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In regard to Christianity and, especially, Catholicism, Joseph McCabe was one of the most learned atheist writers of the 20th century. McCabe was a former Catholic priest, fluent in Latin and several other languages, who had taught philosophy and ecclesiastical history in a Catholic university. During his lifetime he wrote hundreds of books and pamphlets, and translated dozens of others, on various aspects of science and history, and a great many texts on religious topics.

The subject and argument of the poem are clear from the title. However, unlike Juvenal, Johnson espoused the view that Christian values are an essential aspect of a life well lived. While Johnson passes harsh judgement on the foolishness of greed and social pretensions, his scorn is much tempered by that natural compassion that has made him one of the most lovable figures in English literature.

A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved".

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

This aggressive diatribe against the Bible was published in 1894 and is based on an assertion that formed the basis of many of Ingersoll's attacks on organized religion - the concept of divine inspiration and the evils that spring from this contention.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

This is sequel to another volume by Andy Blunden, The Capital/Logic Debate. In this book, the author provides a systematic presentation of the Hegelian structure of the three volumes of Capital. It is shown that Capital contains three distinct layers of structure, originating from Marx’s reading of Hegel’s Logic and his Philosophy of Right. Capital reflects Marx’s critique of the Political Economists, his unique appropriation of economic history and an application of the method outlined by Hegel in his Logic and applied to his Encyclopaedia.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

Unlike his more famous fellow war poets, Wilfred Owen and Rupert Brooke, Siegfried Sassoon survived the First World War. In this collection of 64 poems, first published in 1920, Sassoon portrays the dehumanizing horror of modern warfare with its staggering death toll, while also satirizing the jingoistic fervour of politicians and armchair strategists.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

The melodramatic romance by Goethe The Sorrows of the Young Werther, the story of a troubled aesthete who kills himself for love, was first published in 1774 and has since become one of the staples of German literature. Such extravagant productions lend themselves readily to parody and naturally attracted the attention of skilled satirists like Thomas Love Peacock.

For James Allen, philosopher and pioneer of the New Thought movement, the highest expression of personal realization was to be "in the world" but not "of the world." As Allen says, "The turmoil of the world we cannot avoid, but the disturbances of mind we can overcome." In this collection of short essays he discusses the attitudes and actions required for the attainment of that abiding inner peace "where the Heavenly Silence reigns."

This book is a critical analysis by an ex-Muslim activist of religion in general and of Islam in particular. It describes the author's journey out of Islam and discusses in depth the many common misconceptions about Islam that are prevalent both within and outside the Islamic world.

Many masters employed the form of the sonnet, including Petrarch, Spenser, Shakespeare, Keats, and Robert Bridges. However, the most celebrated, and oft quoted, examples are to be found in the collection by Shakespeare, first published in 1609. In the 154 poems, Shakespeare surveys and dissects the subject of love in all its guises, and its relationship with youth, age, illness, death, and memory.

Genevieve Behrend was a teacher and exponent of Mental Science, a New Thought discipline created by her mentor, Thomas Troward (1847- 1916). As the only direct student of Troward, the author had a unique insight into the philosophy and methods of her master. Your Invisible Power, published in 1921, is her first and most famous book. It is a guide to the use of visualization and other mental processes in life enhancement and the achievement of personal goals. A new recording of one of the first great self-help classics narrated by Denis Daly.

John Donne (1573-1631) is considered by many to be the finest poet of the Elizabeth Age after Shakespeare. Ironically, poetry was not Donne's dominant preoccupation. In his own day, he was better known as a scholar, and, in later life, a clergyman. His verse was composed sporadically and in an offhand fashion and appears not to have been subjected to revision. In spite of occasional solecisms, his poetic verbiage is vigorous and compelling and marked by a striking use of imagery.

Although the historicity of Sun Tzu is today in dispute, his short treatise on the art of war has remained a preeminent classic of military philosophy and practice. In this small audiobook, the author describes in trenchant detail the approach and methods required for success in any combative endeavor. The principles he enunciates have been widely applied not only by leaders in the military but also in business, politics, sports, and education.

This lyrical ballad is one of Tennyson's most famous poems. The subject, the tragic passing of a reclusive noblewoman, was suggested by a 13th-century Italian romance, the Donna di Scalotta.

Together with Omar Khayyam and Jalāl ud-Din Mohammad Rumi, Khwaja Shams-ud-din Mohammed Hafiz-e Shirazi, more commonly known just as Háfiz, is considered one of the major figures of classical Persian literature. Gertrude Lothian Bell (1868 - 1926) was a traveler, archeologist, political advisor, and authority on Middle Eastern history and literature.