Mostrando resultados por autor "G. K. Chesterton" en Todas las categorías

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

Eight adventures in this classic British mystery series featuring Horne Fisher and his trusted friend Harold March. Horne is a natural sleuth, but his inquiries develop moral consequences. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper crust English society before World War One. Contains eight stories: "The Face in the Target", "The Vanishing Prince", "The Soul of the Schoolboy", "The Bottomless Well", "The Fad of the Fisherman", "The Hole in the Wall", "The Temple of Silence", and "The Vengeance of the Statue."

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In The Purple Wig, an investigative journalist, Frances Finn, sets out to discover the strange secret of the dukes of Exmoor and the legend of their mysterious hereditary deformed ear. When Finn meets the current duke, he is wearing a hideous purple wig, which apparently he never takes off in the presence of anybody.

Ortodoxia es un ensayo de G. K. Chesterton, publicado en 1908, que se ha convertido en un clásico sobre apologética cristiana. En él presenta una visión original de la religión cristiana, que Chesterton ve como una respuesta a las necesidades naturales de los seres humanos, la «respuesta a un acertijo», y no como una verdad arbitraria recibida de alguna parte extraña a la experiencia humana.

A dazzling and uplifting biography of the great Saint Francis of Assisi who gained the world by giving up worldly goods to be be independent of all. Less is more at the highest level. Told in a remarkably astute, nuanced, optimistic, uplifting biography by G. K. Chesterton, known as the Prince of Paradox.

A man has died. But there's really no mystery in that. His heart failed, that's all. But when Father Brown goes into a room to write down the man's final confession, he is distracted by the strange way in which someone is walking outside his door. From the gait of the queer feet, he deduces all.

La solución, en las malas ficciones policíacas, es de orden material: una puerta secreta, una barba suplementaria. En las buenas, es de orden psicológico: una falacia, un hábito mental, una superstición. Ejemplo de las buenas y aun de las mejores es cualquier relato de Chesterton.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

First published in 1922 and filled with evocative portraits of pre-World War I society, these eight stories from the creator of the Father Brown mysteries recount the adventures of Horne Fisher, a socialite who uses his immense knowledge and powerful deductive gifts to investigate crimes committed on the sprawling country estates of the aristocracy - crimes that must, alas, go largely unpunished due to the greater harm that justice would unleash.

In 1917, G.K. Chesterton published an essay in response to an English minister’s objection to people sending cigarettes to British soldiers fighting in the trenches of World War I, titled "The Dregs of Puritanism". He writes that a large number of young men were being hurt by shells, bullets, fever, hunger and horror of hope deferred. The “good reverend”, however, was anxious that they should not be hurt by cigarettes.

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories.

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

In this classic of Christian apologetics, Chesterton lays out a sort of “spiritual autobiography”—how he personally came to believe. Chesterton considered it a companion book to his earlier work Heretics. Where Heretics was a collection of essays defending the Christian faith, Orthodoxy is Chesterton’s own story of how he came to believe that faith.

"Liberalism: A Sample" is an essay by G. K. Chesterton which appears in Utopia of Usurers and Other Essays (1917). It concerns the astounding baseness to which journalism had sunk. Asking why party political journalism was so bad, Chesterton states that it is even worse than it intends to be. He claims that the newspapers simply cannot argue, and do not even pretend to argue. And that there’s a sort of carelessness in their degradation, so that they assume that the reader does not have a mind.

Chesterton demonstrates his intense distrust of power and "progressives," railing against Prohibition, vegetarianism, theosophy, and other "dreary and oppressive" forces of modernity. In a spirited response to the government's attempt to curtail alcohol sales, Humphrey Pump (called Hump) a pub owner in the fishing village of Pebblewick takes to the road in a donkey cart. Accompanied by Captain Patrick Dalroy, a crimson-haired giant with a tendency to burst into song, Hump provisions the cart with a cask of good rum, a giant round of cheese, and the signpost from his pub, The Flying Inn.

The Sherlock Holmes & Father Brown Collection, read by Jonathan Keeble (as Sherlock) and Nicholas Boulton (as Father Brown), includes unabridged recordings of the complete short stories featuring two of the most iconic amateur detectives in literature - Father Brown and Sherlock Holmes.

Heretics is a collection of 20 essays and articles by G. K. Chesterton, in which he appraises prominent figures of his time in the worlds of literature and the arts. He scrutinises the work of luminaries such as George Bernard Shaw, Rudyard Kipling, and H. G. Wells with insight and wit, criticizing those who hold incomplete and flawed views of "life, the universe, and everything".

Get ready for an adventure of epic proportions with The Sign of the Broken Sword by G.K. Chesterton! In this thrilling tale, a young man is drawn into a world of espionage and danger as he tries to solve a mystery and clear his father's name. With its fast-paced plot, memorable characters, and themes of loyalty and honor, The Sign of the Broken Sword is a must-listen for anyone who loves a good mystery or adventure. So why wait? Start listening to The Sign of the Broken Sword today and let Chesterton's storytelling skills keep you on the edge of your seat.https://www.solgood.org - Check out ...