. Wells’ The Outline of History, in which Chesterton delves into the history of religion and the spiritual exploration of Western society while defending any objections to Christianity.

In What's Wrong With the World, G.K. Chesterton discusses big business, education, government, feminism, and more. The work draws on thousands of essays Chesterton contributed to newspapers and periodicals over his lifetime. Eloquently opposing materialism, hypocrisy, and snobbery, Chesterton was a steadfast champion of family, faith, and the working man. The work includes a discussion of humankind and its nature, the power of spirituality and the consequences of increasing secularism in the modern world, and the role of education in shaping the young to fit into the society.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

Dubbed the "Dumb Ox" by his classmates for his shyness, Saint Thomas Aquinas proved to be possessed of the rarest brilliance, justifying the faith of his teacher, Albertus Magnus, and sparking a revolution in Christian thought. Chesterton's unsurpassed examination of Aquinas' thinking makes his philosophy accessible to listeners of any generation.