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This book is a critical analysis by an ex-Muslim activist of religion in general and of Islam in particular. It describes the author's journey out of Islam and discusses in depth the many common misconceptions about Islam that are prevalent both within and outside the Islamic world.

Although he was well known as an authority on spiritual traditions, Paul Carus was unusual in that he refused to align himself with any particular form of organized religion. In any case, his universalist view of God would probably have put him outside the allowable boundaries of Christian belief. Carus was particularly active in raising awareness of Eastern spiritual traditions in the West.

While he is most famous for his didactic fable, The Prophet, the works of Kahlil Gibran (1883-1931) address a wide range of philosophical and social issues. The overriding theme of his narratives is not the religious universalism that he is supposed to represent, but rather the inevitable conflict between human aspirations and the remorseless machinations of fate.

This pacifist manifesto was published in 1917, as the First World War was dragging to a close. The resolution of this catastrophic conflict resulted in a reconstruction of Europe, the fallout from which led to an even more cataclysmic war. Russell delineates the problem as being due to the institutionalizing of national hostilities and the consequent apportioning of blame among the warring parties. In his exposition Russell considers the roles played by a number of institutions, social and political, reserving some his sharpest criticism for organized religion.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

In this collection, the authors were striving for a natural and unaffected style of verse that sought to avoid the elaborate structures and artifice that they considered had characterized much of the poetry of the 18th century. Of the 23 poems, only four are by Coleridge, including "The Rime of the Ancient Mariner", which is the most famous poem in the collection. The most notable contribution by Wordsworth is the concluding poem, "Tintern Abbey".

Alexander Pope was celebrated for his command of classical Greek and produced seminal translations of the Iliad and the Odyssey. Prior to the preparation of these translations, Pope took advantage of his mastery of the classical style and also his waspish wit to compose a burlesque epic about the theft of a lock of hair. The incident that inspired Pope was related to him by his friend John Caryll. Lord Petre had cut off a lock of the hair of Arabella Fermor, whom he was courting at the time, without asking the lady's permission.

The melodramatic romance by Goethe The Sorrows of the Young Werther, the story of a troubled aesthete who kills himself for love, was first published in 1774 and has since become one of the staples of German literature. Such extravagant productions lend themselves readily to parody and naturally attracted the attention of skilled satirists like Thomas Love Peacock.

The Diamond Sutra is one of the most revered philosophical texts in Buddhist literature. It has long been very popular among Buddhists in China, and with the exception of the Lotus of the Good Law, and the Leng-Yen-Ching, perhaps no other Sutra ascribed to Buddha is held by the Chinese in such esteem.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

New Poems by D.H.Lawrence. Narrated by Denis Daly. This audiobook is a collection of 42 poems first published in 1920. In it, Lawrence explores the possibilities of free verse, of which he says in the preface: “This is the unrestful, ungraspable poetry of the sheer present, poetry whose very permanency lies in its wind-like transit.”

This book, a true spiritual classic, consists of notes of several conversations had with, and letters written by, Nicholas Herman, of Lorraine, a humble man of little education. After having served as a soldier and a footman, Herman was admitted as a lay brother to the order of the barefooted Carmelites at Paris in 1666, where he took the name "Brother Lawrence." The conversations are supposed to have been recorded by Joseph de Beaufort, who later became vicar general to the Archbishop of Paris.

This collection arguably contains some of the most charming lyrics ever written in English. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

Unlike his more famous fellow war poets, Wilfred Owen and Rupert Brooke, Siegfried Sassoon survived the First World War. In this collection of 64 poems, first published in 1920, Sassoon portrays the dehumanizing horror of modern warfare with its staggering death toll, while also satirizing the jingoistic fervour of politicians and armchair strategists.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

According to Tertullian and others Marcion was the son of a bishop and was born at Sinope, in Pontus. He arrived in Rome in about 140 CE, bringing a scripture with him that he named "The Gospel of the Lord". Marcion described this not as a new gospel, but as that which Saint Paul had used and which he communicated to the churches he founded.

Little is known of the life of Zen master Huang-Po (Obaku in Japanese). He was born in Fuzhou, China, and died about 850 AD. His main teacher was Pai Chang (Hyakujo) (720 - 814). The main source for Huang-Po's teaching is the Treatise of the Essentials of the Transmission of the Mind, compiled by his student, Pei Xiu. Huang-Po's teaching is focused on the concept of Mind, the essence of intrinsic Buddahood. According to the master, the search for enlightenment was a useless distraction, as seeking for something inevitably separates the seeker from what is being sought.

The four canonical gospels contain little information about the childhood of Jesus. To provide details of this period, a number of infancy gospels were composed in the second century, the text of this recording being one of the most notable. In this book, the sketchy infancy narrative of the Gospels of Matthew and Luke is embellished in great detail. The events of Jesus’ boyhood days, richly garnished with tales of miraculous feats and the occasional visitation of punishment on unfortunate delinquents, are also described.

Miss Julie is probably the most famous play by the Swedish playwright August Strindberg, one of the founding fathers of naturalistic theater. In this claustrophobic drama, the interplay between social order and individual identity is explored in great detail. At the end the aristocratic Julie, goaded by her manipulative manservant, John, is faced with the ultimate decision: independence or annihilation.

This collection, first published in 1914, contains 28 short pieces in prose and verse, which present themes frequently explored in Gibran's other works. These include love, death, creation myths and spiritual realization.