Mostrando resultados por narrador "Denis Daly" en Todas las categorías

Among the monuments of world literature, few works have been as influential as the Divine Comedy. Dante's compendious allegory of a journey through the world of the afterlife is significant on many levels. It established Italian as a literary language, and consolidated the position of Florentine Italian as the lingua franca of the Italian peninsula. As an engaging portrait of the social and intellectual life in medieval Florence it is unrivalled

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

The story concerns the young and vivacious Emma Watson, one of six children of a widowed clergyman. Emma has spent most of her life under the care of a wealthy aunt of liberal views, and has received a good education. However, when her aunt enters into a second marriage, Emma is forced to return to the family home, where she is affronted by the crass hunting for husbands undertaken her sisters, Penelope and Margaret.

Like Wallace D. Wattles, the reclusive James Allen (1864-1912) has posthumously become an icon in the self-help industry and particularly for practitioners who promote a life of unrestrained abundance. Ironically, Allen actually recommended a life of simplicity and plain thinking and considered that a state of unshakeable peace and effortless wisdom constituted true wealth.

This aggressive diatribe against the Bible was published in 1894 and is based on an assertion that formed the basis of many of Ingersoll's attacks on organized religion - the concept of divine inspiration and the evils that spring from this contention.

Pinocchio is by all odds the best puppet-story to be found anywhere, and we sigh in sympathy with the funny little chap's scrapes and punishments, or chuckle at his pranks, while we feel like exclaiming, "Why, how much Pinocchio must have been like me!" The author of this captivating tale, Signor Lorenzini, or "Collodi" as he liked to call himself after his native town in Italy, lived during the 19th century (1826-90) and devoted himself to writing and education, believing that one pleasing way to teach was through puppet-plays.

During his lifetime, Hopkins, who was ordained as a Jesuit priest, was best known as a scholar and a teacher of languages. In his youth, he composed poetry prolifically, but destroyed all his juvenile work in 1867. In 1874, he commenced writing poetry again, but little of his verse was published in his lifetime. His work was rescued from obscurity by his friend and supporter, Robert Bridges, who later became poet laureate.

In Rhonda Byrne's self-help book, The Secret, published in 2006, the theory of the Law of Attraction is presented as a re-discovery of an ancient metaphysical principle, buried in ages of historical neglect. However, nothing could be further from the truth. Exactly a century earlier, prolific New Thought author William Walker Atkinson published Thought Vibration, a succinct but thorough examination of the power of thought and its function in the creation and control of personal circumstances.

Shaku's eminently reasonable worldview and his skillful exposition of a truly universal definition of divinity and its inevitable necessity are both compelling and difficult to refute. In particular, this collection of discourses probes deeply and revealingly into the fundamental questions that occupy the minds of believers and unbelievers alike: why men cultivate religion in the first place and what the secret of its persistent vitality is.

James Allen (1864-1912) was a philosopher and pioneer of the New Thought movement. A prolific author, his works have become a fundamental source for many of the concepts used today in motivational and self-help programs. The Mastery of Destiny is Allen's treatise on the apparent conflict between fate and free will. He states that there is a method by which these opposing forces can be reconciled.

Joseph McCabe was one of the most learned and prolific of atheist writers. In his earlier life, he had been a Catholic priest, fluent in several languages, who taught philosophy and history in ecclesiastical colleges. He wrote over two hundred books and pamphlets and also translated a number of significant texts.

This grimly picturesque novel by Arthur Morrison was first published in 1897. The central character is Dicky Perrott, an urchin living in the Jago, an extremely squalid district of London's East End. The Jago is based on the Old Nichol slum, which lay at the back of Shoreditch High Street, and which has since been demolished. The novel describes Dicky's futile attempts to escape from the soul-destroying environment of the Jago, with the support of the Reverend Henry Sturt, who was based on the historical East End crusader, Arthur Osborne Jay, to whom the book is dedicated.

In regard to Christianity and, especially, Catholicism, Joseph McCabe was one of the most learned atheist writers of the 20th century. McCabe was a former Catholic priest, fluent in Latin and several other languages, who had taught philosophy and ecclesiastical history in a Catholic university. During his lifetime he wrote hundreds of books and pamphlets, and translated dozens of others, on various aspects of science and history, and a great many texts on religious topics.

The Waste Land by T. S Eliot is narrated by Danielle Cohen and Denis Daly. Eliot's cross-cultural epic poem, first published in 1922, remains one of the most challenging poems in the English language. It is dedicated to Eliot's mentor, Ezra Pound. Like Pound, Eliot reveled in drawing allusions and quotations from a vast body of world literature.

"Enoch Arden" is a long narrative poem that is built on a theme that has been widely explored in literature and on film. A man is separated from his family due to shipwreck and marooned on an island. After several years of absence from his home, it is assumed that he has died, and his wife remarries and starts a new family. After 10 years, the man finally makes his way home and has to deal with the trauma of discovering his wife and family happily established in a new relationship.

The unlikely heroine of this novel is the bashful and unadventurous Fanny Price, who occupies a Cinderella-like position in the residence of her wealthy cousins, the Bertrams, at Mansfield Park. Fanny is the butt of ridicule for the young Bertram sisters (Maria and Julia), and is relentlessly bullied by her manipulative and penny-pinching aunt, the widowed Mrs Norris.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

Háfiz (1315-1390) was a lyric poet, a major figure in classical Persian literature. The compendious anthology of his poetry simply titled the Divan contains several hundred odes, from which this small selection was made by the translator. In the introduction Bicknell writes: ...we must look upon Háfiz as one of the few poets in the world who utters an unbroken strain of joy and contentment. His poverty was to him a constant fountain of satisfaction, and he frankly took the natural joys of life as they came....

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.