Mostrando resultados por narrador "Louise Brealey" en Todas las categorías

It is 1685 and England is on the brink of a renewed civil war. King Charles II has died without an heir and his brother James is to take the throne. But the people are bitterly divided, and many do not welcome the new king or his young queen. Ned Ferryman cannot persuade his sister, Alinor, that he is right to return from America with his Pokanoket servant, Rowan, to join the rebel army. Instead, Alinor and her daughter Alys, have been coaxed by the manipulative Livia to save the queen from the coming siege. The rewards are life-changing.

On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life. England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom.

Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. Jess and Jason, she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed.

Max and Pip are the strongest couple you know. They're best friends, lovers - unshakable. But then their son gets sick and the doctors put the question of his survival into their hands. For the first time, Max and Pip can't agree. They each want a different future for their son. What if they could have both? A gripping and propulsive exploration of love, marriage, parenthood, and the road not taken, After the End brings one unforgettable family from unimaginable loss to a surprising, satisfying, and redemptive ending and the life they are fated to find.

An anonymous letter arrives at the offices of the Clarendon English Dictionary containing a challenge for the team of lexicographers working there. It's clear that's it's not the usual run-of-the-mill, eccentric enquiry. The letter hints at secrets, lies and a year. 2010. For Martha Thornhill, the new senior editor, that year can mean only one thing: the summer her brilliant, beautiful older sister Charlie went missing.

Mariana Andros is a psychologist struggling to make sense of life after the death of her husband. So when her niece, Zoe, calls - traumatised by the murder of her best friend - Mariana rushes to be with her and away from her own grief. St. Christopher's College, Cambridge, is a closed world to most - but it's where Mariana and her late husband met as students. Days which seem long buried rise to the surface, as memory and mystery entangle Mariana in the secretive society of campus.

As a 13-year-old World War Two evacuee, Edie’s mother was chosen by the mysterious Juniper Blythe and taken to live at Milderhurst Castle with the Blythe family. In the grand and glorious Milderhurst Castle, a new world opened up for Edie’s mother. She discovered the joys of books and fantasy and writing, but also, ultimately, their dangers. Fifty years later, as Edie chases the answers to her mother’s riddle, she too is drawn to Milderhurst Castle and the eccentric Blythe sisters. Inside the decaying castle, Edie begins to unravel her mother’s past.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia.

When lockdown led busy professional Chloe to leave the city and return to the countryside of her childhood, she never expected to find herself custodian of a newly born hare. Yet when she finds the creature, endangered, alone and no bigger than her palm, she is compelled to give it a chance at survival. Raising Hare chronicles their journey together and the challenges of caring for the leveret and preparing for its return to the wild. We witness an extraordinary relationship between human and animal, rekindling our sense of awe towards nature and wildlife.

Louise wakes up. Her head aches, her mouth is dry, her memory is fuzzy - but she suspects she’s done something bad. She rolls over toward her husband, Niall. The man who, until recently, made her feel loved. But it’s not Niall lying beside her. In fact, she’s never seen this man before. And he’s not breathing. As Louise desperately struggles to piece her memories back together, it’s clear to Jonah Sheens and his team that she is their prime suspect - though they soon find she’s not the only one with something to hide.

When Pamela Churchill Harriman died in 1997, the obituaries that followed were scathing - and often downright sexist. Written off as a social climber, her glamorous social life and infamous erotic adventures overshadowed her true legacy. Much of what she did behind the scenes to shape the twentieth century, on both sides of the Atlantic, remained invisible. That is, until now: with a wealth of fresh research, Sonia Purnell unveils for the first time the full, spectacular story of how Harriman left an indelible mark on the world today.

Letters of Note, the book based on the beloved website of the same name, became an instant classic on publication in 2013, selling hundreds of thousands of copies. This new edition sees the collection of the world's most entertaining, inspiring, and unusual letters updated with 14 riveting new missives and a new introduction from curator Shaun Usher.

Rose, newly married to surgeon Nathan Winter, wants for nothing in her perfect life–except the one thing she can’t have: for her sister, Daisy, who’s lying unresponsive in a coma, to wake up. Daisy’s psychologist has been a constant presence at her hospital bedside. But he’s taken an unnatural interest in Rose, and now he’s made a shocking accusation: that Rose’s husband is a psychopath and that she’s in danger.

Midsummer Eve, 1670. Two unexpected visitors arrive at a shabby warehouse on the south side of the River Thames. The first is a wealthy nobleman seeking the lover he deserted 21 years earlier. Now, James Avery has everything to offer: a fortune, a title, and the favor of the newly restored King Charles II. He believes that the warehouse’s poor owner Alinor has the one thing he cannot buy - his son and heir.

When a young nanny is found dead in mysterious circumstances, new mom, Tash, is intrigued. She has been searching for a story to launch her career as a freelance journalist. But she has also been searching for something else—new friends to help her navigate motherhood. She sees them at her son’s new playgroup. The other mothers. A group of sleek, sophisticated women who live in a neighborhood of tree-lined avenues and stunning houses. The sort of mothers Tash herself would like to be. When the mothers welcome her into their circle, Tash discovers the kind of life she has always dreamt of.

Peggy and Molly Gainsborough—the daughters of one of England’s most famous portrait artists of the 1700s and the frequent subject of his work—are best friends. They spy on their father as he paints, rankle their mother as she manages the household, and run barefoot through the muddy fields that surround their home. But there is another reason they are inseparable: from a young age, Molly periodically experiences bouts of mental confusion, even forgetting who she is, and Peggy instinctively knows she must help cover up her sister’s condition.

He’s the perfect man. He says he loves you. You think he might even be made for you. Before long he’s moved into your house – and into your heart. And then he leaves for days at a time. You don’t know where he’s gone or who he’s with. And you realise - if you looked back - you’d say to yourself: DON’T LET HIM IN.

Benedict Cumberbatch and Louise Brealey read a love story in letters, played out against the backdrop of the Second World War. 'Can you feel, as you read these words, that I am thinking of you now; aglow, alive, alert at the thought that you are in the same world, and by some strange chance loving me.' A small blue box opened in 2008 revealed a wartime world of love, longing and frustration. Inside were bundles and bundles of letters written neatly on thin blue airmail paper or headed army notepaper.

Composed in the early 1350s, in the wake of the Black Death, The Decameron comprises 100 short stories from all over the world, reset by Boccaccio among the flourishing merchant classes of Renaissance Italy. Their universal themes—love, sex, religion, fate, morality—resonate with us to this day, and their witty, satirical, bawdy voice sounds utterly modern. Monty Python star and medieval historian Terry Jones presents ten BBC Radio dramatisations of tales from Giovanni Boccaccio's humane and comic masterpiece

As London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place, shelter to shelter, to a desolate island and back again. The story traces fear and wonder, as the baby's small fists grasp at the first colors he sees, as he grows and stretches, thriving and content against all the odds.