Mostrando resultados por narrador "Moira Quirk" en Todas las categorías

When a young woman falls to her death from a central London bridge, the police rule it suicide—until a witness comes forward with shocking footage of the moment she was pushed. The attacker is identified as Bradley Aspen, the son of an attaché to the US Embassy in London—giving him diplomatic immunity from prosecution. CPS lawyer Eve Wren knows the victim’s family and is determined to bring Aspen to justice. And when further victims come to light, she realises he’s no ordinary murderer: he’s a serial killer. S

Sophronia's first year at Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality has certainly been rousing! For one thing, finishing school is training her to be a spy. Furthermore, Sophronia got mixed up in an intrigue over a stolen device and had a cheese pie thrown at her in a most horrid display of poor manners. Now, as she sneaks around the dirigible school, eavesdropping on the teachers' quarters, she learns that there may be more to a school trip to London than is apparent at first.

When secret organizations are forced to merge after years of enmity and bloodshed, only one person has the fearsome powers - and the bureaucratic finesse - to get the job done. Facing her greatest challenge yet, Rook Myfanwy Thomas must broker a deal between two bitter adversaries: the Checquy - the centuries-old covert British organization that protects society from supernatural threats, and the Grafters - a centuries-old supernatural threat.

It has been an eventful morning for Agnes Sharp and the other inhabitants of Sunset Hall, a house share for the old and unruly in the sleepy English countryside. Although they have had some issues (misplaced reading glasses, conflicting culinary tastes, decreasing mobility, and unruly grandsons), nothing prepares them for an unexpected visit from a police officer with some shocking news. A body has been discovered next door. Everyone puts on a long face for show, but they are secretly relieved the body in question is not the one they’re currently hiding in the shed (sorry, Lillith).

Country bred Lucy Craddock-Hayes is content with her quiet life, until the day she trips over an unconscious man - a naked unconscious man - and loses her innocence forever. Viscount Simon Iddesleigh was nearly beaten to death by his enemies. Now he's hell-bent on vengeance. But as Lucy nurses him back to health, her honesty startles his jaded sensibilities - even as it ignites a desire that threatens to consume them both. Yet as his honor keeps him from ravishing her, his revenge sends his attackers to her door.

When a dastardly Pickleman plot comes to fruition, only Sophronia can save her friends, her school, and all of London...but at what cost? Our proper young heroine puts her training and skills to the test in this highly anticipated conclusion of the rousing, intriguing, and always polished New York Times best-selling Finishing School series!

Fourteen-year old Sophronia is the bane of her mother's existence. More interested in dismantling clocks and climbing trees than proper etiquette at tea - and god forbid anyone see her atrocious curtsy - Mrs. Temminnick is desperate her daughter become a proper lady. She enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality.

But little do Sophronia or her mother know that this is a school where ingenious young girls learn to finish all right - but it's a different kind of finishing.

When the death of Iron Queen Sarelin Brey fractures the realm of Elira, Lysande Prior, the palace scholar and the queen’s closest friend, is appointed Councillor. Publically, Lysande must choose the next monarch from amongst the city-rulers vying for the throne. Privately, she seeks to discover which ruler murdered the queen, suspecting the use of magic. Resourceful, analytical, and quiet, Lysande appears to embody the motto everything in its place. Yet while she hides her drug addiction from her new associates, she cannot hide her growing interest in power.

Cairo, 1869. When a bomb goes off at the Khedivial Opera House celebrating the opening of the new Suez Canal, visiting Assassin Pierrette Arnaud investigates, only to uncover a plot to eradicate free will… To her surprise, her old friend and teacher Simeon Price arrives in Egypt on the same trail, seven years after they allied to stop the Templars in London. But there’s no time to reminisce as the Templars maneuver Europe and Africa like pieces on a chessboard, wreaking havoc on a global scale.

Aileana Kameron, the Falconer, disappeared through the portal that she was trying to close forever. Now she wakes up in the fae world, trapped and tortured by the evil Lonnrach. With the help of an unexpected ally, Aileana re-enters the human world, only to find everything irrevocably changed. Edinburgh has been destroyed, and the few human survivors are living in an uneasy truce with the fae, while both worlds are in danger of disappearing altogether. Aileana holds the key to saving both worlds, but in order to do so she must awaken her latent Falconer powers.

In this original adaptation of E.M. Forster’s novel, an encounter in Florence and an offer to exchange rooms brings George Emerson to the attention of Lucy Honeychurch. Their flirtation is cut short by Lucy’s chaperone, but when they meet again back home in England, Lucy must negotiate the demands of her station with the desires of her heart.

Sirileth has broken the world. The ground bleeds, the seas rage, and the skies are torn asunder. Eska will not let her daughter face the consequences alone, but can she help without donning the mantle of the Corpse Queen once more? And will the people of Ovaeris accept help from a monster? They might not have a choice as a stable portal to the Other World is now open, and the Beating Heart of Sevorai is ever ravenous.

The year is rapidly drawing to an end, Hettie the tortoise is hibernating and Agnes, Charlie, Marshall, and the other elderly residents of Sunset Hall are going stir-crazy at home. They’ve had enough of the broken boiler, drafty bedrooms, and Christmas jingles on the radio. And to top it off, another series of murders is rocking the hamlet of Duck End. It seems like every villager and his dog is trying to make up for all of the thwarted murders of the past thirty years.

Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.

Why are men in charge? After years in the male-dominated field of mathematics and in the female-dominated field of art, Eugenia Cheng has heard the question many times. In x + y, Cheng argues that her mathematical specialty - category theory - reveals why. Category theory deals more with context, relationships, and nuanced versions of equality than with intrinsic characteristics. Category theory also emphasizes dimensionality: much as a cube can cast a square or diamond shadow, depending on your perspective, so too do gender politics appear to change with how we examine them.

A year after a grand tour with her brother, Felicity Montague has returned to England with two goals - avoid the marriage proposal of a lovestruck suitor and enroll in medical school. However, her intellect will never be enough in the eyes of the sexist administrators. But then a window of opportunity opens - a doctor she idolizes is marrying an old friend of hers in Germany. Felicity believes this man can help her, but she has no money of her own to make the trip. Luckily, a mysterious young woman is willing to pay Felicity’s way, so long as she’s allowed to travel with Felicity.

Eighteen-year-old Liobhan is a powerful singer and an expert whistle player. Her brother has a voice to melt the hardest heart, and is a rare talent on the harp. But Liobhan's burning ambition is to join the elite warrior band on Swan Island. She and her brother train there to compete for places, and find themselves joining a mission while still candidates. Their unusual blend of skills makes them ideal for this particular job, which requires going undercover as traveling minstrels. For Swan Island trains both warriors and spies.

Bard and fighter Liobhan is always ready for a challenge. So when news arrives at Swan Island that the prince of Dalriada has gone missing after an assault by both masked men and the sinister Crow Folk, she's eager to act. While Liobhan and her fellow Swan Island warriors seek answers to the prince's disappearance, the bard Brocc, Liobhan's brother, finds himself in dire trouble. His attempts to communicate with the Crow Folk have led him down a perilous path.

Eskara is free of the Pit, but far from safe. She is beset by the ghosts of those she has killed, and plagued by the ancient horror that possesses her. Enemies dog her heels, determined to see the last Orran Sourcerer dead. Worse still, there is new player in the game, one far more dangerous than anything she has faced before. But there is one place that might offer her both the safety she needs to survive, and the power she needs to strike back; Ro’shan, the flying home of a God. Eska will soon learn that all power comes with a cost, and some prices are too high.

Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked, and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York", the single-mindedness of love dramatically derails the relationship between a girl and her mother while in "Sister Imelda" and "The Creature", the strong ties between teacher and student and mother and son are ultimately broken.